Passages

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8826 Post by hearthesilence » Thu Dec 31, 2020 9:24 pm

Bassist Eugene Wright, the last surviving member of Dave Brubeck’s classic quartet (which also featured Paul Desmond on alto saxophone and Joe Morello on drums)

beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#8827 Post by beamish14 » Thu Dec 31, 2020 10:04 pm

Paul Heller, producer of films for a wide array of
great directors including Bruce Robinson, Ronald Neame, Frank Perry, Jonathan Kaplan, and forum favourite Bill Gunn (Stop!)

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ando
Bringing Out El Duende
Joined: Mon Dec 06, 2004 6:53 pm
Location: New York City

Re: Passages

#8828 Post by ando » Fri Jan 01, 2021 11:14 pm

beamish14 wrote:
Thu Dec 31, 2020 10:04 pm
Paul Heller, producer of films for a wide array of
great directors including Bruce Robinson, Ronald Neame, Frank Perry, Jonathan Kaplan, and forum favourite Bill Gunn (Stop!)
I recognized his name right away as one of two producers on Enter The Dragon. Always felt the decision to lynch Kelly a conspicuously American touch. Lee certainly didn’t write it. Need to check out more from Heller. R.I.P.

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okcmaxk
Joined: Tue Jan 05, 2016 12:37 am

Re: Passages

#8829 Post by okcmaxk » Fri Jan 01, 2021 11:18 pm


beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#8830 Post by beamish14 » Sat Jan 02, 2021 12:46 am

okcmaxk wrote:
Fri Jan 01, 2021 11:18 pm
Joan Micklin Silver


A legend. Hester Street is up with Killer of Sheep, Chan is Missing, and Bless Their Little Hearts as one of the great
American neorealist films, and Chilly Scenes of Winter should've made a star out of the great John Heard. She and her daughter Marissa (who is
an excellent novelist as well) are maybe the only major mother/daughter pair to become successful directors in Hollywood, too.

Orlac
Joined: Tue Apr 14, 2009 4:29 am

Re: Passages

#8831 Post by Orlac » Sat Jan 02, 2021 4:47 am

ando wrote:
Fri Jan 01, 2021 11:14 pm
beamish14 wrote:
Thu Dec 31, 2020 10:04 pm
Paul Heller, producer of films for a wide array of
great directors including Bruce Robinson, Ronald Neame, Frank Perry, Jonathan Kaplan, and forum favourite Bill Gunn (Stop!)
I recognized his name right away as one of two producers on Enter The Dragon. Always felt the decision to lynch Kelly a conspicuously American touch. Lee certainly didn’t write it. Need to check out more from Heller. R.I.P.
Michael Allin wrote Enter the Dragon and Lee had him kicked off the production.

Heller can be seen in the film as a radio operator.

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okcmaxk
Joined: Tue Jan 05, 2016 12:37 am

Re: Passages

#8832 Post by okcmaxk » Sun Jan 03, 2021 4:58 pm


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Dylan
Joined: Tue Nov 02, 2004 9:28 pm

Re: Passages

#8833 Post by Dylan » Sun Jan 03, 2021 11:06 pm


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bearcuborg
Joined: Fri Sep 14, 2007 2:30 am
Location: Philadelphia via Chicago

Re: Passages

#8834 Post by bearcuborg » Mon Jan 04, 2021 2:44 am

Very sad, she seemed to be active online. Tanya was great in That 70’s Show.

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Pavel
Joined: Fri Aug 07, 2020 2:41 pm

Re: Passages

#8835 Post by Pavel » Mon Jan 04, 2021 11:08 am


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colinr0380
Joined: Mon Nov 08, 2004 4:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#8836 Post by colinr0380 » Mon Jan 04, 2021 1:17 pm

Pavel wrote:
Mon Jan 04, 2021 11:08 am
"Queen of Hammer" Barbara Shelley
Barbara Shelley appears in a lot of the best Hammer Films as well from Dracula - Prince of Darkness and The Gorgon to the threatened love interest of Rasputin - The Mad Monk and perhaps her finest hour being buffeted around by invisible forces in the 1967 film version of Quatermass and the Pit.

But she also had form outside of Hammer too, starring in the 1960 Village of the Damned and 1958's Blood of the Vampire.

(Along with The Gorgon she also appears in another of the Hammer Films in the recent Indicator box sets with The Camp on Blood Island)

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CSM126
Joined: Thu Nov 04, 2004 8:22 am
Location: The Room
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Re: Passages

#8837 Post by CSM126 » Mon Jan 04, 2021 6:21 pm

Dylan wrote:
Sun Jan 03, 2021 11:06 pm
Tanya Roberts
Never mind

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Dylan
Joined: Tue Nov 02, 2004 9:28 pm

Re: Passages

#8838 Post by Dylan » Mon Jan 04, 2021 6:57 pm

CSM126 wrote:
Mon Jan 04, 2021 6:21 pm
Dylan wrote:
Sun Jan 03, 2021 11:06 pm
Tanya Roberts
Never mind
What a strange story, but how wonderful that she is still alive.

