felipe wrote:So what you mean, FrauBlucher, is that Warner is biased against film noir?
No, no, bias is the wrong word. WB just has a strong preference to release color films (musicals, action and thrillers) because they are most likely the classic films that sell (I can't tell you how many times I've had people tell me, why would you buy a B&W on blu ray). Serious film buffs will buy B&W films, but the serious eclectic film buff is a very small percentage when compared to the pedestrian movie viewer. Warner doesn't cater to the cinephile.
The following is a list of all the blu rays Warner has released. Only films with theatrical release dates prior to 1970. Included are films from Samuel Goldwyn Library. And the blus from WAC are included as well.
This one gets me. In 1960 they chose to release Ice Station Zebra and have not released Who's Afraid of Virginia Woolf?. Even after Elizabeth Taylor died in March of 2011. And "Who's Afraid..." has been transferred to HD because I saw it on TCM-HD and it looked gorgeous. Wexler's work was stunning. The blu would be spectacular. But Warner doesn't care unless it's technicolor.
The crux for me is it wouldn't be so disappointing if Warner license out some of the films they'll never intend to release on blu ray.
I'd like to hear some comments.
This was all sourced from the ShopWB site...
1960…..- Time Machine (1960), The Green Berets (1968), Grand Prix (1966), Point Blank (1967), 2001 Space Odyssey (1968), Viva Las Vegas (1964), Dirty Dozen (1967), Ocean’s Eleven (1960), King of Kings (1961), Doctor Zhivago (1965), Cool Hand Luke (1967), Bullitt (1968), Battle of Bulge (1965), Bonnie and Clyde (1967), Cincinnati Kid (1965), Camelot (1967), Wild Bunh (1969), Ice Station Zebra (1968), Mutiny on the Bounty (1962), How the West Was Won (1962), The Incredible Mr. Limpet (1964, Color), The Music Man (1962, Color), What Ever Happened to Baby Jane? (B&W, 1962), The Haunting (B&W, 1963), Dead Ringer (B&W, 1964), Lolita (B&W, 1962), WAC titles- Gypsy (1962), Billy Rose’s Jumbo (1962), The Americanization of Emily (B&W, 1964),
Tally- 29 films, 24 Color and 5 B&W
1950….. -American In Paris (1951), Ben Hur (1959), North By Northwest (1959), Singin In the Rain (1952), The Searchers (1955), Quo Vadis (1951), Forbidden Planet (1956), Giant (1956), East of Eden (1955), Rebel Without a Cause (1955), House of Wax 3D (1953), Guys and Dolls (Samuel Goldwyn Title 1955), Hans Christian Anderson (Samuel Goldwyn Title, 1952), Star is Born (1954), Gigi (1958), Dial M for Murder 3D (1954), Jailhouse Rock (B&W, 1957), The Bad Seed (B&W, 1956), Strangers on The Train (B&W, 1951), A Streetcar Named Desire (B&W 1951), WAC title- Kismet (1955), Hit the Deck (1955)
Tally- 22 films, 18 Color and 4 B&W
1940…..- Easter Parade (1948), Meet Me St Louis (1944), Fort Apache (B&W, 1948), Mrs. Miniver (B&W, 1942), White Heat (B&W, 1949), Maltese Falcon (B&W, 1941), Postman Always Rings Twice (B&W, 1946), Treasure of the Sierra Madre (B&W, 1948), Best Years of Our Lives (B&W from Samuel Goldwyn Library, 1946), The Bishops Wife (B&W from Samuel Goldwyn Library, 1947)
Tally- 10 films, 2 Color and 8 B&W
1930….- The Wizard of Oz (1939), Gone With the Wind (1939), The Adventures of Robin Hood (1938), The Women (B&W, 1939), King Kong (B&W, 1933), Grand Hotel (B&W, 1932), Petrified Forest (B&W, 1936), Public Enemy (B&W, 1931), Little Caesar (B&W, 1931), Mutiny on The Bounty (B&W, 1935)
Tally- 10 films, 3 color and 7 B&W
1920....- The Big Parade (1925, B&W) The Jazz Singer (1927, B&W)
One more thing...I did not include the Paramount titles. It is only a distribution deal WB.