Festival Circuit 2019
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
Alejo Moguillansky's Castro is one of the best of 2009 (I admittedly haven't seen anything of his since then), so that's straight-at-the-top of most anticipated of the Quinzaine. If I'm not mistaken, it might be available to rent on MUBI.
I'm hearing rumors of Mendoza being a late addition to Competition and, you know, no.
I'm hearing rumors of Mendoza being a late addition to Competition and, you know, no.
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- Joined: Sun Apr 03, 2011 4:42 pm
Re: Festival Circuit 2019
Yep. Great to see Moguillansky has a new one, and this may have a higher profile (and better distribution) than his recent stuff. The Little Match Girl was one of my absolute favourites of recent years, mixing documentary, fiction and essay modes reminiscent of Varda at her very best. A seriously underrated director, I think.
- therewillbeblus
- Joined: Tue Dec 22, 2015 3:40 pm
Re: Festival Circuit 2019
For those in the Boston area, IFF Boston is underway with the Brattle in Cambridge showing some screenings this weekend, including In Fabric and The Nightingale, among others.
The link to the festival:
http://iffboston.org/how-to-fest/
Brattle’s lineup:
https://www.brattlefilm.org/category/in ... 9iffboston
The link to the festival:
http://iffboston.org/how-to-fest/
Brattle’s lineup:
https://www.brattlefilm.org/category/in ... 9iffboston
- tenia
- Ask Me About My Bassoon
- Joined: Wed Apr 29, 2009 11:13 am
Re: Festival Circuit 2019
Kechiche's Mektoub my Love - Intermezzo is added to the official competition.
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
Do you have a source?
It's been rumored heavily and is extremely plausible, but there's nothing on the website or on their Twitter.
It's been rumored heavily and is extremely plausible, but there's nothing on the website or on their Twitter.
- furbicide
- Joined: Thu Dec 29, 2011 4:52 am
Re: Festival Circuit 2019
This is the source being claimed by Vanity Fair and others:
https://www.rtl.fr/culture/cine-series/ ... 7797510855
https://www.rtl.fr/culture/cine-series/ ... 7797510855
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
Thank you.
Maybe we can wait until an announcement is made? Fremaux and company must be over the moon with it if they're seriously considering it. The knives will be out for Kechiche (thankfully, Cannes seems to program exclusively based on the film), but I'm wondering if this is still four hours? That'd be the longest film in Competition since Che, which was an anomaly. It's the second part, too. How much does it require familiarization with the first? If I'm a journalist, it seems like an easy call to skip that one. I'd put it OOC.
Including it though would also seem to mean that Tarantino's film is not ready because that'd be an extra six-seven hours of programming. Honestly, I'm not a fan, but I hope they screen Once Upon a Time in Hollywood. I'm trying to think of plausible alternatives to fill these last one or two slots. Roy Andersson would the the best surprise, although I thought it was unready. They're probably maxed out on French titles to include Winocour. Maybe invite Kurosawa back into Competition with his Uzbekistan film?
Maybe we can wait until an announcement is made? Fremaux and company must be over the moon with it if they're seriously considering it. The knives will be out for Kechiche (thankfully, Cannes seems to program exclusively based on the film), but I'm wondering if this is still four hours? That'd be the longest film in Competition since Che, which was an anomaly. It's the second part, too. How much does it require familiarization with the first? If I'm a journalist, it seems like an easy call to skip that one. I'd put it OOC.
Including it though would also seem to mean that Tarantino's film is not ready because that'd be an extra six-seven hours of programming. Honestly, I'm not a fan, but I hope they screen Once Upon a Time in Hollywood. I'm trying to think of plausible alternatives to fill these last one or two slots. Roy Andersson would the the best surprise, although I thought it was unready. They're probably maxed out on French titles to include Winocour. Maybe invite Kurosawa back into Competition with his Uzbekistan film?
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: Festival Circuit 2019
I’m shocked Cannes is going to include the Kechiche in competition, but they’re obv trying to make a statement by doing so. Also, almost all of the films this year are unusually shorter (under two hours) than in recent years, so they can withstand a four hour study of asses
- dda1996a
- Joined: Tue Oct 27, 2015 6:14 am
Re: Festival Circuit 2019
According to IMDB the film is 180 minutes...has there ever been a longer than 3hrs film playing in competition? (Meaning more than 190 minutes to be precise)
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: Festival Circuit 2019
Winter Sleep was three hours and sixteen minutes long and won. I’m reasonably certain other longer films have been part of the competition over the years
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: Festival Circuit 2019
Google quickly confirms:
Dead Souls, Wang Bing’s mammoth documentary on China’s anti-rightist campaign, which, at 496 minutes, is the longest film to ever play in Cannes’ Official Selection
- DarkImbecile
- Ask me about my visible cat breasts
- Joined: Mon Dec 09, 2013 6:24 pm
- Location: Albuquerque, NM
Re: Festival Circuit 2019
Dead Souls wasn’t in competition, to clarify
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: Festival Circuit 2019
Huh, that was confusingly worded then. Thanks for the clarification
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
Che was over four hours.
