Screen Captures (5-6 per post + links to additional images)

Discuss internationally-released DVDs, Blu-rays, and UHDs and related topics
Post Reply
Message
Author
User avatar
Kinsayder
Joined: Mon Oct 10, 2005 6:22 pm
Location: UK

#326 Post by Kinsayder » Fri Feb 08, 2008 3:27 pm

I think they've done the best they could with the scraps they had. What would have really perked up this edition would have been a new score for The River. The included Movietone soundtrack may be authentic but it's comically inappropriate at times. Why "Flight of the Bumblebee" for the seduction scene? Because there's a crow flapping around in the background?

User avatar
Zazou dans le Metro
Joined: Wed Jan 02, 2008 10:01 am
Location: In the middle of an Elyssian Field

#327 Post by Zazou dans le Metro » Fri Feb 08, 2008 3:52 pm

Kinsayder wrote:I think they've done the best they could with the scraps they had. What would have really perked up this edition would have been a new score for The River. The included Movietone soundtrack may be authentic but it's comically inappropriate at times. Why "Flight of the Bumblebee" for the seduction scene? Because there's a crow flapping around in the background?
I had a moan and groan about the lack of initiative commissioning new scores for silents on another thread dealing with the new Melies set from Flicker Alley.

The very wonderful Harmonie Band (who I initially saw at a live 'Passion of Joan of Arc) have already supplied a score to Seventh Heaven for ‘Giornate del Cinema Muto’ and would probably jump at the chance to come up with something for a release like this. As live events for screening silents gets increasingly more adventurous it seems that dvd publishers are ploughing in the opposite direction.

User avatar
Scharphedin2
Joined: Fri May 19, 2006 7:37 am
Location: Denmark/Sweden

#328 Post by Scharphedin2 » Fri Feb 08, 2008 5:25 pm

Maybe it is just that I have come to rely a lot on TV broadcast/VHS/DVDr copies of films lately in order to see some of those really old and rare films, but I was rather jubilant, when I looked at the disc. I think it looks better in motion than the caps suggest (but then that is a typical comment from me). The source material is definitely more visibly damaged than we have come to be used to by other high grade labels, but in this case I still felt it was more in the way of lending the film "patina," than in some films where the wear and tear results in missing frames and jump cuts.

Tryavna, the documentary is by Janes Bergstrom, and for me (having only cursory knowledge of Murnau, Borzage, Fox or the late silent period) it was very instructive. Janet charts the parallel careers of Murnau and Borzage at Fox during the late '20s, beginning with Sunrise and ending with Lucky Star. Credit is given to Murnau for being a huge influence on all of Hollywood; in fact, she suggests that this was a calculated move by William Fox in bringing him to Hollywood. Fox was dominating the industry in those years, and William Fox considered The Last Laugh the greatest masterpiece of the cinema up to that point. Murnau was invited over to Hollywood on a carte blanche deal that sounds incredibly like the one offered to Orson Welles some years later.

Bergstrom shows how specific scenes and technical innovations on Sunrise inspired similar scenes in Borzage's films. However, she also points out the strong differences in the way that the two directors portrayed people (especially couples): Murnau was the director of the mind, and Borzage the director of the heart. She also goes on to discuss, how the two directors literally shared the same technical crew and stars. Sometimes technicians and actors would even work on films for both directors simultaneously.

The documentary runs apx. 35 minutes, and is generally a narrative by Bergstrom set to stills and scenes from the various films. I have not seen the Ford at Fox doc. yet, so I cannot answer the extent to which the two pieces are similar.

A great release! :D

User avatar
Kinsayder
Joined: Mon Oct 10, 2005 6:22 pm
Location: UK

#329 Post by Kinsayder » Thu Feb 14, 2008 9:46 am

Le Ballon rouge (Spanish R2)

Image
Image
Image
Image

Crin-Blanc (Spanish R2)

Image
Image
Image

User avatar
Person
Joined: Sat May 19, 2007 3:00 pm

#330 Post by Person » Thu Feb 14, 2008 8:09 pm

Awww, look at the twins in capture 2 for Le Ballon rouge!

User avatar
Matt
Joined: Tue Nov 02, 2004 12:58 pm

#331 Post by Matt » Wed Feb 20, 2008 6:25 pm

Person wrote:Awww, look at the twins in capture 2 for Le Ballon rouge!
Look out, Donald Sutherland! Now there are two!

Does the snugness of that child's pants in White Mane perturb anyone else as much as it does me?

User avatar
HerrSchreck
Joined: Sun Sep 04, 2005 11:46 am

#332 Post by HerrSchreck » Wed Feb 20, 2008 6:41 pm

..looks like he should be next to David Cassidy at a Partridge Family gig.

