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SPECIFICATIONS
  • 1.66:1 Anamorphic Widescreen
  • English PCM Mono
  • English subtitles
  • 1 Disc
FEATURES
  • New audio commentary by critic Gary Giddins
  • Television interview from 1979 with star Kirk Douglas
  • New video interviews with Kubrick's longtime executive producer Jan Harlan, Paths of Glory producer James B. Harris, and actress Christiane Kubrick
  • Excerpt from a French television program about real-life World War I executions similar to the events dramatized in Paths of Glory
  • Theatrical trailer

Paths of Glory

Blu-ray
Reviewed by: Chris Galloway

Directed By: Stanley Kubrick
Starring: Kirk Douglas, Ralph Meeker, Adolphie Menjou, George Macready, Wayne Morris, Richard Anderson, Joseph Turkel
1957 | 88 Minutes | Licensor: MGM Home Entertainment

Release Information
Blu-ray | MSRP: $39.95 | Series: The Criterion Collection | Edition: #538
RLJ Entertainment

Release Date: October 26, 2010
Review Date: October 7, 2010

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SYNOPSIS

A pivotal work by Stanley Kubrick, Paths of Glory is among the most powerful antiwar films ever made. A fiery Kirk Douglas stars as a French colonel serving in World War I who goes head-to-head with the army's ruthless top brass when his men are accused of cowardice after being unable to carry out an impossible mission. This haunting, exquisitely photographed dissection of the military machine in all its absurdity and capacity for dehumanization (a theme Kubrick would continue to explore throughout his career) is assembled with its legendary director's customary precision, from its tense trench warfare sequences to its gripping courtroom climax to its ravaging final scene.

Forum members rate this film 8.9/10

 

Discuss the film and Blu-ray here   


PICTURE

In a welcome surprise, Stanley Kubrickís Paths of Glory receives a wonderful new Blu-ray from Criterion, presenting the film in the aspect ratio of 1.66:1 on this dual-layer disc. The transfer is presented in 1080p/24hz. The original MGM DVD presented the film in 1.33:1 but the widescreen ratio presented here is how it was originally shown, MGMís DVD presenting the film open matte.

Working from a restoration done by the UCLA Film and Television Archive, Criterionís digital transfer is an absolute stunner. The image presents sharp, crisp details and never seems to waver other than when the source looks to go fuzzy at the edge of the screen in a couple of noticeable spots. The amount of detail present is the most striking thing about this transfer, right from the opening shot to the close-ups of the faces of the soldiers during the closing sequences. Gray levels look superb and blacks are quite inky, with no lost detail.

Grain is visible and gets heavy in a few spots but itís not distracting and remains natural looking. The source materials show some damage but itís minimal. In all itís an absolutely gorgeous looking image, top-notch on all fronts. From the vigorous restoration to the superb digital transfer, this is easily the best Iíve ever seen the film.

9/10

All Blu-ray screen captures come from the source disc and have been shrunk from 1920x1080 to 900x506 and slightly compressed to conserve space. While they are not exact representations they should offer a general idea of overall video quality.

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AUDIO

The lossless linear PCM mono track is also quite striking. Though some explosions during the battle sequence may sound flat, every other aspect of the track is incredibly lively and active, with fantastic range and volume. Itís quite clean and sharp with no damage or distortion present, also showcasing crisp easy-to-hear dialogue and music (in the couple of places it does.) In the end itís still just a mono track, but it still manages to be an incredibly clean and rather robust one.

7/10

SUPPLEMENTS

This is a big title for Criterion, one Iíd also never thought they would get their hands on (despite having previously released it on laserdisc,) so it is a little disappointing this release does feel so slim when compared to other titles from the company.

