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Hard Truths (Mike Leigh, 2024)
Posted: Wed Mar 12, 2025 7:43 pm
by bearcuborg
I caught up with Mike Leigh's latest, Hard Truths, a week ago. It could have easily been called Bleak Moments if that title wasn't taken. The piercing Imelda Stauton cameo in Another Year is a good jumping off point for the lead performance for Marianne Jean Baptiste's magnificent return to the Leigh world. There are call backs to the sister relationship from Life is Sweet and this is sort of a sister film to Happy Go Lucky. Without spoiling anything, the entire Mother’s Day stretch between the cemetery and them returning home to see the flowers was a real knockout - it's as emotional as anything I've ever seen in a film. Mike has a real knack for finding humor in depression, but at the same time capturing unconditional love. This is a movie Roger Ebert would have loved.
Re: The Films of 2024
Posted: Wed Mar 12, 2025 11:07 pm
by spectre
bearcuborg wrote: Wed Mar 12, 2025 7:43 pm
I caught up with Mike Leigh's latest,
Hard Truths, a week ago. It could have easily been called
Bleak Moments if that title wasn't taken. The piercing Imelda Stauton cameo in
Another Year is a good jumping off point for the lead performance for Marianne Jean Baptiste's magnificent return to the Leigh world. There are call backs to the sister relationship from
Life is Sweet and this is sort of a sister film to
Happy Go Lucky. Without spoiling anything, the entire Mother’s Day stretch between the cemetery and them returning home to see the flowers was a real knockout - it's as emotional as anything I've ever seen in a film. Mike has a real knack for finding humor in depression, but at the same time capturing unconditional love. This is a movie Roger Ebert would have loved.
Totally agree! I think it's an essentially humanist text, in that it offers us a central character who is, in every aspect, unbearable to be around (crossing the line at times from entertainingly curmudgeonly to plain grating) and even emotionally abusive, yet still remains sympathetic and a somewhat tragic figure. This feels increasingly refreshing at a time when notions of people being "good" or "bad" (and if the latter, to be viewed without sympathy) seem to be becoming more and more in vogue in general discourse.
Pansy is a familiar persona in Leigh's filmography (
Naked's David Thewlis and
Happy Go Lucky's Eddie Marsan are playing to a similar affect), but Jean-Baptiste's character is still unique and complex in her own right. It's a really great film.
Re: The Films of 2024
Posted: Thu Mar 13, 2025 5:11 pm
by hearthesilence
bearcuborg wrote: Wed Mar 12, 2025 7:43 pm
I caught up with Mike Leigh's latest,
Hard Truths, a week ago. It could have easily been called
Bleak Moments if that title wasn't taken. The piercing Imelda Stauton cameo in
Another Year is a good jumping off point for the lead performance for Marianne Jean Baptiste's magnificent return to the Leigh world. There are call backs to the sister relationship from
Life is Sweet and this is sort of a sister film to
Happy Go Lucky. Without spoiling anything, the entire Mother’s Day stretch between the cemetery and them returning home to see the flowers was a real knockout - it's as emotional as anything I've ever seen in a film.
I would extend that peak to the very end, beyond the flowers.
I've always liked Secrets and Lies and its strengths are undeniable, but the ending always seemed too expedient as a resolution. It's a credit to Leigh and his amazing cast that the last act gets over convincingly - it's only when the credits roll that my reservations really surface.
With Hard Truths, it looked like it could have reached a similar conclusion, except it keeps going further and further, and every step of the way it feels more honest and more knowing about what it's like to be in a family with people like this. It's true Leigh finds something genuinely sympathetic about people like Pansy, and it does feel really tragic, but by the same measure, it's undercut by the unavoidable fact that such people can want and demand all the sympathy in the world while offering none in return. Her uncharitable and unforgiving reaction to her husband's moment of unresponsive numbness at the party betrays a refusal to accept her responsibility in it - that his behavior was emotionally beaten into him by her own toxic behavior and I would add it even pales in comparison to her general unpleasantness. Not surprisingly, when he sees the flowers, he tosses it without hesitation - no human being is without their limits, and it's inevitable he would have at least a moment where he plainly hates her guts. It may not even be a moment - it could very well prove to be how he feels about his wife - but then he hurts his back and finds himself in a position where he needs help, and of course there is no one else, it can only be his spouse. And that pretty much sums up too many marriages out there. It's sad and tragic, but it's no surprise to me that Leigh has been approached by so many people who recognize the same dynamics and the same personalities within their own families. And ultimately such situations may have no resolution - in many cases, it simply goes on.