Re: The Music Video Mini-List
Posted: Mon Oct 14, 2019 3:48 pm
....and now for MTVs heyday...
Tim Pope also did most of the videos for Soft Cell's 1st album, compiling into one of the first video albums, Non Stop Exotic Video Show. My favorites of the individual promos are the ones for Tainted Love and Frustration. His most notable accomplishment though is the first version of the video he filmed for Sex Dwarf where they rented prostitutes, a dwarf & purchased a chainsaw and slabs of meat to make the most notorious video of the decade. It was confiscated by Scotland Yard because it was too pornographic & many (myself included) had to wait decades (until the internet) to see it. Unfortunately it's still only available in a very poor quality vhs copy, maybe one day it will see the light of day.
Not a groundbreaking video, but Toto Coelo's I Eat Cannibals sums up the 80s in a single video for me: trash bag dresses, pink & blue neon lights, dayglo colored clothing, big hair, non-sensical -yet with not so subtle sexual innuendo-filled lyrics, catchy danceable beat, i can't resist it.
Others have mentioned Pet Shop Boys' videos. So I wanted to add 2 not mentioned: Heart is one of those mini-film videos that became popular in the mid 80s & I like better than It's A Sin, if only for the actor cameos. It's Alright is one of the best of the simple b&w popular of the late 80s/early 90s (Bruce Weber, Helmut Newton...) and I think will get my vote over the one for Being Boring, even though I prefer the latter song. I also think I prefer the Suburbia video to the one for West End Girls.
New Order's True Faith was quite popular & had interesting costumes & choreography. But for artistic sake, I'd have to go with Round & Round or World (The Price Of Love). Had the latter been filmed in 1 take instead of 4, it would be the best video of all time, as it evokes the opening 5 minutes of Soy Cuba/I Am Cuba, but in reverse.
OMD's videos weren't always the most imaginitive (ditto for Tears For Fears). However Genetic Engineering, despite not being commercially successful, was for me the peak of their creativity, w/ a bit of an avant gard take on the mini-film video. Pale Shelter fits the same bill for TFF.
The one video to beat Small Town Boy in launching a queer (non-gender bending) visibility to music videos was Pete Shelley's Homosapien.
Madness videos all seem the same after viewing a few, however I thinkCardiac Arrest makes best use of the medium to fit the song.
The Rolling Stones' videos from all decades mostly feature the band playing in a very straight forward setting, however the uncensored version of Undercover Of The Night is notable for its use of violence and allusion to US interventions in Latin America during the 80s.
Divine's I'm So Beautiful was a cult fave, however I think Walk Like A Man was a bit more technically advanced & perhaps therefore appealing.
Like A Surgeon is still my favorite Weird Al video.
Visage's Mind Of A Toy is their best video, despite not being their best song.
Paul Hardcastle's 19 and M/A/R/R/S' Pump Up The Volume were unlikely #1 hits, owing much of their popularity to their videos.
Lords Of The New Church's Russian Roulette used some of the same Vietnam video footage as did 19. In fact, it seems that a 1/4 of videos from the era featured war footage or an image of a nuclear bomb going off. Interesting that the 80s weren't particularly known for being a politically savvy time (ie. In contrast to the 60s), however, music videos say otherwise.
Paul Simon's Boy In The Bubble and Queen's I Want To Break Free are 2 mainstream artist videos that still hold up well.
Tim Pope also did most of the videos for Soft Cell's 1st album, compiling into one of the first video albums, Non Stop Exotic Video Show. My favorites of the individual promos are the ones for Tainted Love and Frustration. His most notable accomplishment though is the first version of the video he filmed for Sex Dwarf where they rented prostitutes, a dwarf & purchased a chainsaw and slabs of meat to make the most notorious video of the decade. It was confiscated by Scotland Yard because it was too pornographic & many (myself included) had to wait decades (until the internet) to see it. Unfortunately it's still only available in a very poor quality vhs copy, maybe one day it will see the light of day.
Not a groundbreaking video, but Toto Coelo's I Eat Cannibals sums up the 80s in a single video for me: trash bag dresses, pink & blue neon lights, dayglo colored clothing, big hair, non-sensical -yet with not so subtle sexual innuendo-filled lyrics, catchy danceable beat, i can't resist it.
Others have mentioned Pet Shop Boys' videos. So I wanted to add 2 not mentioned: Heart is one of those mini-film videos that became popular in the mid 80s & I like better than It's A Sin, if only for the actor cameos. It's Alright is one of the best of the simple b&w popular of the late 80s/early 90s (Bruce Weber, Helmut Newton...) and I think will get my vote over the one for Being Boring, even though I prefer the latter song. I also think I prefer the Suburbia video to the one for West End Girls.
New Order's True Faith was quite popular & had interesting costumes & choreography. But for artistic sake, I'd have to go with Round & Round or World (The Price Of Love). Had the latter been filmed in 1 take instead of 4, it would be the best video of all time, as it evokes the opening 5 minutes of Soy Cuba/I Am Cuba, but in reverse.
OMD's videos weren't always the most imaginitive (ditto for Tears For Fears). However Genetic Engineering, despite not being commercially successful, was for me the peak of their creativity, w/ a bit of an avant gard take on the mini-film video. Pale Shelter fits the same bill for TFF.
The one video to beat Small Town Boy in launching a queer (non-gender bending) visibility to music videos was Pete Shelley's Homosapien.
Madness videos all seem the same after viewing a few, however I thinkCardiac Arrest makes best use of the medium to fit the song.
The Rolling Stones' videos from all decades mostly feature the band playing in a very straight forward setting, however the uncensored version of Undercover Of The Night is notable for its use of violence and allusion to US interventions in Latin America during the 80s.
Divine's I'm So Beautiful was a cult fave, however I think Walk Like A Man was a bit more technically advanced & perhaps therefore appealing.
Like A Surgeon is still my favorite Weird Al video.
Visage's Mind Of A Toy is their best video, despite not being their best song.
Paul Hardcastle's 19 and M/A/R/R/S' Pump Up The Volume were unlikely #1 hits, owing much of their popularity to their videos.
Lords Of The New Church's Russian Roulette used some of the same Vietnam video footage as did 19. In fact, it seems that a 1/4 of videos from the era featured war footage or an image of a nuclear bomb going off. Interesting that the 80s weren't particularly known for being a politically savvy time (ie. In contrast to the 60s), however, music videos say otherwise.
Paul Simon's Boy In The Bubble and Queen's I Want To Break Free are 2 mainstream artist videos that still hold up well.