Charlie Wilson's War (Mike Nichols, 2007)
- Jeff
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This looks to be next year's biggest piece of Oscar bait. Mike Nichols is directing an Aaron Sorkin script. Tom Hanks and Julia Roberts star; Philip Seymour Hoffman and Amy Adams have the biggest supporting roles. Here is the first still.
Last edited by Jeff on Sun Nov 11, 2007 2:22 pm, edited 1 time in total.
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- Matt
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Does Julia Roberts play a sassy Dallas socialite tranny or something? Because that's the only explanation for that wig.
Though Nichols is terribly inconsistent (Wit is probably one of the greatest and most underrated things he's ever done, Closer is an embarrassment), I'm always willing to give him the benefit of the doubt. Provided Sorkin had written a script that's more like The West Wing than Studio 60, it ought to be at least entertaining.
Though Nichols is terribly inconsistent (Wit is probably one of the greatest and most underrated things he's ever done, Closer is an embarrassment), I'm always willing to give him the benefit of the doubt. Provided Sorkin had written a script that's more like The West Wing than Studio 60, it ought to be at least entertaining.
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Best Supporting Actress, Junebug.flyonthewall2983 wrote:Adams, what was she nominated for?
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No, but they may as well of announced the return of Julia Roberts' push-up bra from Erin Brokovich.Jeff wrote:Here is the trailer. The phrase "Academy Award Winner" isn't used once!
That said, it does look very interesting and it's nice to see Tom Hanks doing something a little different than his usual dramatic pose.
- Jeff
- Joined: Tue Nov 02, 2004 9:49 pm
- Location: Denver, CO
Here is the cheesy poster, which cries out, "Attention people of the mall: Tom Hanks and Julia Roberts are in this movie!"
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Nothing is right. It's a lavishly produced "based on a true story" about how Julie Roberts saved the world from Communism.
Hanks plays a Congresscritter with numerous power connections and an office staffed entirely by babes with balconies you could do Shakespeare from.
The Russians are criticized for bombing innocent Afgans -- which is of course OUR game, but that's not mentioned. Likewise the Soviets are dissed for cutting the arms off innoent Afgan children. The Central American "Freedom Fghters" who Roberts' fascist socialite gets all misty-eyed when talking about, did the same. Moerover they were trained to do so at our very own "School For the Americas." But that doesn't get mentioned here either.
If there's an Oscar for "Slick Fascist Cynicism" this wins in a walk.
Hanks plays a Congresscritter with numerous power connections and an office staffed entirely by babes with balconies you could do Shakespeare from.
The Russians are criticized for bombing innocent Afgans -- which is of course OUR game, but that's not mentioned. Likewise the Soviets are dissed for cutting the arms off innoent Afgan children. The Central American "Freedom Fghters" who Roberts' fascist socialite gets all misty-eyed when talking about, did the same. Moerover they were trained to do so at our very own "School For the Americas." But that doesn't get mentioned here either.
If there's an Oscar for "Slick Fascist Cynicism" this wins in a walk.
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The thing is, this is such an interesting/enlightening/disgusting phase in world/US history and the book and Wilson could, potentially, provide a fantastic way in - that is, if the filmmaker works to methodically undermine Crile's POV (in the manner of, say, Verhoeven's Starship Troopers) and, with Hanks on board as Wilson, that is never going to happen.