The first supplement is an audio commentary by critic Gary Giddens, recorded exclusively for this edition. Itís a scholarly track but a breezy one, Giddens (who I assume is well prepared with notes) plowing through everything, never really missing a beat. He covers the production, gives a background on many of the performers (most interestingly being his background for Timothy Carey, who was ultimately fired from the film,) makes comparisons to the source novel by Humphrey Cobb, even reading a small section from it, and makes comparisons to other works by Kubrick, specifically Dr. Strangelove. He also offers his analysis of Kubrickís style and technique, and how it first shows up here, and he tries to point out the touches that may have had more to do with Kirk Douglas than Kubrick but he admits itís hard to know where Douglas had influence exactly since Kubrick was trying out some more Hollywood touches. He also talks about the film as a series of chess matches between characters, with plenty of strategy happening between everybody, even pointing to the parquet floor designs found throughout as evidence of this (I guess I felt this might have been stretching it, but he could be right.) He also likes to make comparisons between Paths of Glory and war films of today, specifically in how theyíre edited, and for some reason he singles out Paul Greengrassí Green Zone as the whipping boy (though he specifically states heís not trying to make it a ďwhipping boy.Ē) Though he can jump around and maybe spends a bit of time talking about what weíre seeing, I liked it, if specifically more for the history of the production and the breakdown of some of the themes found in the film. Itís breezy and quick and he keeps the pace, making it possibly more enjoyable than it has any right to be.

Next up is an older 1966 interview with Stanley Kubrick, recorded with interviewer Jeremy Bernstein. Itís unfortunately only 2-minutes and actually less than that since credits are stuck in here as well. Kubrick briefly covers how they got funding for the film and then how he met his wife, Christiane Kubrick, because of casting for the film. The audio plays over a montage of photos, posters, and even newspaper clippings. Iím guessing there is actually more to this interview so itís disappointing there isnít more here, especially since it feels like Kubrick interviews are so rare (Iím hoping theyíre saving the material for other Kubrick releases.)

The best feature on here has to be easily the next one, a 1979 interview with Kirk Douglas, recorded for the British television show Parkinson. Douglas is an absolute delight as an interviewee, telling some of the most intriguing and wonderful stories about his family and then his career, sharing some amusing anecdotes about running into fans on the street. He carries the interview, never stopping, talking about any subject, such as the Oscars and his lack of a win, working for the studios, and his own production company, and then covers to a small extent working with Kubrick and on Paths of Glory (very little is said about Spartacus surprisingly.) The relationship between Douglas and Kubrick was apparently rough because they were both passionate and had a vision, so they came to a odds at times, but while that doesnít come up here you can sense that despite any issues Douglas certainly admires the director and he talks fondly of him here (the booklet that comes with the release also quotes Douglas as having called the director a ďtalented shit.Ē) He talks a bit about his latest film at the time, which would be The Villain (and by the sounds of it was certainly more fun to make than it is to watch) and then he manages to even break out in to song. It may be one of the more entertaining interviews Iíve ever seen, with Douglas carrying the piece so effortlessly.

Following this are interviews conducted exclusively for this release. First is a 21-minute interview with producer James B. Harris, who produced films with Kubrick. He covers how they came to work together, talks a bit about The Killing but then gets into the details on how they got Paths of Glory made despite the fact no studio was interested. He addresses a couple of criticisms against the film (like the lack of French accents) and then expands in detail on the issues that arose with actor Timothy Carey (which I must say was fairly bizarre.) Thereís also mention of the ďhappy endingĒ that was in the script early on, more than likely only to fool a studio into giving them money to make the piece.

Christiane Kubrick next gives a short 7-minute interview, talking about her late husband and how they first met, which was when she was cast as the girl who sings in front of the troops at the end. She covers the song choice and how that occurred, and then closes the segment on how she left acting to stick to painting. Again itís surprisingly short, but do hope they recorded more for another Kubrick release.

The final interview is a 9-minute piece with longtime producer Jan Harlan. He talks about Kubrickís work and style as a whole, not just Paths of Glory (which honestly gets very little mention.) Though it has some good information on how he worked with actors, addresses his reputation as a director who just films take after take, and his use of music, it still feels a little slight and rushed.

The one supplement I was most fascinated by when I read the original specs was this next one, called Theophile Maupas, which is a segment from a French program that was covering the actual French execution that the film is based on. Unfortunately itís only a 3-minute piece, sort of skimming over the material. Still getting some sort of historical context is welcome and I appreciate Criterion tracking this down.

The disc then closes with a 3-minute theatrical trailer that actually gives away a lot.

James Naremore provides an essay in the booklet that accompanies this edition, which is fantastic read, expanding on the material in the commentary, covering a little more about Kubrickís and Douglasí work together.

Despite some decent material it felt slim. Still, I enjoyed the commentary and the interview with Douglas, which both offer some great insight into Kubrick and this film.

7/10

CLOSING

Overall itís a stunning release and Iím so thrilled with what Criterion was able to do with this. It looks and sounds wonderful, including one of Criterionís best looking black and white transfers. Now, bring on The Killing.


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