Passages

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TheKieslowskiHaze
Joined: Fri Apr 03, 2020 10:37 am

Re: Passages

#8951 Post by TheKieslowskiHaze » Sat Feb 06, 2021 10:20 pm

This has been a particularly brutal few weeks for passages. Leachman, King, Plummer, Holbrook. Dustin Diamond!?

I came across this interview with Larry King, on Blank on Blank, and laughed pretty hard. Cheered me up a bit.

Take care, everyone.

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Dylan
Joined: Tue Nov 02, 2004 9:28 pm

Re: Passages

#8952 Post by Dylan » Sun Feb 07, 2021 3:30 pm

Giuseppe Rotunno at 97. For me, one of the greatest cinematographers who ever lived.

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Lemmy Caution
Joined: Wed Mar 29, 2006 3:26 am
Location: East of Shanghai

Re: Passages

#8953 Post by Lemmy Caution » Sun Feb 07, 2021 7:04 pm

FrauBlucher wrote:
Sat Feb 06, 2021 8:27 pm
Leon Spinks 67
There's something quintessential late 70's about Leon Spinks.
There's a terrific documentary Facing Ali (2009) in which Leon is one of 10 Ali opponents who look back at their lives and careers. Leon is pretty humorous and at the time was working at a soup kitchen in Texas (iirc) and seemed happy, a few years before his move to Las Vegas.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8954 Post by hearthesilence » Sun Feb 07, 2021 7:32 pm

Dylan wrote:
Sun Feb 07, 2021 3:30 pm
Giuseppe Rotunno at 97. For me, one of the greatest cinematographers who ever lived.
I didn't realize he had done so much notable work beyond the films he shot for Italian filmmakers like Fellini and Visconti. The Leopard and Amarcord alone would put him in the pantheon, and of course you have Rocco and His Brothers, Fellini's Roma, etc., but then you have Mike Nichols (granted, not favorites, but Rotunno did his job pretty damn well on Carnal Knowledge and Wolf), All About Jazz, even The Adventures of Baron Munchausen, the poster child for great films that few involved can really enjoy because the experience of making it was so f-ing horrible.

Found this on The Leopard from an article in the American Society of Cinematographers by Ron Magid:

"Visconti's desire to use three cameras in the cramped laundry location where Rocco worked was particularly challenging, but Rotunno had the opposite problem while shooting the lush palazzo of landowner Prince Salina (Burt Lancaster) in The Leopard (1963). The climactic hour-long banquet scene, in which the Prince faces his decreasing power and influence in 19th-century Sicily, is considered one of cinema history's great setpieces, and was shot under strenuous circumstances.

"The sequence was filmed with three cameras in widescreen Super Technirama, within a real palazzo illuminated by thousands of candles. ‘To create the atmosphere, we studied all the painters of the 19th century and earlier,’ Rotunno said. ‘Although it wasn't very realistic, Visconti felt that the quality, density and direction of the candlelight represented the richness of the place.‘"

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colinr0380
Joined: Mon Nov 08, 2004 4:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#8955 Post by colinr0380 » Mon Feb 08, 2021 6:20 am

hearthesilence wrote:
Sun Feb 07, 2021 7:32 pm
Dylan wrote:
Sun Feb 07, 2021 3:30 pm
Giuseppe Rotunno at 97. For me, one of the greatest cinematographers who ever lived.
... even The Adventures of Baron Munchausen, the poster child for great films that few involved can really enjoy because the experience of making it was so f-ing horrible.
Speaking of which, also Popeye! He seemed to be well suited to situations involving lavishly heightened artificiality. "The sunset almost looks painted on!", as one character says of the backdrop in And The Ship Sails On!

And Argento's Stendhal Syndrome from 1996 was one of his last credits, which is certainly quite different from the blocks of primary colour, gel-drenched heightened look of Luciano Tovoli's work on Suspiria, but perfect for a film that is about the grimy and viciously cruel outside world contrasting and clashing against the almost-as-dangerous ecstatically mind-scarring excesses of art, and maybe needing the real-world horror and abuse to occur in order to provide (provoke?) the creative impetus. That Pietà image in the final shot as the main character literally embodies her torment, if only for a suspended moment, is really what the entire film has been building to.

Image
Last edited by colinr0380 on Mon Feb 08, 2021 11:58 am, edited 6 times in total.

