Discussions of specific films and franchises.
10 posts • Page 1 of 1
- Joined: Sun Nov 07, 2004 7:24 pm
It's a very good film, but Paula Beer is no Nina Hoss (even though Petzold seems to want her to be very much indeed). Fortunately, she's not the focus of the film. In the film it wasn't just the lack of Hoss that I felt, but the lack of the Hoss / Zehrfeld chemistry that offset some of Petzold's trademark coolness in the previous two films.
- denti alligator
- Joined: Wed Nov 03, 2004 9:36 pm
- Location: "born in heaven, raised in hell"
- Aunt Peg
- Joined: Fri Dec 21, 2012 5:30 am
I was surprised at how little screen time Paula Beer had in this. I simply cannot stand Franz Rogowski who reminds me of a poor man's Joaquin Phoenix - I've seen him in four films in the last few years and he is almost always the weakest element. I did like the visual look of Transit and some of its ideas but I can't say I've ever held much enthusiasm for Christian Petzold beyond Barbara and Nina Hoss.
- No longer chasing skirts
- Joined: Sun Aug 28, 2016 12:32 am
I caught this last night at a festival (a last-minute replacement for Assayas's new movie, which was pulled the day of), and even though I was slightly annoyed given the circumstances, I thought it was pretty strong stuff. The central conceit
was a hurdle that some of the folks I saw it with didn't get over, but it both engaged me more than a standard approach and put the parallels that are often implied to today's world strictly at the forefront. The main romance doesn't always work, in part because the lead performance isn't exactly astonishing, but I enjoyed it nonetheless.
of placing a World War II story in a contemporary setting
- Joined: Mon Jul 15, 2013 8:28 pm
- Location: Greenwich Village
That sounds very interesting. That will create lots of discussion in light of today’s sensibilities.soundchaser wrote:SpoilerShowof placing a World War II story in a contemporary setting
- Joined: Fri Mar 04, 2005 4:22 am
- Location: NYC
I thought this was terrific. Conceptually this is brilliant. Time is fused together in a way that never feels self-consciously clever, and the effect is powerful. The familiar details of the story - the dread surrounding an occupied country, particularly for those who are no longer welcome, and the terrible deeds executed in the name of nationalism - no longer feel like history lessons. They're like distant memories given the immediacy of the present, with the solace in knowing it's past replaced by fear for an unknown future.