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therewillbeblus wrote: Sun Jun 21, 2026 3:21 am The reason isn’t that superficial. Alone. Life Wastes Andy Hardy has about the same running time as Pièce touchée

I knew that but I wanted to compare Pièce and Whistle because they both have more commonground than Pièce and Alone and upon rewatch, I think Pièce actually works much better than Whistle because of the fact that its repetitive nature is allowed much more time to breathe and really absorb the viewer compared to Whistle, which I love, but does comparatively feel less engaging because of the fact that it’s a 5th of Pièce’s runtime and thus can’t really engage with each new thing added or subtracted as much as when Pièce decides to move on towards the next couple frames.

I’ve admittedly never really been a fan of experimental cinema but when one hits, it hits hard and leaves with an indescribable sense of catharsis and I’m proud to say that Hours for Jerome is one of those films mainly because of how much you can feel director Nathaniel Dorsky’s pure love of the seemingly insignificant moments he’s capturing burst into beautiful images that betray how mundane they should be. I think my favorite moment is when Dorsky is filming windows of apartments across from him and for a brief couple of seconds, there’s a wonderful image of this man just sitting on his bed and it broke me from the trance the film was setting me in because we have at some point all been like the man sitting on his bed in sadness, possibly contemplating how we even got here in the first place and I think it sort of comforted me especially as someone who has repeatedly felt like that man at many points in his life and felt alone in those thoughts. It’s probably my favorite example of how Dorsky makes us want to pay more attention to the larger world around us but it’s also far from the only example from the way he highlights the details of a tree to how he makes us observe a street view of regular people going about their day. I think I should leave this to someone more knowledgeable than me to comment on this but I do really think this is an extremely wonderful film and an immediate favorite and if anyone has recommendations for either more works from Dorsky’s filmography or just films that feel similar to this, please let me know because I would love to hear them!

If that means you were at the BAMPFA screening last week, then you should definitely not miss The Arboretum Cycle there in a few weeks.

Should we move forward on setting deadlines/engaging with this project on a timeline, perhaps following the Musicals Redux project?

I think there was a general lack of engagement, so the idea was suspended...

I assumed it was like the Oscars and Cesars threads, just a general viewing project with no hard end date

That's what it's turned into, but I dunno, it'd be cool to see lists and get more esoteric recs that way. Selfishly I'd like it to turn into a real thing and then taper off and become that kind of thread afterwards, like many do

It also might be a nice contrast/palette cleanser after watching so many old Hollywood musicals to dive into something completely different. Maybe there will be more enthusiasm then

I agree. We could start with a simple vote on 50 titles. Those who have 50 can submit. Then we tally and go from there to maybe build up to another vote many years from now.

I fully intend to put some kind of a personal list together at some point before I die

denti alligator wrote: Tue Aug 18, 2026 4:16 pm I think there was a general lack of engagement, so the idea was suspended...

Yeah, I'd be happy to resuscitate the project if there was enough interest, but there was no evidence of that at the time. If it's just a vote with no discussion of the films, what's the point?

I’d be interested, if only to allow myself to explore experimental cinema beyond what the most well-known titles but I’m curious what would be the cutoff for what could or couldn’t be considered an experimental film. For example, would we be limited to films that have public showings or can we also include avant-garde stuff that can only be viewed on platforms like YouTube when submitting our lists?

For those in London, the ICA have another weekend of Michael Snow films on 16mm later this month, as well as two by Joyce Wieland https://www.ica.art/films/five-films-fr ... ce-wieland

There's also a programme of work by Daichi Saito, who deserves to be better known, in November https://www.ica.art/films/sonic-cinema-daichi-saito


I wonder if Dry Leaf would qualify for this list. A narrative film made experimental by virtue of the camera on which it was filmed? Post-impressionistic images that, in the case of the car wash scene at least, are reminiscent of Phil Solomon or Brakhage.