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 Post subject: 902 Desert Hearts
PostPosted: Sun Jul 09, 2017 11:36 am 
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Desert Hearts

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Donna Deitch's swooning and sensual first narrative feature, Desert Hearts, was groundbreaking upon its 1985 release: a love story about two women, made entirely independently, on a self-financed shoestring budget, by a woman. In the 1959-set film, an adaptation of a beloved novel by Jane Rule, straitlaced East Coast professor Vivian Bell (Helen Shaver) arrives in Reno to file for divorce but winds up catching the eye of someone new, the younger free spirit Cay (Patricia Charbonneau), touching off a slow seduction that unfolds against a breathtaking desert landscape. With undeniable chemistry between its two leads, an evocative jukebox soundtrack, and vivid cinematography by Robert Elswit, Desert Hearts beautifully exudes a sense of tender yearning and emotional candor.

DIRECTOR-APPROVED EDITION:

• New, restored 4K digital transfer, supervised by cinematographer Robert Elswit, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary from 2007 featuring director Donna Deitch
• New conversation between Deitch and actor Jane Lynch
• New conversation between Deitch, Elswit, and production designer Jeannine Oppewall about the film's visual style
• New interviews with actors Helen Shaver and Patricia Charbonneau
• Excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1995 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based
• PLUS: An essay by critic B. Ruby Rich


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PostPosted: Sun Jul 09, 2017 6:38 pm 
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Joined: Sat Aug 10, 2013 12:18 am
FrauBlucher wrote:


If that's not enough evidence, the press book for the film includes the following:

Quote:
Desert Hearts has been digitally restored by the Criterion
Collection, Janus Films, and the UCLA Film & Television
Archive in conjunction with Outfest and the Sundance
Institute.

Funding was provided by the Criterion Collection,
Janus Films, the Outfest UCLA Legacy Project, and the
Sundance Institute.


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PostPosted: Tue Jul 25, 2017 7:27 pm 
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Here's the Janus re-release trailer:



Edit - Vimeo auto imbeds, so here's the link for Movielocke: {https://vimeo.com/225571246}

Here's the poster (which has probably a 50-50 chance of becoming the eventual disc cover):
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Last edited by Minkin on Tue Jul 25, 2017 7:30 pm, edited 1 time in total.

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PostPosted: Tue Jul 25, 2017 7:30 pm 
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It's too good, Criterion cover will be something worse


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PostPosted: Wed Jul 26, 2017 4:33 am 
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Wow, that restoration pops. Forgot how well photographed it is (especially the interiors).


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PostPosted: Wed Aug 16, 2017 4:27 pm 
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Announced for November


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Aug 16, 2017 4:30 pm 
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Can't believe they didn't include the Gwen Welles doc


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Aug 16, 2017 4:36 pm 
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Maybe it'll end up on California Split?


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Aug 16, 2017 4:44 pm 
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But Donna Deitch made the documentary, so this would be the logical release to pair it with.


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Aug 16, 2017 4:46 pm 
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And Welles is in this, which may not be clear from Criterion's writeup. How underwhelming


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Aug 16, 2017 5:05 pm 

Joined: Sun Oct 14, 2007 5:31 am
Surprised that Criterion didn't spring for the entire NFB documentary on Jane Rule. It's only 60 minutes long, and they included
the entire Malcolm Lowry doc on Under the Volcano.


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Oct 11, 2017 3:27 pm 
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Location: Framingham, MA
Desert Beavers. Now *there's* a porno title if I ever saw one!

Not that I...know of any. It's not like I go out of...my way to....


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 Post subject: Re: 902 Desert Hearts
PostPosted: Wed Oct 11, 2017 3:34 pm 
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Location: Framingham, MA
In all seriousness, I did see Desert Hearts when it was showing at the Brattle. I enjoyed it for what it was, even though I was clearly a far cry from its intended audience (maybe? perhaps?). Now I have a reference point for whenever anyone bemoans "lack of representation" in cinema.

(Not knowing the background history of the film, I am not sure if Deitch made this out of a personal desire regardless of who else would see this or for a specific audience or for a general one. I like to think that while any film can be made with the intent of a particular audience, it shouldn't necessarily exclude one. The only one who can reject a film is you, the viewer.)


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