Criterion Newsletter (Part 3)

News on Criterion and Janus Films.
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Noiradelic
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Re: Criterion Newsletter (Part 3)

#326 Post by Noiradelic » Mon Nov 03, 2014 12:39 am

Since 5 is an odd number, shouldn't the runner be wearing it? Guess they felt the goofy outfit was "odd" enough.

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swo17
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Re: Criterion Newsletter (Part 3)

#327 Post by swo17 » Mon Nov 03, 2014 12:44 am

Maybe the 5 stands for how many days people will still keep making guesses after the clue has been solved. One can hope anyway.

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eerik
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Re: Criterion Newsletter (Part 3)

#328 Post by eerik » Tue Nov 25, 2014 6:18 pm

Image

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domino harvey
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Re: Criterion Newsletter (Part 3)

#329 Post by domino harvey » Tue Nov 25, 2014 6:18 pm

Ride the Pink Horse! Wow! I hope they pair it with Montgomery's superb (much better, in fact) romantic comedy Once More, My Darling as a bonus film

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knives
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Re: Criterion Newsletter (Part 3)

#330 Post by knives » Tue Nov 25, 2014 6:22 pm

Better than my guess of Vadim's La Ronde.

Perkins Cobb
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Re: Criterion Newsletter (Part 3)

#331 Post by Perkins Cobb » Tue Nov 25, 2014 6:24 pm

Wow; unexpected but welcome. What would really have me over the moon is the inclusion (a la The Killers set) of Don Siegel's made-for-TV remake, The Hanged Man, also from 1964.

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domino harvey
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Re: Criterion Newsletter (Part 3)

#332 Post by domino harvey » Tue Nov 25, 2014 6:30 pm

It's total absence from the DVD market has been really puzzling, I figured there was some sort of rights issue. But it's Universal so it makes sense that Criterion would be able to go after it, I just thought they'd abandoned their film noir pursuits (though this makes two noir newsletter teases in a row). It's an imperfect film with a bit of an inflated reputation due to its scarcity, but I welcome a wider release and an opportunity to revisit

It would be perverse but fantastic if one of the titles they acquired from Warners was Lady in the Lake. Put it with this and the also commercially unavailable Once More My Darling, Eye Witness (which is OOP from VCI), and rescue the Gallant Hours from MGM's DVD-R and you could have a great Complete Robert Montgomery as Director set. Which will never happen. But oh man, can you imagine

neeb
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Re: Criterion Newsletter (Part 3)

#333 Post by neeb » Tue Nov 25, 2014 6:34 pm

knives wrote:Better than my guess of Vadim's La Ronde.
Don't feel bad- I guessed Max Ophuls' La Ronde on blu. But then there should be something blue in the clue.

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ordinaryperson
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Re: Criterion Newsletter (Part 3)

#334 Post by ordinaryperson » Tue Nov 25, 2014 7:13 pm

I don't know if it is RtPH. Montgomery doesn't have a phantom page (if he does, send me a link to the page).
Here are some notable films that come up when Carousel is searched as a keyword on IMDb: Strangers On A Train, Grand Budapest Hotel, Mommie Dearest, and Los Olvidados.

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domino harvey
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I'll resign from the board if Cate Blanchett gets nominated

#335 Post by domino harvey » Tue Nov 25, 2014 7:16 pm

It is 100% guaranteed Ride the Pink Horse, there is no way they'd draw that clue in that way for anything else

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How rude!
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Re: Criterion Newsletter (Part 3)

#336 Post by How rude! » Tue Nov 25, 2014 7:27 pm

eerik wrote:Image
Ridley Scott's little seen early work, Black Horse Down (look at those hind legs)

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Gregory
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Re: Criterion Newsletter (Part 3)

#337 Post by Gregory » Tue Nov 25, 2014 7:47 pm

Finally something for us bronies. Pinkie Pie 4 ever!

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FrauBlucher
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Re: I'll resign from the board if Cate Blanchett gets nomina

#338 Post by FrauBlucher » Tue Nov 25, 2014 9:02 pm

domino harvey wrote:It is 100% guaranteed Ride the Pink Horse, there is no way they'd draw that clue in that way for anything else
I'm with Domino on this. What kind of supplements could they come up with for this.

EffinghamHuffnagel
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Re: Criterion Newsletter (Part 3)

#339 Post by EffinghamHuffnagel » Tue Nov 25, 2014 10:50 pm

Here are some notable films that come up when Carousel is searched as a keyword on IMDb: Strangers On A Train, Grand Budapest Hotel, Mommie Dearest, and Los Olvidados.
Yeah, I thought of Strangers on a Train, too, as well as Dead Heat on a Merry-Go-Round, and I submitted Los Olvidados a few years as a possible double release with City of God, but I think the others are right. Well, I'm looking forward to this one - a Criterion treatment of a Noir film I've somehow never heard of.

