This title is also available in the following box set: A Whit Stillman Trilogy: Metropolitan, Barcelona, The Last Days of Disco
Buy Physical Copy At:
Licensor Information
Universal Studios Home Entertainment
Directed by: Whit Stillman
Featuring: Chloë Sevigny, Kate Beckinsale, Chris Eigeman, Mackenzie Astin, Matt Keeslar, Robert Sean Leonard, Jennifer Beals
The Last Days of Disco is a clever, comic return to the nighttime party scene in early Eighties Manhattan from director Whit Stillman (Metropolitan). At the center of the film's roundelay of revelers are the icy Charlotte (Kate Beckinsale) and the demure Alice (Chloë Sevigny), by day toiling as publishing house assistants and by night looking for romance and entertainment at a premier, Studio 54-like club. The Last Days of Disco is an affectionate yet unsentimental look at the end of an era, brimming with Stillman's trademark dry humor.
Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.78:1
Audio Options:
English DTS-HD MA Surround 5.1
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Deleted Scenes, Audio Recording, Featurette, Gallery, Theatrical Trailer, Insert
- Audio commentary by Whit Stillman and actors Chris Eigeman and Chloë Sevigny
- Four deleted scenes, with commentary by Whit Stillman, Chris Eigeman, and Chloë Sevigny
- Audio recording of Whit Stillman reading a chapter from his book The Last Days of Disco, with Cocktails at Petrossian Afterwards
- Behind-the-scenes featurette
- Stills gallery, with captions by Stillman
- Trailer
- Insert with a new essay by novelist David Schickler
Forum Member Statistics
Sign-in with your forum account to rate this release
Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Sarah Habibi
Producer: Kate Elmore
Artwork: Pierre Le Tan
Release Notes on Restoration
The Last Days of Disco
The Last Days of Disco is presented in the aspect ratio of 1.78:1. On standard 4:3 televisions, the image will appear letterboxed. On widescreen televisions, the image should fill the screen. Supervised by director Whit Stillman, this high—definition digital transfer was created on a Spirit Datacine from a 35 mm interpositive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTl’s DRS and Pixel Farm’s PFClean, while Image Systems’ DVNR was used for small dirt, grain, and noise reduction.
The original 5.1 surround soundtrack was remastered at 24-bit from the original 35 mm magnetic audio tracks. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.
The original 5.1 surround soundtrack was remastered at 24-bit from the original 35 mm magnetic audio tracks. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.