I can see the second Mektoub being three hours (I think the four hour rumors were exactly that). If it's confirmed this week, Tarantino's looking increasingly unlikely, although I can still see Fremaux holding a last-day spot for him if Tarantino wants it. It seems Tarantino would just be better off finishing it for its July release.
Three-Hour Plus Films in Competition this Century
2000 --- Sentimental Destinies
2000 --- Eureka
2008 --- Che
2010 --- Burnt by the Sun 2
2013 --- Blue is the Warmest Color
2014 --- Winter Sleep
2018 --- The Wild Pear Tree
2019 --- A Hidden Life
Yi Yi, Dogville, and Sieranevada were a musical interlude away from the mark.
With nineteen films in Competition, there's certainly room for one long one.
I can see the second Mektoub being three hours (I think the four hour rumors were exactly that). If it's confirmed this week, Tarantino's looking increasingly unlikely, although I can still see Fremaux holding a last-day spot for him if Tarantino wants it. It seems Tarantino would just be better off finishing it for its July release.
Three-Hour Plus Films in Competition this Century
2000 --- Sentimental Destinies
2000 --- Eureka
2008 --- Che
2010 --- Burnt by the Sun 2
2013 --- Blue is the Warmest Color
2014 --- Winter Sleep
2018 --- The Wild Pear Tree
2019 --- A Hidden Life
Yi Yi, Dogville, and Sieranevada were a musical interlude away from the mark.
With nineteen films in Competition, there's certainly room for one long one.
- furbicide
- Joined: Thu Dec 29, 2011 4:52 am
Re: Festival Circuit 2019
And let’s not forget the 4-hour-long La Belle Noiseuse, which played main comp and won the Jury Prize. Cannes certainly doesn’t seem to have any aversion to programming long films.
- lacritfan
- Life is one big kevyip
- Joined: Wed Dec 05, 2007 6:39 pm
- Location: Los Angeles
- dda1996a
- Joined: Tue Oct 27, 2015 6:14 am
Re: Festival Circuit 2019
Does this mean Reichardt is done with her film?
- mfunk9786
- Under Chris' Protection
- Joined: Fri May 16, 2008 4:43 pm
- Location: Philadelphia, PA
Re: Festival Circuit 2019
I saw PT Anderson conduct a weekend-long Jonathan Demme retrospective last year (and sit to view each film) while Phantom Thread was still in the midst of the early editing process. People can have more than one iron in the fire at once, you know!
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
That's a fantastic jury.
Reichardt should be President, but she doesn't have the Oscars, I suppose.
Reichardt should be President, but she doesn't have the Oscars, I suppose.
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 2:42 pm
Re: Festival Circuit 2019
This is the best jury ever. Hope they don’t blow it, but I have a lot of faith here
- Big Ben
- Joined: Mon Feb 08, 2016 12:54 pm
- Location: Great Falls, Montana
- Omensetter
- Yes We Cannes
- Joined: Sat Apr 23, 2011 8:17 pm
- Location: Lawrence, KS, U.S.
Re: Festival Circuit 2019
...and confirmation of Intermezzo, now officially the longest film in Competition since Che!
Has anyone seen the first Mektoub and can comment on it? I'm usually on top of these things, but I'm certain it wasn't distributed in the States.
Other additions, including Patricio Guzmán, plus run times here: https://www.festival-cannes.com/en/info ... ouncements
Has anyone seen the first Mektoub and can comment on it? I'm usually on top of these things, but I'm certain it wasn't distributed in the States.
