Apologies if this has appeared elsewhere - couldn't see it. Seems to confirm at least some of Narshty's post at the top of this thread.Question: Hey, Movie Irv. What is the word on The Big Carnival (aka Ace In The Hole)? Turner Classic Movies recently showed the Billy Wilder classic, so why no DVD?
Answer: Seek and ye shall find. There's great news concerning this much-requested 1951 masterpiece, starring Kirk Douglas and Jan Sterling, and considered one of the most cynical films ever made. Criterion has reportedly licensed the film for release in a special edition, but it won't be out for a while. Typical of the company's standards, it'll be loaded with goodies, and it will take some time to get it all together. Criterion has also licensed Robinson Crusoe On Mars from Paramount, as well as Ingmar Bergman's Face To Face, starring Liv Ullmann.
Criterion and Paramount
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I'm quoting here from a DVD Forums poster, who's quoting from Movies Unlimited...
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- Jeff
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Brilliant, Jeb. I can't believe that I didn't think about that one. A proper One-Eyed Jacks would indeed be a thing of beauty. It seems pretty reasonable too. It's really the same situation that Universal was in with Charade. That Brando doc seems like a darn good fit as a supplement too!Buttery Jeb wrote:Marlon Brando's "One-Eyed Jacks" is a contender, based on the fact that Criterion was working on the Maysles' "Meet Marlon Brando" a year or so ago. Technically it's PD, but Paramount produced the film and so probably owns the original elements.
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Actually, I beg to differ. The response from Turrell was that Face to Face MAY appear in the future. We've heard similar sentiments regarding dozens of other films that MAY appear someday, if and when an opportunity to license them arises. This is the first solid confirmation of this title I've heard, and I'm thrilled.Cinephrenic wrote:This isn't new news guys.
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- justeleblanc
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Something interesting...
A source of a source of mine says that Paramount currently holds the rights to Lubitsch's THE LOVE PARADE, ONE HOUR WITH YOU, and ANGEL... but not THE SMILING LIEUTENANT.
First, I'm confused as to how Paramount holds the rights to ANY of their films from the 1930s and 1940s since I thought they were all sold to MCA years ago.
Second, could the omission of SMILING LIEUTENANT mean that another company owns it? Maybe Janus?
This is a stretch, but if someone can clear up the MCA question let me know.
A source of a source of mine says that Paramount currently holds the rights to Lubitsch's THE LOVE PARADE, ONE HOUR WITH YOU, and ANGEL... but not THE SMILING LIEUTENANT.
First, I'm confused as to how Paramount holds the rights to ANY of their films from the 1930s and 1940s since I thought they were all sold to MCA years ago.
Second, could the omission of SMILING LIEUTENANT mean that another company owns it? Maybe Janus?
This is a stretch, but if someone can clear up the MCA question let me know.
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I was wondering the same thing when Sturges's Miracle of Morgan's Creek came out a couple of years ago. A 1944 title release by Paramount? I believe their oldest title on DVD till Morgan is Sorry, Wrong Number from 1948. Please correct if I'm wrong.justeleblanc wrote:Something interesting...
A source of a source of mine says that Paramount currently holds the rights to Lubitsch's THE LOVE PARADE, ONE HOUR WITH YOU, and ANGEL... but not THE SMILING LIEUTENANT.
First, I'm confused as to how Paramount holds the rights to ANY of their films from the 1930s and 1940s since I thought they were all sold to MCA years ago.
Second, could the omission of SMILING LIEUTENANT mean that another company owns it? Maybe Janus?
This is a stretch, but if someone can clear up the MCA question let me know.
- justeleblanc
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From Wikipedia:
Still, why would they re-take some but not ALL of the Lubitsch's?When the talent agency Music Corporation of America (better known as MCA), then wielding major influence on Paramount policy, offered $50 million for 750 pre-1950 features (with payment to be spread over many years), it was thought that Paramount had made the best possible deal. To address anti-trust concerns, MCA set up a separate company, EMKA, Ltd., to peddle these films (which also included State of the Union) to television. MCA later admitted that over the next forty years it took in more than a billion dollars in rentals of these supposedly worthless pictures. MCA later purchased the US branch of Decca Records, which owned Universal Studios (now a part of NBC Universal), and thus Universal now holds these films, though EMKA continues to hold the copyright.
