Venice Classics 2016:
1848
by Dino Risi (Italy, 1948, 11’, B/W)
restored by: Archivio Nazionale Cinema Impresa-CSC-Cineteca Nazionale and Veneranda Fabbrica del Duomo di Milano
An American Werewolf in London
by John Landis (UK, 1981, 137’, Color)
restored by: Universal Studios
L’argent (Money)
by Robert Bresson (France, Switzerland, 1983, 83’, Color)
restored by: MK2
La battaglia di Algeri (The Battle of Algiers)
by Gillo Pontecorvo (Italy, Algeria, 1966, 121’, B/W)
restored by: Cineteca di Bologna and Istituto Luce – Cinecittà in collaboration with Surf Film Srl and Casbah Entertainment
The Brat
by John Ford (USA, 1931, 65’, B/W)
restored by: The Museum of Modern Art and The Film Foundation
Break up - L’uomo dei cinque palloni (The Man with the Balloons)
by Marco Ferreri (Italy, France, 1965, 85’,B/N)
restored by: Cineteca di Bologna and Museo Nazionale del Cinema in collaboration with Warner Bros
Dawn of the Dead – European Cut
by George A. Romero (USA, Italy, 1978, 116’, Color)
restored by: Koch Media in collaboration with Norton Trust and Antonello Cuomo
Manhattan
by Woody Allen (USA, 1979, 97’, B/W)
restored by: Park Circus, Metro Goldwyn Mayer
Oci Ciornie (Dark Eyes)
by Nikita Michalkov (Italy, USSR, 1987, 144’, Color)
restored by: Istituto Luce-Cinecittà and CSC-Cineteca Nazionale in collaboration with Viggo
The Ondekoza
by Kato Tai ( Japan, 1979, 107’, Color)
restored by: Shochiku Co., Ltd.
Opfergang (The Great Sacrifice)
by Veit Harlan (Germany, 1942-1943, 97’, Color)
restored by: Friedrich Wilhelm Murnau Stiftung
Pretty Poison
by Noel Black (USA, 1968, 89’, Color)
restored by: 20th Century Fox
Processo alla città (The City Stands Trial)
by Luigi Zampa (Italy, 1952, 99’, B/W)
restored by: CSC-Cineteca Nazionale and Gaumont in collaboration with Astrea. Sentimenti di giustizia
Profumo di donna (Scent of a Woman)
by Dino Risi (Italy, 1974, 105’, Color)
restored by: CSC-Cineteca Nazionale and Istituto Luce-Cinecittà in collaboration with Dean Film
Shanzhong Chuanqi (Legend of the Mountain)
by King Hu (Hong Kong, 1979, 184’, Color)
restored by: Taiwan Film Institute
Shichinin no Samurai (Seven Samurai)
by Akira Kurosawa (Japan, 1954, 207’, B/W)
restored by: Toho
Stalker
by Andrej Tarkovskij (USSR, 1979, 162’, B/W, Color)
restored by: Mosfilm (producer of the restoration, Karen Shakhnazarov)
Tutti a casa (Everybody Go Home!)
by Luigi Comencini (Italy, France, 1960, 115’, B/W)
restored by: Filmauro and CSC-Cineteca Nazionale
Twentieth Century
by Howard Hawks (USA, 1934, 91’, B/W)
restored by: Sony Pictures
Le Voleur (The Thief of Paris)
by Louis Malle (France, Italy, 1965, 122’, Color)
restored by: Gaumont
The Venezia Classici section will also feature the presentation of a selection of documentaries about cinema and its filmmakers. The complete list of the section will be announced during the press conference presenting the program of the Venice Film Festival, on Thursday, July 28th at 11 am in Rome (Hotel Excelsior).
http://www.labiennale.org/en/cinema/news/22-07.html