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PostPosted: Sat Apr 21, 2012 8:07 pm 
Caesar Augustus
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Brian C wrote:
Who knows, maybe they're not. The quoted sentence seems more like a way to jack up the word count than a way to actually make a point about something.

His sentence structure makes it clear that they are. It's all "not only...but also" statements, with the former always designating the high culture examples and the latter the low culture ones.


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PostPosted: Sun Apr 22, 2012 4:53 pm 
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Mr Sausage wrote:
Andy Warhol and abstract paintings are low art?

Yes, it looks like Boudreaux really is that dumb.

And gcgiles hits the nail on the head with the implicit "then why are you bothering to write this?" gotcha.

Further to that, in my wayward academic career, the professors most fervently wedded to post-modernism were, by a very long chalk, the ones most violently opposed to dissenting views. Even back in the late eighties, there was always a significant proportion of students in the theory class who wanted to challenge or question whichever theorist we were tackling at the time, but they were continually, methodically shut down. (At one point the lecturer actually yelled, "You're wrong! We're not discussing this!" to a student!) On the other hand, the two professors I had (in completely different disciplines) who were most vocally and resolutely opposed to post-modernism in all its guises were the two who most keenly welcomed dissent and argument in their classes, and those were the classes in which people really could get to grips with theory and the different ways it applied to the texts and academic disciplines in question.


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PostPosted: Sun Apr 22, 2012 6:31 pm 
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I think that phenomenon you observe of poststructuralist zeal has a lot to do with the radical politics often involved--the occasionally stifling combination of high theory and social justice. What better place for activism than the classroom, of course, but at the same time, it can be not very conducive to an open market of ideas (although, I can only guess how that professor might disdainfully respond to the phrase "open market of ideas": oppressive, liberal capitalist, humanist...). Entrenchment and politics often go hand-in-hand.

At any rate, the best that can be said these days is that there is more tolerance toward the magpie, picking and choosing his arguments among the various fields of critical theory. One can blithely juggle Gramsci, Kristeva, Spivak, and Butler within the same article, and I think it serves the reader well to note how a cultural Marxist, a Lacanian feminist, a postcolonialist, and a queer theorist might intersect at certain points of an argument.


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PostPosted: Sun Apr 22, 2012 7:39 pm 
Caesar Augustus
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My approach to theory these days is that it's often a fascinating account of how this or that individual reads, but not necessarily a way that I myself want to read. In general I prefer practical criticism. The critics I tend to respond to the most are close readers and archetypal critics.


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PostPosted: Mon Apr 23, 2012 2:39 pm 
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Mr Sausage wrote:
Andy Warhol and abstract paintings are low art?
I'm a little surprised that someone would make that claim in 2010, but lord yes, both abstract expressionism and pop art were greeted by many big art critics and academics with the same enthusiasm they would have for flaming bags of dog mess on their doorstep.


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PostPosted: Mon Apr 23, 2012 3:42 pm 
Caesar Augustus
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Matt wrote:
Mr Sausage wrote:
Andy Warhol and abstract paintings are low art?
I'm a little surprised that someone would make that claim in 2010, but lord yes, both abstract expressionism and pop art were greeted by many big art critics and academics with the same enthusiasm they would have for flaming bags of dog mess on their doorstep.

True. But then again so were the Impressionists. Might almost expect to find them included among the low-culture examples for all the up-to-dateness of that list.


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PostPosted: Mon Apr 23, 2012 3:43 pm 
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Shakespeare and Verdi were pretty low-culture too.


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PostPosted: Tue Apr 24, 2012 1:36 am 

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MichaelB wrote:
Shakespeare and Verdi were pretty low-culture too.

That's why I never heard of them before.


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PostPosted: Thu Apr 26, 2012 12:09 am 
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Quote:
This review is from: The Battle Of Chile (DVD)
The film was too repetetive and for someone who is not too interested in the fine details of the union v capitalists it was long drawn out and boring.


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PostPosted: Sat Apr 28, 2012 4:53 pm 
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Image


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PostPosted: Sat Apr 28, 2012 5:00 pm 
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dx23 wrote:
Image

Meanwhile, Amazon's three top-selling books are these Fifty Shades things that started out as Twilight fanfic and boast writing even worse than Stephenie Meyer's.


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PostPosted: Sat Apr 28, 2012 5:42 pm 
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That Twilight line from the second one-star review is brilliant.


Last edited by Murdoch on Sat Apr 28, 2012 6:11 pm, edited 1 time in total.

