Not really. MK2 and Studio Canal have released nearly all of Resnais's major works on DVD.Gropius wrote:Resnais is surely a contender for most under-represented major (Western European) auteur on DVD. I am in the plebeian situation of having seen nothing post-Marienbad.
Je t'aime, je t'aime (Alain Resnais, 1968)
- kieslowski_67
- Joined: Fri Jun 17, 2005 5:39 pm
- Location: Gaithersburg, Maryland
- tavernier
- Joined: Sat Apr 02, 2005 7:18 pm
I'd agree, except that some French discs don't have English subs--MURIEL, SMOKING/NO SMOKING--and some aren't available yet--JE T'AIME, PROVIDENCE, along with a couple of the important shorts.kieslowski_67 wrote:Not really. MK2 and Studio Canal have released nearly all of Resnais's major works on DVD.Gropius wrote:Resnais is surely a contender for most under-represented major (Western European) auteur on DVD. I am in the plebeian situation of having seen nothing post-Marienbad.
- vogler
- Joined: Thu Jun 29, 2006 8:42 am
- Location: England
But we're probably talking about releases with English subs and there is still no English friendly release of Muriel and no release at all of Je t'aime, je t'aime, both of which I would say are among his very most important works. In addition to that two of his other most important works La Guerre est Finie and Last Year in Marienbad are only available in the U.S. and U.K. respectively (as far as I know). The MK2 boxset is great though, but as I said in my earlier post, I only feel there are two of his very best films on that.kieslowski_67 wrote:Not really. MK2 and Studio Canal have released nearly all of Resnais's major works on DVD.Gropius wrote:Resnais is surely a contender for most under-represented major (Western European) auteur on DVD. I am in the plebeian situation of having seen nothing post-Marienbad.
So we really desperately need dvds of Muriel and Je t'aime, je t'aime before we can come close to having all his most important work available. If there are releases of these films that I am unaware of then I would be very happy to hear about them.
There's also the excellent Providence which is only available on either an Italian or Spanish dvd (I forget which) with horrendous dubbed audio.
I would say availablity of Resnais on dvd is very patchy at best.
I seem to have repeated some of the points you made tavernier since I didn't see your post until after I had submitted mine.
- tavernier
- Joined: Sat Apr 02, 2005 7:18 pm
- Barmy
- Joined: Mon May 16, 2005 3:59 pm
After a great early run, I think the quality of his work dropped off substantially after "Mon oncle". None of the post-1980 work is particularly compelling, although all of it is enjoyable in a low-key way. "Coeurs" is a nice little film. I love the fact that it snows during the entire film. To me it looked like it was shot on DV but that may have been the excessive lighting.
- vogler
- Joined: Thu Jun 29, 2006 8:42 am
- Location: England
From what I have seen I would agree with you, with the exception of L'Amour àmort which I think is an excellent film. It's not that his films since then have been bad films, they just don't come close to the utter brilliance of his earlier work. I find Resnais to be one of the most inspiring directors of all time but that rests almost entirely on his earlier work. I haven't seen Coeurs yet but I'm going to try and see it as soon as I possibly can.Barmy wrote:After a great early run, I think the quality of his work dropped off substantially after "Mon oncle".
- Gropius
- Joined: Thu Jun 29, 2006 5:47 pm
Okay, if you want to get technical about it, yes, there are more under-represented Western European auteurs out there (e.g. Marker, Straub-Huillet, Akerman, Ivens, Syberberg, post-war German stuff generally that isn't Herzog or Fassbinder, etc). But what I meant was, considering the major status accorded to Hiroshima mon amour by English-speaking critics, it is surprising that stuff like Muriel remains comparatively unknown (at least I haven't seen it).kieslowski_67 wrote:Not really. MK2 and Studio Canal have released nearly all of Resnais's major works on DVD.Gropius wrote:Resnais is surely a contender for most under-represented major (Western European) auteur on DVD. I am in the plebeian situation of having seen nothing post-Marienbad.
- Don Lope de Aguirre
- Joined: Fri Apr 14, 2006 5:39 pm
- Location: London
I think you've made a quite interesting point. It seems to me as if, generally speaking, people focus too much on Hiroshima Mon Amour and Last Year at Marienbad at the expense of his other work, the implication (almost) being that these are the 'definitive' Resnais films. Gropius, you really ought to watch La Guerre est Finie, it is available in a perfectly good American edition and is quite breathtakingly brilliant. If you see and like this the MK2 boxset and Stavisky are logic next steps.But what I meant was, considering the major status accorded to Hiroshima mon amour by English-speaking critics, it is surprising that stuff like Muriel remains comparatively unknown (at least I haven't seen it).
Regarding Muriel, I find it crushing that it is not available to English speakers (sadly my French is not quite good enough). The French R2 looks very tasty indeed, and the Italians and Spanish have editions too...
- Don Lope de Aguirre
- Joined: Fri Apr 14, 2006 5:39 pm
- Location: London
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- Joined: Fri Jul 08, 2005 11:22 pm
This played in Baltimore a couple months ago. The print looked pretty nice and, ironically, despite being English-subtitled, had to be flown in from France for the screening, which makes me think this film is currently without a US distibutor. IMDB says it (was) New Yorker that owned the rights, so if those have lapsed, it can only be a good thing.
- hearthesilence
- Joined: Fri Mar 04, 2005 4:22 am
- Location: NYC
Re: Je t'aime, je t'aime (Resnais, 1968)
Tonight, MoMA screened the Film Desk's 35mm print (struck back around 2013 or 2014). Some wear but otherwise looked great. As soon as it was over, I popped on to the usual Blu-Ray review sites to see what the screencaps for the BD looked like, and the color on the BD looks flat out WRONG. The BD isn't just a little cooler, it's a LOT cooler. It's shitty revisionism.
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- Joined: Mon Jul 20, 2009 12:28 pm
Re: Je t'aime, je t'aime (Alain Resnais, 1968)
I've seen this astounding and lovely 35mm print a few times. The notion that BD even approximates 35mm is something that can only be attributed to the delusional. Some day, whether it's 10 or 1000 years away, home video will be able to replicate 35mm. As of now, neither DCP or BD are even close.
- movielocke
- Joined: Fri Jan 18, 2008 12:44 am
Re: Je t'aime, je t'aime (Alain Resnais, 1968)
so what was the color temperature of the projection bulb for the screening, and what color temperature bulb was the 35mm print timed for? Without that info we know nothing.hearthesilence wrote:Tonight, MoMA screened the Film Desk's 35mm print (struck back around 2013 or 2014). Some wear but otherwise looked great. As soon as it was over, I popped on to the usual Blu-Ray review sites to see what the screencaps for the BD looked like, and the color on the BD looks flat out WRONG. The BD isn't just a little cooler, it's a LOT cooler. It's shitty revisionism.
- hearthesilence
- Joined: Fri Mar 04, 2005 4:22 am
- Location: NYC
Re: Je t'aime, je t'aime (Alain Resnais, 1968)
That's seriously inflating the likelihood of a slight possibility.