Re: Kino Lorber Studio Classics
Posted: Sat Oct 28, 2023 5:04 am
No news on the release date for Has Anybody Seen My Gal?, I’m assuming?
January 9th, 2024.soundchaser wrote: Sat Oct 28, 2023 5:04 am No news on the release date for Has Anybody Seen My Gal?, I’m assuming?
Fantastic; thanks!sabbath wrote: Sat Oct 28, 2023 6:30 amJanuary 9th, 2024.soundchaser wrote: Sat Oct 28, 2023 5:04 am No news on the release date for Has Anybody Seen My Gal?, I’m assuming?
https://kinolorber.com/product/has-anyb ... al-edition
Coming Soon on Blu-ray!
LET’S DANCE (1950) Starring Fred Astaire, Betty Hutton, Roland Young & Ruth Warrick – Shot by George Barnes (Samson and Delilah) – Screenplay by Allan Scott (Top Hat) – Directed by Norman Z. McLeod (The Secret Life of Walter Mitty, The Paleface).
That's cool, long overduedwk wrote: Tue Oct 31, 2023 7:48 pm KLSC announced that next year they are releasing del Toro's Mimic on UHD.

https://www.stackry.com/TMDaines wrote: Wed Nov 01, 2023 6:08 pm How do people outside North America get their Kino Blu-rays? I see they regularly sell many of them cheap on their own website, but apparently cancel any orders with a shipping address out of North America. Amazon is now so expensive as you are forced to buy from Amazon UK at greatly inflated prices, rather than from Amazon US.
Is that even when paying about $30-40 for Stackery to reship?EddieLarkin wrote: Wed Nov 01, 2023 6:16 pmhttps://www.stackry.com/TMDaines wrote: Wed Nov 01, 2023 6:08 pm How do people outside North America get their Kino Blu-rays? I see they regularly sell many of them cheap on their own website, but apparently cancel any orders with a shipping address out of North America. Amazon is now so expensive as you are forced to buy from Amazon UK at greatly inflated prices, rather than from Amazon US.
Ordering a large amount in a Kino sale I typically pay less than £10 per disc once fees and shipping are included. Just remember to declare the value under £135 to avoid customs charges.
Yes, that's all in. A typical Kino Blu-ray is $9.99 when on sale, delivery is free and there's no taxes to ship to Stackry due to the state they're located in (NH).TMDaines wrote: Thu Nov 02, 2023 1:45 amIs that even when paying about $30-40 for Stackery to reship?
This is getting a 4K releaseFrauBlucher wrote: Sat Oct 14, 2023 3:06 pmComing January 30thon Blu-ray!
Brand New Restoration - From a 16bit 4K Scan of the 35mm Nitrate Composite Fine Grain
Scarlet Street (1945) Edward G. Robinson, Joan Bennett & Dan Duryea – Shot by Milton R. Krasner (The Woman in the Window) – Directed by Fritz Lang (The Big Heat).
I’m not exactly familiar with Kino’s 4Ks so what are the typical problems with their 4K discs if I may ask? Just asking because I’ve generally heard positive things about their releases with the exception of the occasional lack of HDR.Finch wrote: Fri Nov 03, 2023 11:14 pm Kino have been so disappointing with their 4k releases this year that I'd honestly get a MoC BD of the new Scarlet Street instead if Eureka choose not to release it in 4k itself though Fritz Lang has been a strong seller for MoC and it'd be their second noir in 4k.
Okay thank you for filling me in, very much appreciated.Finch wrote: Sat Nov 04, 2023 12:20 am One common complaint is the audio where no original track is often provided, just a downmix (stereo to mono as opposed to the actual mono), and encoding can vary from title to title. Often, other boutique labels offer more and better extras, too. Definitely a quantity over quality label. I'm glad they exist because they do cover a lot of titles and not everything they have necessarily gets released by the competition but they could be doing better. A UK boutique label will at the very least have a booklet and a video piece on Scarlet St while the Kino may only have an audio commentary.
echo every word of this - I grab a good few of KLSC's UHDs, and do look forward to Lost in Translation from them, but if I know one of the UK labels is putting out a competing edition, I'm gonna go for that just about every single time. I appreciate their dedication to recording commentaries (even if the quality varies wildly) but usually the UK labels will pack on a commentary and a slew of other extras, not to mention a booklet and usually great packaging. I know I'm getting my money's worth. aside from a few hiccups (Force 10 From Navarone from Indicator, Tartuffe and The Last Laugh from MOC), this has been fail safe. one only has to look at Indicator's recent treatment of Paramount (via Universal) titles that KLSC also released. at the end of the day, I'm pretty thankful for Kino and own plenty of KLSC and Kino Classics releases, but I'm never gonna expect the highest standard from them, realistically. when they hit it (the Kubricks, Force of Evil, etc) I'm all in, but I am always left wanting more whenever those discs finishFinch wrote: Sat Nov 04, 2023 12:20 am One common complaint is the audio where no original track is often provided, just a downmix (stereo to mono as opposed to the actual mono), and encoding can vary from title to title. Often, other boutique labels offer more and better extras, too. Definitely a quantity over quality label. I'm glad they exist because they do cover a lot of titles and not everything they have necessarily gets released by the competition but they could be doing better. A UK boutique label will at the very least have a booklet and a video piece on Scarlet St while the Kino may only have an audio commentary.
The Long Goodbye, ditto McCabe and Mrs. Miller I think would be a disaster for UHD based on their very unusual visual technique. if Vilmos Zsigmond was still with us, then absolutely I think it could be done with his approval. but I don't see The Long Goodbye being a success, given how the more recent KLSC completely slaughtered the intended look of the film. but someone who is a little more tech savvy may have a better answersenseabove wrote: Sat Nov 04, 2023 5:05 am The only reason I have a shred of belief that isn’t a mistake is that the Insider posted on the other forum after someone mentioned it and didn’t kibosh it. Otherwise, how the hell The Long Goodbye (with 2x the IMDb ratings and 4x the LB views) is a preposterous suggestion for 4k yet Scarlet Street isn’t I’ll never understand.
Is the Kino superior to the MOC?