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FrauBlucher
Joined: Mon Jul 15, 2013 8:28 pm
Location: Greenwich Village

Re: Passages

#8956 Post by FrauBlucher » Mon Feb 08, 2021 7:27 am


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Aunt Peg
Joined: Fri Dec 21, 2012 5:30 am

Re: Passages

#8957 Post by Aunt Peg » Mon Feb 08, 2021 9:43 am

Director Moufida Tlatli https://en.wikipedia.org/wiki/Moufida_Tlatli

Probably best know for The Silences of the Palace (1994)

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agnamaracs
Joined: Thu Dec 21, 2006 3:13 am

Re: Passages

#8958 Post by agnamaracs » Mon Feb 08, 2021 4:24 pm

Voiceover artist Robb Webb, the voice of 60 Minutes... and Fishing with John

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HinkyDinkyTruesmith
Joined: Mon Aug 07, 2017 10:21 pm

Re: Passages

#8959 Post by HinkyDinkyTruesmith » Mon Feb 08, 2021 7:29 pm

Jean-Claude Carriere, 'Belle de Jour,' 'Tin Drum' Screenwriter, Dies at 89

Birth and That Obscure Object of Desire were two of my favorite watches of last year, certainly one of the greatest screenwriters to ever do it.

beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#8960 Post by beamish14 » Mon Feb 08, 2021 8:04 pm

HinkyDinkyTruesmith wrote:
Mon Feb 08, 2021 7:29 pm
Jean-Claude Carriere, 'Belle de Jour,' 'Tin Drum' Screenwriter, Dies at 89

Birth and That Obscure Object of Desire were two of my favorite watches of last year, certainly one of the greatest screenwriters to ever do it.

Oh, god. Him and Tonino Guerra probably worked with more great directors than any other screenwriters during the sound era.

Oshima Nagisa. Bunuel. Philip Kaufmann. Schlondorff. Milos Forman. Louis Malle. Wayne Wang. It's absolutely incredible. His fiction books and
film studies are terrific as well.

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MichaelB
Joined: Fri Aug 11, 2006 6:20 pm
Location: Worthing
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Re: Passages

#8961 Post by MichaelB » Mon Feb 08, 2021 9:32 pm

You could quite seriously watch nothing but Jean-Claude Carrière and Tonino Guerra-scripted films and you’d still come away with the most incredible cross-section of great European cinema over the last six decades. And both men always came across as so disarmingly modest about their achievements, but neither had needed to prove anything for decades.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8962 Post by hearthesilence » Tue Feb 09, 2021 4:07 am

2021 has been pretty brutal and it's only February.

Mary Wilson of the Supremes

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Florinaldo
Joined: Thu Jul 31, 2008 7:38 pm
Location: Canada

Re: Passages

#8963 Post by Florinaldo » Tue Feb 09, 2021 9:22 am

Carrière's passing was quite a shock. Such a talented creator who leaves us with so much material in various fields.

I recently finished reading one of his rare misfires, Le Réveil de Buñuel; he goes to LB's tomb, his old friend wakes up and they start talking. An intriguing premise except that he mostly rehashes old anecdotes and information, with few new insights. As an antidote to my disappointment, I was thinking of going back to some of his better efforts like his essay Le Film qu'on ne voit pas or Conversations sur l'invisible in wich he dialogues with two French astrophysicists.

And there are also all those movies he wrote, as well as video recordings of the theater productions he worked on, which will continue to challenge and delight viewers.

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dustybooks
Joined: Thu Mar 15, 2007 10:52 am
Location: Wilmington, NC

Re: Passages

#8964 Post by dustybooks » Tue Feb 09, 2021 9:55 am

hearthesilence wrote:
Tue Feb 09, 2021 4:07 am
2021 has been pretty brutal and it's only February.

Mary Wilson of the Supremes
I've always loved the Supremes ever since hearing them on oldies radio when I was a little kid; growing up and picking up one of their greatest-hits compilations I was just blown away by how consistent they were when Holland-Dozier-Holland was writing their singles. I read Wilson's book Dreamgirl a few years ago and found it quite compelling.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8965 Post by hearthesilence » Tue Feb 09, 2021 7:13 pm

Elliot Mazer, the longtime producer and engineer who helped craft albums for Neil Young, Linda Ronstadt, and the Band. He is best known for producing multiple albums by Young, beginning with 1972’s Harvest, by far his most popular LP and the one that catapulted Young into superstardom. Mazer would later produce better, more harrowing works like the 1973 live LP Time Fades Away and the famous "lost" 1973 LP Homegrown which Young finally released last year. (IMHO, it's another masterpiece from his peak '70s run of albums.)

Orlac
Joined: Tue Apr 14, 2009 4:29 am

Re: Passages

#8966 Post by Orlac » Tue Feb 09, 2021 8:14 pm

HinkyDinkyTruesmith wrote:
Mon Feb 08, 2021 7:29 pm
Jean-Claude Carriere, 'Belle de Jour,' 'Tin Drum' Screenwriter, Dies at 89

Birth and That Obscure Object of Desire were two of my favorite watches of last year, certainly one of the greatest screenwriters to ever do it.
He wrote Jess Franco's best film, THE DIABOLICAL DR Z.

