Re: Kino
Posted: Fri Dec 17, 2010 5:35 pm
The 2-strip Technicolour images look amazing; anyone know of any other 2-strip Technicolour films worth seeing? (off-hand I can only think of the Curtiz film Wax Museum)
Nothing more since this from 5 November on the Forthcoming Threadonedimension wrote: Anyone know the status of Kino's blu of 'The Sacrifice'?
ernesto wrote:"The BluRay of THE SACRIFICE was postponed because the 35mm low-contrast print we were using as our source had printed-in dust and dirt which was unsatisfactory to us. We looked at two alternate film elements and neither of these was any better.
Fortunately, new technology has been developed that can remove the dust/dirt without affecting motion within the video, and without softening the detail of the image. Right now we're deciding between a couple of different processes and will then finish the master of THE SACRIFICE.
The film has been put back on the release schedule in Spring 2011."
This is an email I recieved from Brent Wood, the man overseeing the project. Looks like Kino has another big release on Blu-Ray. Too bad its happening next year.
I wasn't aware of the list--thanks! Interestingly, IMDb also lists Way Down East (1920) as a two-color Technicolor production. But if you go by Richard Koszarski's An Evening's Entertainment (p.129) the film's color sequences were shot in Prizma, a different two-color subtractive color process. I'm more inclined to trust Koszarski's sources on this point.swo17 wrote:Also The Wedding March. Actually, here's a list from IMDb.
Yes indeed - and (in case anyone isn't aware of this as Warner barely mention it on the packaging) it's included as an extra with the 1953 remake House of Wax, currently only £2.69 at Amazon UK. I've read claims that Warner digitally altered the colours but to me they look very similar to my 1980s off-air recording.Sloper wrote:I've never seen it, to my shame, but isn't The Mystery of the Wax Museum another two-strip film?
No no, sorry I was referring to the Forthcoming Criterion thread (the previous one, second last page)onedimension wrote:There's a Forthcoming Thread for Kino?
Ah- thanks for the info, I'd missed that one. Another one of my dollars goes in the Kino empty guitar case.Peacock wrote:No no, sorry I was referring to the Forthcoming Criterion thread (the previous one, second last page)onedimension wrote:There's a Forthcoming Thread for Kino?
Like his 1926 film The General, this elaborate historical comedy broadened the boundaries of slapstick and proved that Keaton was not just a comedian, he was an artist. Keaton stars as youthful dreamer Willie McKay, who travels westward on a rickety locomotive to claim his birthright, only to find that his inheritance is a shack. And he learns that the object of his affection (Keaton s real-life wife, Natalie Talmadge) is the daughter of a man with whom his family has been engaged in a long, violent feud. McKay s personal struggles are punctuated by brilliant slapstick set pieces that involve an exploding dam, raging waterfalls, and a primitive steam engine. Keaton supervised the design and construction of the train, which he revived two years later for the short The Iron Mule (in which he appears without credit as an Native American chief). This definitive edition of OUR HOSPITALITY features an exquisite orchestral score by Carl Davis, performed by the Thames Silents Orchestra; a documentary on the making of the film; and a rare alternate cut entitled Hospitality . SPECIAL FEATURES: Music composed and conducted by Carl Davis, performed by The Thames Silents Orchestra (in 5.1 Surround or 2.0 Stereo), Musical score compiled by Donald Hunsberger (2.0 Stereo), The Iron Mule (1925, 19 Min.), with music by Ben ModeL, Original documentary on the making of the film, written by film historian Patricia Eliot Tobias with David B. Pearson, Hospitality, a 49-minute alternate cut of the film, with an explanatory introduction, and an organ score by Lee Erwin, 2 Galleries: Photos & Snapshots

I bought the Milestone edition a few years ago based on a few comparisons I read back then. I think Milestone's picture quality is better despite being from the same restored print, plus you get a nice Carl Davis score instead of piano only. There's no bonus documentary though.Murdoch wrote:I emailed Kino asking if they were going to release It on blu but they said they don't have any plans to. Shame, as I'll have to buy the dvd now.
Speaking of which, how does Kino's transfer to the Milestone? The Milestone's OOP now and fetching outrageous prices, but I've heard there's a disparity between the two in terms of picture quality.
Thanks, as long as the transfer difference isn't significant. I'm hoping it will eventually make it to the blu schedule, maybe for 2012 [-o<Saturnome wrote:I bought the Milestone edition a few years ago based on a few comparisons I read back then. I think Milestone's picture quality is better despite being from the same restored print, plus you get a nice Carl Davis score instead of piano only. There's no bonus documentary though.