37 Gumshoe

Discuss Blu-rays released by Indicator and the films on them.

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37 Gumshoe

#1 Post by charal » Sat Mar 24, 2018 9:41 pm

This brilliant feature debut from director Stephen Frears (My Beautiful Laundrette, Dangerous Liaisons, The Grifters) is an affectionate – and uniquely British – tribute to the Hollywood detective movies of the 1940s. Starring the great Albert Finney (Saturday Night and Sunday Morning, Murder on the Orient Express, Skyfall) as a Liverpool bingo caller who dreams of being a private eye and then finds himself suddenly contacted for what appears to be an actual piece of detective work.

• High Definition remaster
• Original mono audio
• Stephen Frears on ‘Gumshoe’ (2018, 18 mins): the acclaimed director discusses the film’s production history
• Neville Smith on ‘Gumshoe’ (2018, 16 mins): the celebrated writer and actor discusses his work on the film, for which he won a Writers’ Guild of Great Britain Award
• Producer Michael Medwin on ‘Gumshoe’ (2018, 2 mins): a short interview
with the actor and producer
• Editor Charles Rees on ‘Gumshoe’ (2018, 25 mins): an insightful interview
with the film’s original editor
• Production Designer Michael Seymour on ‘Gumshoe’ (2018, 3 mins): a
brief recollection of the film’s production
• Actor Tom Kempinski on ‘Gumshoe’ (2018, 2 mins): the actor recalls the shooting of his scene with Finney
• The Burning (1968, 32 mins): Frears’ haunting debut short film, made for Finney’s production company, Memorial Enterprises
• Original theatrical trailer
• VHS trailer
• Image gallery: on-set and promotional photography
• New and improved English subtitles for the deaf and hard-of-hearing
• Limited edition exclusive 40-page booklet with a new essay by Robert Murphy, an archival set report, an interview with Billie Whitelaw, an overview of contemporary
critical responses, and film credits

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Re: Indicator

#2 Post by MichaelB » Mon Mar 26, 2018 5:55 pm

charal wrote:A minor point: did anyone notice the outtake used in the VHS trailer for GUMSHOE? In the London scene when Ginley’s Liverpool mate spies him in the cafe alternate dialogue is used.
Trailers often contain alternative shots, mainly because they usually have to be completed before the film has finished editing. The Border is a particularly extreme case because it uses footage from the original ending, which was subsequently completely replaced.
Last edited by MichaelB on Thu Mar 29, 2018 11:27 am, edited 2 times in total.

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