Albert Brooks is remarkably consistent (though it may help that he's not that prolific as a filmmaker). All of his films are worth seeing, but those first four features from Real Life to Defending Your Life are probably his best. (Real Life is my favorite, and it's now the last of those four still waiting for a BD release.)justeleblanc wrote: ↑Fri Dec 25, 2020 3:40 pmI'd say Secrets and Lies is pretty essential. I'm a big fan of Vera Drake as well, if that's of any help.aox wrote: ↑Tue Dec 15, 2020 3:22 pmNot counting the WKW box, this is the first month in a long time I have seen none of the announced releases. How are the other films? What is essential?
And specifically, how is that Mike Leigh film? I just watched Life is Sweet this morning which I mostly enjoyed. The only Leigh I have been absolutely enamoured by so far is Vera Drake, but I am new to his filmography.
Defending Your Life is just an extraordinarily funny high concept comedy from the 1990s. Rip Torn's amazing in it.
Re: Mike Leigh, Secrets and Lies is essential for being a huge commercial breakthrough, relatively speaking. I don't think mainstream audiences were very familiar with him until possibly Naked but he didn't have a sizable arthouse hit in the U.S. until Secrets and Lies which showered him with Oscar nominations (including Best Picture). It's very good, the performances are impeccable, and there are certainly powerful moments, but there are skeptics who consider it a notch below his best work, and I can see where they're coming from - for example, the resolution is a bit too tidy to me, and a cynical take would be to accuse it of commercial calculation.
FWIW, Grown-Ups, Meantime, High Hopes, Naked and Topsy-Turvy are probably my favorite Leigh films (the first two or three of these are BBC TV productions), and Secrets and Lies, Vera Drake, Happy-Go-Lucky and a few others would round out a "top ten."