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PostPosted: Sat Apr 28, 2012 5:52 pm 
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Gregory wrote:
Meanwhile, Amazon's three top-selling books are these Fifty Shades things that started out as Twilight fanfic and boast writing even worse than Stephenie Meyer's.

And studios are battling now to buy the rights for those. ](*,)


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PostPosted: Sun Apr 29, 2012 12:55 pm 
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The storyline to Casino is well written and very entertaining, but thought the graphic violence, blood and language was just too much. Especially the ending scene with Pesci, I mean there are other similar movies like this I have enjoyed but for some reason thought it went too far here. This is by no means a family movie or one for kids. If you like mystery/crime movies then think you will enjoy it and even though it's a very long film, should keep your attention well from beginning to end but if you don't like a lot graphic violent blood scenes like ones from horror films, then you might want to skip it.


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PostPosted: Mon Apr 30, 2012 4:30 pm 
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My favorite obviously planted-by-the-producers IMDB trivia, re: Atlas Shrugged: Part I:

Quote:
Angelina Jolie, Charlize Theron and Maggie Gyllenhaal were among the actresses considered to play Dagny Taggart, with Brad Pitt being considered to play John Galt.

Sure.


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PostPosted: Mon Apr 30, 2012 4:57 pm 
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Actually that had been known for a while. Apparently Jolie really loves the book and tried to get it made for years, unrelated to this production though.


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PostPosted: Mon Apr 30, 2012 10:13 pm 

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knives wrote:
Actually that had been known for a while. Apparently Jolie really loves the book and tried to get it made for years, unrelated to this production though.

Hey, sometimes you have to compromise your initial vision. Nothing wrong with that.


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PostPosted: Mon Apr 30, 2012 10:41 pm 
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Yeah, sometimes you just need an unknown to play Raggy Daggert or whatever


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PostPosted: Tue May 01, 2012 8:43 am 
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The Narrator Returns wrote:
Quote:
The storyline to Casino is well written and very entertaining, but thought the graphic violence, blood and language was just too much. Especially the ending scene with Pesci, I mean there are other similar movies like this I have enjoyed but for some reason thought it went too far here. This is by no means a family movie or one for kids.

Thank heavens you warned me - I was just about to show it to my kids after our trip to Hugo proved such a success. I'll try Taxi Driver instead, as they used to be big fans of Postman Pat and Fireman Sam.


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PostPosted: Tue May 01, 2012 4:09 pm 
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Taxi Driver Travis? Surprised no one's made a toy like that yet...


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PostPosted: Tue May 01, 2012 4:14 pm 
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Image


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PostPosted: Tue May 01, 2012 4:40 pm 
Dot Com Dom
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feihong wrote:
Taxi Driver Travis? Surprised no one's made a toy like that yet...

You don't remember the Bickle Me Elmo craze?


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PostPosted: Tue May 01, 2012 5:17 pm 
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I was going to the suggest the "You Talkin' to Me? Elmo", but that'll do.


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PostPosted: Sun May 06, 2012 3:46 am 
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There are no words for this epic blog review of The Innkeepers. I am speechless...

Quote:
Luke will sit that beer can down right there at the top of the stairs. When Claire is there alone, the can will fall down by itself, then she will turn and see the old man standing there and fall down the stairs likewise. There is a scene where Clarie takes out the trash, and this could be analogous to her "dumping" Luke because the bag leaks, the way Luke "leaks" how he feels to Claire. Claire's difficulty in getting the bag into the trash can is her emotional and psychological difficulty in dealing with Luke's confession to her, just as she didn't want to deal with the girl at the coffee shop talking to Claire about her boyfriend; while the audience likes Claire, she's not heroic in any sense of the word.

but wait, there's aslo "historical/political" analysis!
Quote:
If Madeline, like many immigrants coming to America in the 1880s looking for a new life, symbolizes those who didn't find that new life, if Madeline O'Malley is the opposite of the Statue of Liberty, for example, a ghost of unfulfilled dreams and promises, then the Inn, going out of business after successfully operating for over a century, indicates the troubled economy--the soul of America--and the hauntings of the Yankee Pedlar Inn is the haunting of the American economy of those who can't wed themselves to the American Dream. Importantly, it wasn't until the 1860s, the Civil War in America, when Madeline's ghost started to be seen.


and there is so much more. dear god is there ever so much more.


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PostPosted: Sun May 06, 2012 6:29 pm 
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The analysis of sex and free will in Cabin In The Woods is quite entertaining. I can only imagine what they'd make of Damsels In Distress.


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