Several other feature films ended up in U.M.&M./NTA's possession, yet others had been retained by Paramount due to other rights issues (such as The Miracle of Morgan's Creek). As for Paramount's silent features, some still are under Paramount ownership, but many others are either lost or in the public domain. Also, one additional pre-1950 film, the 1931 version of Dr. Jekyll and Mr. Hyde, was sold to Metro-Goldwyn-Mayer in 1941 who filmed a remake that same year - this film is also now owned by Warner Bros./Turner Entertainment.
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Paramount owns The Miracle of Morgan's Creek because they retained the rights to make Rock-a-Bye Baby in 1958.
Whatever source told you that Paramount owns the rights to The Love Parade, One Hour With You, and Angel is (unless something really unusual has happened with these titles and no one knows about it) misinformed. The first two titles (along with The Smiling Lieutenant)were released, by Universal, in the Lubitsch laserdisc box set only 10 years ago. Angel was available on VHS, from Universal, until just a few years ago.
Whatever source told you that Paramount owns the rights to The Love Parade, One Hour With You, and Angel is (unless something really unusual has happened with these titles and no one knows about it) misinformed. The first two titles (along with The Smiling Lieutenant)were released, by Universal, in the Lubitsch laserdisc box set only 10 years ago. Angel was available on VHS, from Universal, until just a few years ago.
- justeleblanc
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This came from Paramount's directory of titles to which they own the rights. I also remember the Laserdisc set.Matt wrote:Paramount owns The Miracle of Morgan's Creek because they retained the rights to make Rock-a-Bye Baby in 1958.
Whatever source told you that Paramount owns the rights to The Love Parade, One Hour With You, and Angel is (unless something really unusual has happened with these titles and no one knows about it) misinformed. The first two titles (along with The Smiling Lieutenant)were released, by Universal, in the Lubitsch laserdisc box set only 10 years ago. Angel was available on VHS, from Universal, until just a few years ago.
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Okay, it's clear neither of us is going to change the other's mind (not that either of us are in a position of authority on this matter anyway), but I will submit to you another piece of evidence:justeleblanc wrote:This came from Paramount's directory of titles to which they own the rights. I also remember the Laserdisc set.
Just this past February, the Pacific Film Archive ran a Lubitsch retrospective. Though the prints came from the UCLA Film Archive, permission for the screenings of The Love Parade and One Hour With You came from Universal.
Considering all of the DVDs that have been announced by studios and then withdrawn after they were informed that they didn't own the rights, I wouldn't necessarily trust any studio to know what they actually own.
- justeleblanc
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Solid point, considering Paramount was a recent offender. I'll withdraw my excitement over the Lubitsch.Matt wrote:Considering all of the DVDs that have been announced by studios and then withdrawn after they were informed that they didn't own the rights, I wouldn't necessarily trust any studio to know what they actually own.
If only Time Warner would just BUY Universal and be done with it.
- Matt
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No need to withdraw it, just temper it; The Smiling Lieutenant and One Hour With You have been on the forthcoming Criterion list for a while now (as licenses from Universal).justeleblanc wrote:I'll withdraw my excitement over the Lubitsch.
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I literally had a dream once where Criterion released these two titles and the DVDs kept slipping out of my hands when I tried to open them. Sigh.Matt wrote:No need to withdraw it, just temper it; The Smiling Lieutenant and One Hour With You have been on the forthcoming Criterion list for a while now (as licenses from Universal).justeleblanc wrote:I'll withdraw my excitement over the Lubitsch.
- Matt
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It is appalling that, ten years into the format, these have not been released on DVD. Even recycled laserdisc masters would be better than nothing (though that's not to say we wouldn't gripe loudly about them just the same).justeleblanc wrote:I literally had a dream once where Criterion released these two titles and the DVDs kept slipping out of my hands when I tried to open them. Sigh.
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Damn what's next, Chinatown?
If they can get Days of Heaven, then there a possibility for older Paramount catalog titles such as Schlesinger's Day of the Locust or Marathon Man, Frankenheimer's Seconds or Seven Days in May. Or Lumet's The Parallax View or even Altman's Nashville. I'm excited about this deal.
If they can get Days of Heaven, then there a possibility for older Paramount catalog titles such as Schlesinger's Day of the Locust or Marathon Man, Frankenheimer's Seconds or Seven Days in May. Or Lumet's The Parallax View or even Altman's Nashville. I'm excited about this deal.
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