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ando
Bringing Out El Duende
Joined: Mon Dec 06, 2004 6:53 pm
Location: New York City

Re: Passages

#8967 Post by ando » Tue Feb 09, 2021 8:49 pm

dustybooks wrote:
Tue Feb 09, 2021 9:55 am
hearthesilence wrote:
Tue Feb 09, 2021 4:07 am
2021 has been pretty brutal and it's only February.

Mary Wilson of the Supremes
I've always loved the Supremes ever since hearing them on oldies radio when I was a little kid; growing up and picking up one of their greatest-hits compilations I was just blown away by how consistent they were when Holland-Dozier-Holland was writing their singles. I read Wilson's book Dreamgirl a few years ago and found it quite compelling.
Same here. Icon(s). R.I.P.

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dwk
Joined: Sat Jun 12, 2010 6:10 pm

Re: Passages

#8968 Post by dwk » Wed Feb 10, 2021 7:01 pm


beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#8969 Post by beamish14 » Wed Feb 10, 2021 7:29 pm

dwk wrote:
Wed Feb 10, 2021 7:01 pm
Larry Flynt

Oh, shit. I know how polarizing he was, but I genuinely think he did a lot of good in his life. The First Amendment battles he fought have benefited all artists in
America. I love how he used his gubernatorial/presidential runs and money to smoke out Republican hypocrisy, too. He never took advertising money from cigarette companies, which still makes him alone in that regard among adult magazine publishers. The guy didn't just publish pornography, either. Flynt Publications had a lot of influential skateboarding and other lifestyle magazines.

As an aside, I had a professor in school who was a judge in one of Flynt's myriad of legal quandaries during the 80's AND the Robert Evans/Cotton Club fracas.
Just like in The People Vs. Larry Flynt, he did have some models dump cash on the courtroom floor for bail.

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flyonthewall2983
Joined: Mon Jun 27, 2005 3:31 pm
Location: Indiana
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Re: Passages

#8970 Post by flyonthewall2983 » Wed Feb 10, 2021 9:34 pm

Didn't he offer some big money for someone to come forward with the Trump Russia pee tape?

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Sternhalma Weinstein
Joined: Fri Dec 18, 2020 12:02 am

Re: Passages

#8971 Post by Sternhalma Weinstein » Thu Feb 11, 2021 1:21 am

beamish14 wrote:
Wed Feb 10, 2021 7:29 pm
The First Amendment battles he fought have benefited all artists in America.
A titan of First Amendment rights, frankly, despite his frequent theatrics and general tastelessness. Gotta love how some of the obits refer to him condescendingly as a "self-styled" First Amendment advocate, etc. As if only the corporate mainstream media gets to anoint the true free speech heroes (that is, those who toe the line).

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flyonthewall2983
Joined: Mon Jun 27, 2005 3:31 pm
Location: Indiana
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Re: Passages

#8972 Post by flyonthewall2983 » Thu Feb 11, 2021 6:03 pm


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soundchaser
Leave Her to Beaver
Joined: Sun Aug 28, 2016 12:32 am

Re: Passages

#8973 Post by soundchaser » Thu Feb 11, 2021 6:28 pm

Whoah, jeez. His work with Miles Davis and the first few Return to Forever albums are unimpeachable. Did we know he was even sick?

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8974 Post by hearthesilence » Thu Feb 11, 2021 7:26 pm

soundchaser wrote:
Thu Feb 11, 2021 6:28 pm
Whoah, jeez. His work with Miles Davis and the first few Return to Forever albums are unimpeachable. Did we know he was even sick?
Just saw his FB page's announcement - it was a rare form of cancer that was only discovered very recently.

Just stunned and very sad.

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The Elegant Dandy Fop
Joined: Thu Dec 09, 2004 3:25 am
Location: Los Angeles, CA

Re: Passages

#8975 Post by The Elegant Dandy Fop » Thu Feb 11, 2021 9:21 pm

I saw Chick Corea perform ten years ago with the Return to Forever band and he seemed beyond healthy and sharp. An absolute shock! I was literally listening to that first Return to Forever record in the morning. A lot of Corea can be incredibly corny like the Electrik Band stuff or Leprechaun, but actually love the earliest fusion stuff and the album he did with Gary Burton. There's also that brief period where he went free jazz (as did so many who went smooth later on like Bob James and Gato Barbieri) resulting in the incredible group Circle with Anthony Braxton, Barry Altschul and Dave Holland. The last two also collaborated with Corea on A.R.C., another wild album for its time. It also goes without saying his work with Miles Davis was so important to his electric period. Listen to any of his performances on the Miles at the Fillmore bootleg series released a few years ago. It's incredible!

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