separateA few sections affected by severe decay were replaced with interpositive materials conserved by Cineteca Nazionale.
Fixedstrangely all 4 digital editions in this comparison seem to have different color schemes
separateA few sections affected by severe decay were replaced with interpositive materials conserved by Cineteca Nazionale.
Fixedstrangely all 4 digital editions in this comparison seem to have different color schemes
I misread this as thinking Juliet was taking from 4 different sources and all of those within the new restoration have different color schemes.FrauBlucher wrote: ↑Wed Oct 28, 2020 4:04 pmBeaver
A few sections affected by severe decay were replaced with interpositive materials conserved by Cineteca Nazionale.strangely all 4 digital editions in this comparison seem to have different color schemes
Drucker wrote: ↑Wed Oct 28, 2020 6:41 pmI misread this as thinking Juliet was taking from 4 different sources and all of those within the new restoration have different color schemes.FrauBlucher wrote: ↑Wed Oct 28, 2020 4:04 pmBeaver
sorry, separate quotesA few sections affected by severe decay were replaced with interpositive materials conserved by Cineteca Nazionale.strangely all 4 digital editions in this comparison seem to have different color schemes
Looking at Beav's caps (insert usual caveat about their reliability), the criterion disc looks much more pink than teal or yellow to me. (I imagine if this was yellow or teal leaning, the title card would appear more green and the not purple it appears to be.)
The 14 Fellini films that are on the upcoming ESSENTIAL FELLINI box set could possibly be individually released or re-released in the future on Blu-ray. This is not a guarantee, but it's possible, and if it did happen, it likely would be some time after the box set is released.
Goddamn it, I don't want to get this whole set for that one film, but my arm's getting twisted by the dayyoloswegmaster wrote: ↑Thu Nov 05, 2020 3:53 pmAlso, important to note is that Criterion will be releasing the original 145 minute version of 'Juliet of the Spirits'. I believe that this is the first time that this version has been released on blu.
More vibrant colors than Criterion's 2011 release, but looks kinda blown out.
Actually, only in the color scheme, but outside of this, the older disc really looks dated in comparison. Just look at the captures 5 and 6 for instance.J M Powell wrote: ↑Fri Nov 13, 2020 10:51 pmThat Amarcord transfer is a definite downgrade from the previous Criterion blu.
If only there were such a thing....!
Why do the dark areas look saturated or oddly black in the new resto? I was actually thinking of picking up the older disc while the B&N sale is going for the colors even though I got this set preordered.tenia wrote: ↑Sat Nov 14, 2020 6:43 amActually, only in the color scheme, but outside of this, the older disc really looks dated in comparison. Just look at the captures 5 and 6 for instance.J M Powell wrote: ↑Fri Nov 13, 2020 10:51 pmThat Amarcord transfer is a definite downgrade from the previous Criterion blu.
Because it's both crushed AND slightly colored, giving it a weird colored hue, would be my guess (because that's the issue I usually have with those).black&huge wrote: ↑Sat Nov 14, 2020 3:03 pmWhy do the dark areas look saturated or oddly black in the new resto? I was actually thinking of picking up the older disc while the B&N sale is going for the colors even though I got this set preordered. Specifically speaking of the third pic/set of comparisons with the old man (I think it's the Grandpa or the father in the film?) the darkness of his suit jacket looks very odd to me.
I'm looking, but I'm not seeing what you're seeing. To me the crushed blacks look very bad on the new transfer, and that has a much more pronounced negative effect than the relatively minor gain in detail from sharpness.tenia wrote: ↑Sat Nov 14, 2020 6:43 amActually, only in the color scheme, but outside of this, the older disc really looks dated in comparison. Just look at the captures 5 and 6 for instance.J M Powell wrote: ↑Fri Nov 13, 2020 10:51 pmThat Amarcord transfer is a definite downgrade from the previous Criterion blu.
It's not a minor gain in sharpness, it's a quite typical gap between some work performed more than a decade ago on a less efficient film scanner (Spirit Datacine) and an intermediate source (35mm IP) vs a much more efficient scan (4K Arriscan) of the OCN. The older disc has the typical aspect of an older HD master, with thick grain and a lack of very fine texturing of the picture (and probably some sharpening). The new restoration doesn't have this issue and instead has the usual texture and high frequencies of a brand new 4k restoration of the OCN made on an Arriscan. I mean : there is the quality coming from the scan and the restoration work, but there is what is coming from the grading itself, and these are different things with different impacts and different picture "markers".J M Powell wrote:I'm looking, but I'm not seeing what you're seeing. To me the crushed blacks look very bad on the new transfer, and that has a much more pronounced negative effect than the relatively minor gain in detail from sharpness.
For example, there's a tad more detail in the brickwork of capture #6 in the new transfer, but in capture #5 the furs are a blob and the red dress blends right into the black fur in the new transfer; there's a lot more detail in the old transfer.