MichaelB wrote: ↑Mon May 03, 2021 4:48 pmBelgian cinematographer Willy Kurant, whose filmography includes work for Godard (Masculin Féminin), Alain Robbe-Grillet (Trans-Europe Express), Jerzy Skolimowski (Le Départ), Orson Welles (the abandoned The Deep and The Immortal Story) and Maurice Pialat (Under Satan's Sun, which won him a César).
You are excluding the immortal Pootie Tang from this list of his most notable achievements.
It is interesting that Pialat fired him from A Nos Amours, and presumably none of his work is in the final film, and yet they were able to work together again.
I hope he was able to see the Munich Filmmuseum's workprint of The Deep and give insights into how it would have been colour timed.