Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Filmed in the great tradition of Italian neorealism, Mamma Roma offers an unflinching look at the struggle for survival in postwar Italy, and highlights director Pier Paolo Pasolini's lifelong fascination with the marginalized and dispossessed. Though banned upon its release in Italy for obscenity, today Mamma Roma remains a classic, featuring a powerhouse performance by one of cinema's greatest actresses and offering a glimpse at a country's most controversial director in the process of finding his style.
Three new interviews about director Pier Paolo Pasolini, featuring Bernardo Bertolucci, an assistant director to Pasolini on Accattone; Tonino Delli Colli, cinematographer on eleven of Pasolini's fourteen films; and Enzo Siciliano, author of Pasolini, a biography
Pier Paolo Pasolini (1995), a 58-minute documentary by filmmaker Ivo BarnabÃ² Micheli covering the career of the controversial artist
La ricotta (1963), a 35-minute film by Pasolini starring Orson Welles as a director who sets out to make a film about the Passion of Jesus