Re: Passages
Posted: Thu Apr 05, 2012 2:41 pm
La petite voleuse or The Accompanist are perhaps his better known works, but I really love Class Trip (which I wrote about in the horror list project thread), and the Les enfants de Lumière documentary from 1995 which he was one of the co-directors on was a really wonderful love letter/tribute to a century of French cinema, and beautifully thematically edited together (even if many of the clips from the films montaged together were not identified until the end credit scroll!)MichaelB wrote:Claude Miller.
Damn. A guy who lent credibility to any and every role he ever played.Perkins Cobb wrote:Luke Askew.
Yes, his work was dreck, by all accounts he was a greedy and ill tempered man that wasn't above fleecing his own gallery owners, but I was tickled pink to find out today that he worked as an animator in Ralph Bakshi's Fire and Ice.Markson wrote:"Painter of Light" Thomas Kinkade.
For the benefit of my fellow non-Americans, he was played by Christopher Plummer in Michael Mann's The Insider (though Wallace, by all accounts, didn't consider it a very flattering portrayal).bamwc2 wrote:No official confirmation yet, but at least one site is reporting that Mike Wallace of 60 Minutes has died.
I remember watching Mike on Larry King around the time the movie was released, he was asked about it and they showed a clip (the scene where Wallace gets irate at Tobolowsky and Gershon's characters for cutting his interview). I don't think it made the network look completely evil, but I'm sure CBS wasn't thrilled this story made it's way to the big screen in such short time.MichaelB wrote:For the benefit of my fellow non-Americans, he was played by Christopher Plummer in Michael Mann's The Insider (though Wallace, by all accounts, didn't consider it a very flattering portrayal).bamwc2 wrote:No official confirmation yet, but at least one site is reporting that Mike Wallace of 60 Minutes has died.
Mike Wallace rose to prominence in 1956 with the New York City television interview program, Night-Beat, which soon developed into the nationally televised prime-time program, The Mike Wallace Interview. Well prepared with extensive research, Wallace asked probing questions of guests framed in tight close-ups. The result was a series of compelling and revealing interviews with some of the most interesting and important people of the day.
The Mike Wallace Interview ran from 1957 to 1960, but the Ransom Center collection includes interviews from only 1957 and 1958. In the early 1960s, Mr. Wallace donated to the Ransom Center kinescopes of these programs and related materials, including his prepared questions, research material, and correspondence.
Copyright of all of the interviews is held by Mike Wallace, who generously agreed to allow the Ransom Center to present them here in their entirety. Any further use of this material requires the permission of both Mike Wallace and the Ransom Center.
There are 65 interviews in the Ransom Center's collection. Five are on audio tape, and the others are kinescopes, 16mm recordings of the television programs made by filming the picture from a video monitor.
Mike Wallace interviewed Frank Lloyd Wright back in 1957. It's a decent interview, but really, it just blows my mind that a person born in 1867 was interviewed by a person who would die in 2012. History is not that long ago.
Terrible news. I was just listening to him on the soundtrack of "Phantom of the Paradise".MichaelB wrote:William Finley.
When Criterion was putting together their Paths of Glory reissue, they found a fascinating interview between Wallace and Kirk Douglas that they were unable to license. Amazing what celebrity interviews used to be like before publicists and lawyers were added to the equation. (Also amusing to see the cigarette plug during the interview break.)j99 wrote:The interview I remember by Mike Wallace was the one with Barbara Streisand. He quoted someone who called her an "ego maniac" or words to that effect, and she wasn't best pleased. A far cry from the sychophantic, celebrity fluff you get these days.