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CSM126
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Re: Criterion Newsletter (Part 3)

#340 Post by CSM126 » Tue Nov 25, 2014 11:15 pm

ordinaryperson wrote:I don't know if it is RtPH. Montgomery doesn't have a phantom page (if he does, send me a link to the page).
Here are some notable films that come up when Carousel is searched as a keyword on IMDb: Strangers On A Train, Grand Budapest Hotel, Mommie Dearest, and Los Olvidados.
Well, they do have phantom pages pertaining to Mommie Dearest:

Faye Dunaway
Diana Scarwid
Frank Perry

Just sayin'... :-"

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domino harvey
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Re: Criterion Newsletter (Part 3)

#341 Post by domino harvey » Tue Nov 25, 2014 11:20 pm

A clue for Mommie Dearest would be a wire hanger with a red NO sign over it. Failing that, it would be anything other than a pink riding horse. Perry's film may also be coming but this does not indicate it. I thought we put "double clue" speculation behind us

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CSM126
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Re: Criterion Newsletter (Part 3)

#342 Post by CSM126 » Tue Nov 25, 2014 11:26 pm

domino harvey wrote:A clue for Mommie Dearest would be a wire hanger with a red NO sign over it. Failing that, it would be anything other than a pink riding horse. Perry's film may also be coming but this does not indicate it. I thought we put "double clue" speculation behind us
I wasn't really positing a double-clue. Really I was bringing it up as a gag (although I would fully support Mommie Dearest getting a spine, mind you).

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Jeff
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Re: Criterion Newsletter (Part 3)

#343 Post by Jeff » Wed Nov 26, 2014 12:26 am

ordinaryperson wrote:Montgomery doesn't have a phantom page (if he does, send me a link to the page).
Many (most?) Criterion releases don't start getting "phantom pages" until right before they are announced.
FrauBlucher wrote:What kind of supplements could they come up with for this.
• New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary by film noir specialists Alain Silver and James Ursini
• The 1950 Robert Montgomery Presents live television adaptation, starring Montgomery and Gomez
• The complete 1947 broadcast of the Lux Radio Theater adaptation, starring Montgomery, Hendrix, and Gomez
• Restored high-definition digital transfer of The Hanged Man, a 1964 television remake directed by Don Siegel
• Trailer
• PLUS: A big folded essay by Chuck Stephens

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Cold Bishop
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Re: Criterion Newsletter (Part 3)

#344 Post by Cold Bishop » Wed Nov 26, 2014 2:32 am

Is the Dorothy Hughes novel still in print? It's a masterpiece of the genre and would be perfect if Crit hasn't completely sworn off booklets.

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Lowry_Sam
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Re: Criterion Newsletter (Part 3)

#345 Post by Lowry_Sam » Wed Nov 26, 2014 2:47 am

This sounds interesting, I'd certainly love it if Criterion resurrected more obscure titles. My first thought was an upgrade for La Ronde.

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Fred Holywell
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Re: Criterion Newsletter (Part 3)

#346 Post by Fred Holywell » Wed Nov 26, 2014 4:18 am

domino harvey wrote:It is 100% guaranteed Ride the Pink Horse, there is no way they'd draw that clue in that way for anything else
Actually, there is one other possibility...

Image

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NABOB OF NOWHERE
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Re: Criterion Newsletter (Part 3)

#347 Post by NABOB OF NOWHERE » Wed Nov 26, 2014 11:28 am

No doubt it is pink horse but for a moment I hoped it could be Allegret's 1950 'Manèges' with Simone Signoret and Bertand Blier. Hope springs eternal but probably not this time round.

Perkins Cobb
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Re: Criterion Newsletter (Part 3)

#348 Post by Perkins Cobb » Fri Nov 28, 2014 3:27 am

For the doubters: A Criterion freelancer confirmed it's Ride the Pink Horse.

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domino harvey
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Re: Criterion Newsletter (Part 3)

#349 Post by domino harvey » Fri Nov 28, 2014 4:14 am

Image

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ptatler
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Re: Criterion Newsletter (Part 3)

#350 Post by ptatler » Fri Nov 28, 2014 8:49 am

Jeff wrote: • PLUS: A big folded essay by Chuck Stephens

This was my first thought, too. Chuck's an amazing writer and particularly insightful when it comes to unheralded noir gems.

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