criterionforum.org

FrauBlucher wrote:Being that Criterion are no longer creating phantom pages I think that these left over director pages are just random speculation at this point.I just posted that list from over 6 years ago as a reference (geez, where has time gone).

If I remember correctly, Atom Egoyan had a phantom page too.

FrauBlucher wrote: Mon May 06, 2019 1:18 am If Criterion has this I can't imgine they would put it in WCP boxset. Buñuel is too big to not give this an independent release. Maybe someone can ask the KLInsider either here or on his Blu-ray.com thread.

It's not KL Studio Classics, and they follow the beautifully circuitous logic of "we handle all Kino Lorber-related questions except for all those we don't handle, including anything non-Studio Classics." I asked about the Buñuel several times a while back, and was ignored and finally snipped at for asking about a non-KLSC title.

I know it had been rumored for some time that Kino would release it (and the one print I saw opened with the 90s Kino logo), but if its been restored by the WCP it means that they have secured the rights. And since WCP seems to only have a release history with Criterion up until this point I’d say its pretty safe to say that this will be handled by CC soon enough. And they absolutely know the prestige to give it a standalone release akin to Color of Pomegrantes.

Though the other two new Buñuel restorations playing at Cannes, Narazin and L’age d’dor, are anyones game so far.

The Fanciful Norwegian wrote: Mon May 06, 2019 12:50 am I find it hard to imagine it would be released without the alternate ending. Even the 35mm print I saw a couple of years back had it tacked onto the end after some explanatory text.

I could imagine a situation where it is a special feature. The original ending makes it my favourite Buñuel along with Viridiana

DRW.mov wrote: Mon May 06, 2019 4:00 am Though the other two new Buñuel restorations playing at Cannes, Narazin and L’age d’dor, are anyones game so far.

Shocking that Criterion hasn’t released L’age d’or considering that and Un Chien Andalou are mainstream in the Buñuel category thanks partly due to the artistic love surrounding Dalí. The BFI blu Ray Through is phenomenal I must say.

As for Nazarin, I’d assume they are in rights with the already released Buñuel 60s Spanish films. I could see Criterion upgrading Viridiana while releasing Nazarin as the former desperately needs an upgrade (Top 3 film for me).

DRW.mov wrote: Mon May 06, 2019 4:00 amThough the other two new Buñuel restorations playing at Cannes, Narazin and L’age d’dor, are anyones game so far.

Studio Canal may still have Nazarin. Over ten years ago they let Lions Gate poot it out in R1 as a twofer w/Illusion Travels By Street Car in a budget line of subs-less Latin films.

If one wants even more confirmation, The Criterion Collection is listed (alongside WB and Cineteca) with The Cameraman in the new Film Comment's "New and Forthcoming Restorations" sidebar on page eleven.

Soneone from the blu-ray.com forums interviewed John Sayles and he said that Matewan and The Secret of Roan Inish were going to be released by Criterion.

Seems right that the first Sayles I didn't care for is being released. But I guess Matewan will look beautiful in high-def. Haven't seen Roan though

Still surprised we haven't gotten Return of the Secaucus Seven, Lianna or Brother From Another Planet from Criterion before now. As far as I'm aware, all of them are still being handled by IFC Films.

yoloswegmaster wrote: Tue May 07, 2019 4:56 pm Soneone from the blu-ray.com forums interviewed John Sayles and he said that Matewan and The Secret of Roan Inish were going to be released by Criterion.

Matewan and Los Olvidados have been bucket list criterions for me for like 15 years, and I don’t think there’s been a nice version of either released. So this is an incredible year for me personally.

FrauBlucher wrote: Mon May 06, 2019 1:18 amIf Criterion has this I can't imgine they would put it in WCP boxset. Buñuel is too big to not give this an independent release.

Yeah, if they gave Black Girl and Color of Pomegranates standalone releases, there's no way they're not going to give the most in-demand, never-available-in-the-U.S. Bunuel film one.

Great news! Can't wait to enjoy(?) this inclusion.

Polyester without the Odorama card would be pointless, so great news. I suppose I can do a comparison with the by-now ancient one I have with the Criterion laserdisc release (yes, it still reeks).

A perfect October release

Malickite wrote: Sat Jun 23, 2018 7:28 am Wonder if Criterion will include reproductions of the scratch-n-sniff cards.

They must have seen my post. Nice. Oh wait, I hate John Waters. Why am I excited?

I just asked Katharina Kubrick if there will be more Cruterion releases of her father's films and she said "I’m sure there will be eventually."

It's a shame they won't be with Criterion.

I was just looking at the Sam Smith Studio Visit on Criterion's site and noticed a whiteboard behind him with references, under "Projects", to ASAKO I & II, MARIENBAD, A GIRL NAMED ? (I can't make the last word out) and ONE SINGS, which has already been announced. Under "What's going on with": TEN and SINGIN" IN THE RAIN.

All of these may or may not be coming from Criterion, (i'm sure SOME of them are) but I figured I'd post this anyway to hear what others think. There are some other things on the whiteboard that I can't make out but others might be able to decipher.

Sam Smith

"A Girl Named Eddy" is what's written there, which I think refers to this American musician who goes by "A Girl Called Eddy"

Sam did the new Marienbad artwork for the upcoming Kino release and Asako I&II for Grasshopper, so that explains those. Ten and Singin’ in the Rain are the surprising ones here, but keep in mind he also does prints inconjunction with the Belcourt theater in Nashville and hosts a podcast about poster design which does one off episodes that dive into a single film’s key art so they could also be either of those.

schlafen wrote: Sat May 11, 2019 6:28 pm I was just looking at the Sam Smith Studio Visit on Criterion's site and noticed a whiteboard behind him with references, under "Projects", to ASAKO I & II, MARIENBAD, A GIRL NAMED ? (I can't make the last word out) and ONE SINGS, which has already been announced. Under "What's going on with": TEN and SINGIN" IN THE RAIN.

All of these may or may not be coming from Criterion, (i'm sure SOME of them are) but I figured I'd post this anyway to hear what others think. There are some other things on the whiteboard that I can't make out but others might be able to decipher.

Sam Smith

My best guess for that is that it should be "A Girl Called Eddy", the stage name of singer Erin Moran, who has her first new album in fifteen years (supposedly) coming out soon: https://en.wikipedia.org/wiki/A_Girl_Called_Eddy

And we know Asako is coming from Grasshopper: http://grasshopperfilm.com/film/asako/

In the Sam Smith video, he also flips through a drawer with a poster he did for Citizen Kane.

I missed the ASAKO I & II announcement from Grasshopper and I've never heard of a Girl Called Eddy. I'll have to check out his podcast. Thanks for the clarification everyone.