Other additions, including Patricio Guzmán, plus run times here: https://www.festival-cannes.com/en/info ... ouncements
- yoloswegmaster
- Joined: Tue Nov 01, 2016 3:57 pm
- Aunt Peg
- Joined: Fri Dec 21, 2012 5:30 am
Re: Festival Circuit 2019
I saw it in June last year at the cinema. Its a long haul and at 3 hours feels it but its a pleasurable watch if a little indulgent at times. The leading man is something of an empty vessel in which the women in the film radiate around - this is not the fault of lead actor Shaïn Boumedine. I just think Kechiche is more interested in the female dynamics at play which leaves Boumedine's character a little stranded at times. The film is all but stolen by newcomer Ophélie Bau - talk about having that 'it' factor that separates some actors from the pack. I'd be surprised if she doesn't have an interesting career ahead of her. She is a force of nature.Omensetter wrote: ↑Thu May 02, 2019 8:29 am
Has anyone seen the first Mektoub and can comment on it? I'm usually on top of these things, but I'm certain it wasn't distributed in the States.
Anyway, I liked the film enough to purchase the Artificial Eye DVD and would upgrade to Blu Ray in a heartbeat should an English language release occur sometime in the future.
- DeprongMori
- Joined: Fri Apr 04, 2014 1:59 am
- Location: San Francisco
Re: Festival Circuit 2019
At this year’s San Francisco Silent Film Festival I saw their opening night presentation of The Cameraman, with musical accompaniment by Timothy Brock conducting students from the San Francisco Conservatory of Music. The restoration looked great (although IIRC there is still about 3000 feet of film missing, but nothing that affects the narrative flow.) It is a hilarious film and a real treat to see it with a large appreciative audience. It was widely announced that Criterion was responsible for the restoration.
I saw about seventeen other programs in the festival. Some of the highlights/surprises were:
* Clarence L Brown’s 1924 The Signal Tower in a new restoration from Photoplay. It was a railroad-centered domestic thriller filmed in the Mendocino mountains. It had great audience response. I have no idea who will be releasing this to the home market.
* Karel Anton’s 1930 Tonka of the Gallows, a devastating Czech heart-breaker about a prostitute from a small village who is destroyed as a result of an act of human decency. This one caught everyone by surprise. It got a great intro by Eddie Muller, who called it one of the most gut-wrenching films he had ever seen. (Or language of that order.) This was from a Czech archive, so I hold little hope of a Blu-ray release.
* Marcel L’Herbier’s 1920 L’Homme du Large, set on the Breton coast, this was a visually lyrical and poetic film based on a Balzac story. The intertitles were so beautifully presented that the festival had an actor reading the translations rather than marring the image with an overlaid translation. Hoping to track this one down again.
* Erich von Stroheim’s 1928 The Wedding March was luminous, restored from a silver nitrate negative, with Technicolor scenes of the military procession. Hoping this one sees a Blu-ray release finally.
* Franz Osten’s 1928 Shiraz: A Romance of India was one of three films made by Ufa Studios for an Indian producer, with lush production and engaging story involving the inspiration for the Taj Mahal. The three films are among only 8 or 9 surviving Indian silent films out of the more than a thousand produced. The restoration by BFI was pristine and I ordered a copy of their 2017 release immediately after seeing the film.
The only snoozer for me was John Ford’s 1918 oater Hell Bent, starring Harry Carey.
I saw about seventeen other programs in the festival. Some of the highlights/surprises were:
* Clarence L Brown’s 1924 The Signal Tower in a new restoration from Photoplay. It was a railroad-centered domestic thriller filmed in the Mendocino mountains. It had great audience response. I have no idea who will be releasing this to the home market.
* Karel Anton’s 1930 Tonka of the Gallows, a devastating Czech heart-breaker about a prostitute from a small village who is destroyed as a result of an act of human decency. This one caught everyone by surprise. It got a great intro by Eddie Muller, who called it one of the most gut-wrenching films he had ever seen. (Or language of that order.) This was from a Czech archive, so I hold little hope of a Blu-ray release.
* Marcel L’Herbier’s 1920 L’Homme du Large, set on the Breton coast, this was a visually lyrical and poetic film based on a Balzac story. The intertitles were so beautifully presented that the festival had an actor reading the translations rather than marring the image with an overlaid translation. Hoping to track this one down again.
* Erich von Stroheim’s 1928 The Wedding March was luminous, restored from a silver nitrate negative, with Technicolor scenes of the military procession. Hoping this one sees a Blu-ray release finally.
* Franz Osten’s 1928 Shiraz: A Romance of India was one of three films made by Ufa Studios for an Indian producer, with lush production and engaging story involving the inspiration for the Taj Mahal. The three films are among only 8 or 9 surviving Indian silent films out of the more than a thousand produced. The restoration by BFI was pristine and I ordered a copy of their 2017 release immediately after seeing the film.
The only snoozer for me was John Ford’s 1918 oater Hell Bent, starring Harry Carey.