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bearcuborg
Joined: Fri Sep 14, 2007 2:30 am
Location: Philadelphia via Chicago

Re: Passages

#8839 Post by bearcuborg » Mon Jan 04, 2021 7:26 pm

Dylan wrote:
Mon Jan 04, 2021 6:57 pm
CSM126 wrote:
Mon Jan 04, 2021 6:21 pm
Dylan wrote:
Sun Jan 03, 2021 11:06 pm
Tanya Roberts
Never mind
What a strange story, but how wonderful that she is still alive.
2021 wants no part of 2020.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#8840 Post by hearthesilence » Mon Jan 04, 2021 8:02 pm

I actually remember some fans online hoping the same mistake was made with Prince. It seemed stupid at the time, but I guess it does happen.

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Brian C
I hate to be That Pedantic Guy but...
Joined: Wed Sep 16, 2009 11:58 am
Location: Chicago, IL

Re: Passages

#8841 Post by Brian C » Mon Jan 04, 2021 10:00 pm

Tom Petty’s death was announced prematurely too, wasn’t it? Of course he died then anyway ... hopefully that doesn’t end up being the case here, but apparently she’s not doing well.

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senseabove
Joined: Wed Dec 02, 2015 3:07 am

Re: Passages

#8842 Post by senseabove » Mon Jan 04, 2021 10:34 pm

A film friend of mine mentioned another one that flips the script a little bit: Eric Blore died just hours before an issue of the New Yorker streeted that contained the famously fastidious magazine's first ever retraction, correcting a prior, incorrect reference to him by Kenneth Tynan as 'the late Eric Blore'—so the same day people read the magazine's retraction, they were also reading his New York Times obituary.

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domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 2:42 pm

Re: Passages

#8843 Post by domino harvey » Mon Jan 04, 2021 10:51 pm


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MichaelB
Joined: Fri Aug 11, 2006 6:20 pm
Location: Worthing
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Re: Passages

#8844 Post by MichaelB » Tue Jan 05, 2021 4:35 am

senseabove wrote:A film friend of mine mentioned another one that flips the script a little bit: Eric Blore died just hours before an issue of the New Yorker streeted that contained the famously fastidious magazine's first ever retraction, correcting a prior, incorrect reference to him by Kenneth Tynan as 'the late Eric Blore'—so the same day people read the magazine's retraction, they were also reading his New York Times obituary.
My great-great-uncle by marriage, as it happens.

In fact, it was the death of my great-great-aunt Violet that impelled him to cross the Atlantic in the first place, as he said he didn’t want to live in England any more.

(I don’t know why she died so young - she was only in her mid-twenties - but given that it was early 1919 it could have been pandemic-related.)



black&huge
Joined: Tue Dec 26, 2017 5:35 am

Re: Passages

#8847 Post by black&huge » Wed Jan 06, 2021 3:25 pm

I saw this as well and I just ordered a copy of Savage Cinema on monday.

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colinr0380
Joined: Mon Nov 08, 2004 4:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#8848 Post by colinr0380 » Wed Jan 06, 2021 5:14 pm

That's very sad. His commentaries on Kurosawa (particularly Kagemusha and Ran. I had listened to Ran so much that at one point I could actually tell which sections from his original 2003 Wellspring DVD commentary that he amended and added more context to with the 2005 Criterion release! Mostly about homosexuality in the period. Kagemusha, the release of which came in between the two Ran releases, and which he went into much more detail about this aspect, seemed to have inspired him to go back and add a line or two into the Ran commentary about that same aspect for its Criterion reissue) and especially over Straw Dogs, where he does a lot to reclaim that film from its notoriety, are some of the best commentaries that Criterion have ever put out.

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whaleallright
Joined: Sun Sep 25, 2005 12:56 am

Re: Passages

#8849 Post by whaleallright » Thu Jan 07, 2021 12:50 am

His Peckinpah book is phenomenal—a very focused argument about Peckinpah's treatment of violence—and his essay "Psychoanalytic Film Theory and the Problem of the Missing Spectator" is one of the best (I'd say nearly definitive) critiques of the Freudian tendency in film theory.

He was also a major driving force of the Society for the Cognitive Study of the Moving Image and a very nice guy. He was only about 65. It's really awful.

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captveg
Joined: Wed Sep 02, 2009 7:28 pm

Re: Passages

#8850 Post by captveg » Fri Jan 08, 2021 5:52 pm

Tommy Lasorda

Considering how long he had suffered from heart issues it's a credit to him for making it so long.

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