Re: Janus Films
Posted: Sat Mar 14, 2020 3:44 pm
Seems likely another World Cinema Project volume is on the way with these latest additions. I can't really see any of those films being released as stand-alone's
Peter Becker gave an interview in 2016 where he mentioned acquiring at least five (maybe seven) additional Sembene films. Xala and Guelwaar showed up on Filmstruck in 2018 and I would guess have rights to at least Mandabi too...yoloswegmaster wrote: Sat Mar 14, 2020 12:24 am 'Emitai' and 'Ceddo' were both being shown on TCM and they each had the Janus logo appear at the start.
I can't find any indication that Emitai and Ceddo are WCP titles. From jwd5275's post, these are more likely to be part of a Sembène box—this site for a recent-ish documentary on Sembène states that the producers are working with Criterion and Sembène's estate to restore the rest of his films (i.e., the two not previously restored as part of the WCP).JakeStewart wrote: Sat Mar 14, 2020 3:44 pm Seems likely another World Cinema Project volume is on the way with these latest additions. I can't really see any of those films being released as stand-alone's
I was referring to Lucia, Pixote and Soleil Ô. I should have been clearer.The Fanciful Norwegian wrote: Sat Mar 14, 2020 7:38 pmI can't find any indication that Emitai and Ceddo are WCP titles. From jwd5275's post, these are more likely to be part of a Sembène box—this site for a recent-ish documentary on Sembène states that the producers are working with Criterion and Sembène's estate to restore the rest of his films (i.e., the two not previously restored as part of the WCP).JakeStewart wrote: Sat Mar 14, 2020 3:44 pm Seems likely another World Cinema Project volume is on the way with these latest additions. I can't really see any of those films being released as stand-alone's
With the exception of Los Olvidados, I doubt any of remaining WCP titles have immunity from being boxed. Edward Yang and Apichatpong Weerasethakul provided names more recognizable to English speaking audiences as a selling point for volume two. I suspect Hector Babenco and Hou Hsiao-hsien will do this for volume three. I am particularly looking forward to he two Mexican horror films, especially Dos Monjes.Cremildo wrote: Sun Mar 15, 2020 3:00 pm It'd be a shame if Pixote was deemed unworthy of a standalone release. I wonder if its stature among film enthusiasts in the United States is considerably more muted than it is here, despite receiving accolades when it opened there and being directed by an Academy Award-nominated filmmaker.
Speaking of which, whatever happened to Boy coming out?
I've always been under the impression that parts of Oshima's filmography are harder to market than others. In the Realm of the Senses can be sold on salaciousness alone but a great film about a child being manipulated significantly less so. I would hope that the forum would take kindly to it as it's a wonderful film.
You may be right about them only listing titles that they have elements to rent out. Bandits vs Samurai Squadron and a number of other Gosha films have been with them for ages. They've been streaming them since the Hulu days, but they never showed up on Janus' site.The Fanciful Norwegian wrote: Fri Jun 26, 2020 6:15 pm This is probably true for other films on that list, but I know firsthand that Janus has had the U.S. rights to The Ceremony for years. I can't trawl through the site now to confirm this, but I don't believe Janus lists holdings on their website unless they have materials for them, and when The Ceremony was screened here a few years ago it was with a print from the Japan Foundation, implying that Janus couldn't provide a copy themselves. It's possible that these new additions to the site augur for Criterion releases in the near future, but I think it's also possible Janus has had the rights to these films for some time and has just acquired a big batch of 35mm prints to loan out.
What Did the Lady Forget? has already been released as an extra on The Flavor of Green Tea Over Rice, so no need to add it to the list.Minkin wrote: Fri Jun 26, 2020 6:29 pm I had all of them listed on the forthcoming topic except
WHAT DID THE LADY FORGET?
So thanks for posting the list. I'm always assuming that I've missed quite a few things.
That's why they didn't add it.Shrew wrote: Fri Jun 26, 2020 8:28 pmWhat Did the Lady Forget? has already been released as an extra on The Flavor of Green Tea Over Rice, so no need to add it to the list.Minkin wrote: Fri Jun 26, 2020 6:29 pm I had all of them listed on the forthcoming topic except
WHAT DID THE LADY FORGET?
So thanks for posting the list. I'm always assuming that I've missed quite a few things.
The Fanciful Norwegian wrote: Fri Jun 26, 2020 6:15 pm This is probably true for other films on that list, but I know firsthand that Janus has had the U.S. rights to The Ceremony for years. I can't trawl through the site now to confirm this, but I don't believe Janus lists holdings on their website unless they have materials for them, and when The Ceremony was screened here a few years ago it was with a print from the Japan Foundation, implying that Janus couldn't provide a copy themselves. It's possible that these new additions to the site augur for Criterion releases in the near future, but I think it's also possible Janus has had the rights to these films for some time and has just acquired a big batch of 35mm prints to loan out.
DCPs are encrypted and run off exclusive Linux based operating systems. You injest DCPs into the computer and upload each film onto the server then mail the DCP back to the studio. Unless you have a computer with the hard drive, you’re looking at each 4K master easily being 100-300gb. A DCP projection system goes for at least $50K (these are the lower end Sony projectors). They also have keys that unlock the file for a specific amount that you have to get directly from the studio.Never Cursed wrote: Mon Jul 13, 2020 10:56 pm If a theater were to pay for a DCP in such a manner as described above, how long would they retain the actual hardware for? More importantly (at least to my interests), what besides the ludicrous cost is stopping an individual (rather than a cinema) from purchasing something in this manner?
Well those are certainly some obstacles! I thought there were some types of DCP software that could run natively on Windows, though, would those not work around at least the OS issues?The Elegant Dandy Fop wrote: Mon Jul 13, 2020 11:25 pmDCPs are encrypted and run off exclusive Linux based operating systems. You injest DCPs into the computer and upload each film onto the server then mail the DCP back to the studio. Unless you have a computer with the hard drive, you’re looking at each 4K master easily being 100-300gb. A DCP projection system goes for at least $50K (these are the lower end Sony projectors). They also have keys that unlock the file for a specific amount that you have to get directly from the studio.Never Cursed wrote: Mon Jul 13, 2020 10:56 pm If a theater were to pay for a DCP in such a manner as described above, how long would they retain the actual hardware for? More importantly (at least to my interests), what besides the ludicrous cost is stopping an individual (rather than a cinema) from purchasing something in this manner?
Unless you have a home theater system and projectionist ready to which I would ask if I can come over and watch movies with you!