This Blu-ray ports everything over that was on the original DVD that was available on its own or in the DVD box set.
The pop-out menus for this Blu-ray recreate a similar menu structure the DVD presented. The main pop-out menu displays the two film titles and then the audio options. When you select a film another menu flies out listing all the options for that specific film, including the ability to play the film, the chapter list, all the features, and then the audio options again.
Supplements are all found under their respective filmís menu.
Unique to the Blu-ray is of course Criterionís Timeline for both films. You can open it from the pop-up menu of the film youíre watching or by pressing the RED button on your remote. This is a timeline that shows your current position in the film and like pop-up menus for most Blu-ray releases it appears over the film as it plays. It lists the index chapters for the film and the commentary tracks, and you can also switch to the commentary track(s) from here. You also have the ability to ďbookmarkĒ scenes by pressing the GREEN button and return to them by selecting them on the timeline. You can also delete bookmarks by pressing the BLUE button. This is pretty common on Blu-ray so itís nothing new but Iíve always liked Criterionís presentation.
For Jimi Plays Monterey we get one of the best supplements on here, an audio commentary by music critic Charles Shaar Murray. The same as the one found on the DVD itís an absolutely fantastic commentary track. He talks very little about the film itself, and only talks briefly about the actual Monterey festival, and instead spends most of the track talking about Hendrix himself and his career. He gives a brief bit of information about Hendrixís career and early life (he saves more material for another section of the disc) but his main focus is to talk about Hendrixís performance at Monterey. Itís a quick, often timeís humourous track helped by the fact Murray is obviously enamoured by the musician. He loves pointing out Hendrixís techniques, loves talking about his guitars and his style, and just canít stop praising his performance. Itís an absolutely wonderful track, a real treat.
And I can only assume Murray couldnít contain his enthusiasm during his commentary because Criterion has also included an additional 44-minutes worth of material from the man under Additional Audio Excerpts, which plays in an audio only presentation (over an still of Hendrix) apart from the film. The film itself is only 49-minutes so Iím guessing this is material that was edited out to fit the timeframe of the film. Iím glad Criterion decided not to dispose of this material as itís all golden, with Murray further getting into Hendrixís personal life, his life in the military, his political views, how he would string his guitar to play left hand, and Hendrixís obvious love the for guitar. Itís a great expansion on the commentary track and is definitely worth listening to.
Interview presents a short 4 and a half minute interview with Pete Townshend recorded for VH1 in 1987. On Murrayís commentary found on this disc and then elsewhere in the Monterey Pop Blu-ray features thereís mention of an apparent fight that occurred between Hendrix and Townshend on who would perform first. There was suspicion it had to do with the fact both wanted to be the first to destroy their instruments on stage, though here Townshend says he wanted The Who to go first because he feared following Hendrix. Most of the interview excerpt pertains to this with a little about Monterey as a whole. Itís a shame more of the interview wasnít included but I guess Criterion figured it only made sense to include material that had to do with Monterey and Hendrixís performance.
The supplements for this film then conclude with a trailer.
Shake! Otis at Monterey is the shorter film, running only 19-minutes, and only gets a few supplements.
This film gets two audio commentaries, both by music critic Peter Guralnick. The first track talks specifically about Otisí performance at Monterey while the second is a brief, quick, 19-minute bit about Otisí early life and career. Unfortunately it pales in comparison to Murrayís energetic and excited commentary track, and at times it sounds like Guralnick may be reading from notes. It actually moves at a leaden pace, stunning for a film thatís only 19-minutes, and offers little in the way of insight I found.
Better is the interview with Reddingís manager Phil Walden. Running 18-minutes he gives a better account of the man with some wonderful anecdotes (such as how Redding helped Walden raise his tuition for school,) Stax Records, and how a European tour led to Monterey. He also recalls freaking out about the psychedelic effects used during other performances and worried how the crowd would react to Otis, but Otis didnít seem concerned and just went out and did his thing. With text notes thrown into expand on certain subjects itís an excellent interview and far better than the two commentary tracks for the film.
The release then comes with a slim booklet containing an essay by David Fricke, senior editor at Rolling Stone, who writes about the two performers, their impact, and their untimely deaths. This essay is included with the individual DVD release of the film but oddly is not part of the large booklet that came with the DVD box set of The Complete Monterey Pop Festival. Itís short but makes for a decent read.
Not as lavish as the Blu-ray edition of Monterey Pop (which comes with a couple of hours worth of outtakes) but the commentary and two interviews are strong. Plus at the lower price of $29.95 makes it certainly worth it. 7/10