User avatar
Knappen
Joined: Wed Jul 12, 2006 2:14 am
Location: Oslo/Paris

#333 Post by Knappen » Thu Feb 21, 2008 7:39 pm

Riusciranno i nostri eroi a ritrovare l'amico misteriosamente scomparso in Africa? by Ettore Scola 1968
(Nos héros réussiront-ils à retrouver leur ami mystérieusement disparu en Afrique ?)
aka Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?
From the M6video/SNC series Les maîtres italiens.
Original italian version with optional french subs and additional french audio.

This is sort of a modern take on Heart of darkness ten tears ahead of Coppola about two men looking for their missing friend.

Image
Image

User avatar
Knappen
Joined: Wed Jul 12, 2006 2:14 am
Location: Oslo/Paris

#334 Post by Knappen » Fri Feb 22, 2008 5:57 am

Ben voilà.

The transfer is really very good. I think these post-neorealist italian comedies (by Risi, Comencini, Monicelli, Scola etc) are among the most neglected on this forum. It seems that the directors mentioned have had a very minor reception in English speaking countries.

Image

User avatar
rohmerin
Joined: Mon Aug 07, 2006 10:36 am
Location: Spain

#335 Post by rohmerin » Sat Feb 23, 2008 4:10 am

Knappen wrote: I think these post-neorealist italian comedies (by Risi, Comencini, Monicelli, Scola etc) are among the most neglected on this forum. It seems that the directors mentioned have had a very minor reception in English speaking countries.
Fortunatelly, they have been re-discovered in France and Spain. Don't miss Il federale by Luiciano Salace it's a Spanish and English friendly dvd on Italy and a masterpiece of commedia all'italiana.

in this international forum there's a thread about Dino Risi on dvd.

User avatar
Knappen
Joined: Wed Jul 12, 2006 2:14 am
Location: Oslo/Paris

#336 Post by Knappen » Sat Feb 23, 2008 8:00 am

Do you mean this thread on Studio Canal releases?

Thanks for the tip on Il Federale.

User avatar
rohmerin
Joined: Mon Aug 07, 2006 10:36 am
Location: Spain

#337 Post by rohmerin » Sat Feb 23, 2008 10:46 am

It was "Dino Risi on dvd" but I see it was moved to that one you say.

Hashi
Joined: Wed Apr 26, 2006 2:39 am

#338 Post by Hashi » Tue Feb 26, 2008 3:17 am

Losey: A Doll's House, R2 UK.

Image
Image
Image
Image
Image

User avatar
Person
Joined: Sat May 19, 2007 3:00 pm

#339 Post by Person » Tue Feb 26, 2008 6:59 pm

Oh, yes! Gorgeous cinematography by Gerry Fisher, as ever. Sold! :D

User avatar
martin
Joined: Thu Dec 13, 2007 8:16 am
Contact:

#340 Post by martin » Thu Feb 28, 2008 11:31 am

Love on the Ground (L'Amour par terre, Rivette, 1984) - Bluebell Films, R0 UK
16:9 encoded, optional English subs

Image
Image

Subtitle sample:
Image

User avatar
martin
Joined: Thu Dec 13, 2007 8:16 am
Contact:

#341 Post by martin » Thu Feb 28, 2008 11:33 am

Wuthering Heights (Hurlevent, Rivette, 1985) - Bluebell Films, R0 UK
16:9 encoded, optional English subs

Subtitle sample:
Image
Image
Image

Note: The image below has been brightened in Photoshot to reveal some ghosting/interlacing which was hard to capture otherwise:
Image

User avatar
Scharphedin2
Joined: Fri May 19, 2006 7:37 am
Location: Denmark/Sweden

#342 Post by Scharphedin2 » Thu Feb 28, 2008 6:43 pm

William Worthington's The Dragon Painter (1919). Released by Milestone.

Image
Image
Image
Image
Image
Image

And, Thomas Ince's The Wrath of the Gods (1914), presented as an extra on The Dragon Painter.

Image
Image
Image

User avatar
martin
Joined: Thu Dec 13, 2007 8:16 am
Contact:

#343 Post by martin » Mon Mar 03, 2008 4:23 pm

Identificazione di una donna (Antonioni, 1982)

R2, Surf Video/DNC. 16:9 encoded, optional Italian subs

Image
Image
Image
Image
Image

User avatar
tavernier
Joined: Sat Apr 02, 2005 7:18 pm

#344 Post by tavernier » Mon Mar 03, 2008 7:26 pm

How about some screencaps of the "good" scenes? 8-)

User avatar
Person
Joined: Sat May 19, 2007 3:00 pm

#345 Post by Person » Mon Mar 03, 2008 7:35 pm

Wow, terrific compositions from Antonioni / Di Palma. If only it had english subs. MoC should try for this one.

User avatar
Michael Kerpan
Spelling Bee Champeen
Joined: Wed Nov 03, 2004 1:20 pm
Location: New England
Contact:

#346 Post by Michael Kerpan » Tue Mar 04, 2008 12:06 am

Two shots from the Arte DVD of Hurlevent:

Image
Image

One shot from the Arte disc of L'amour par terre:

Image

User avatar
devlinnn
Joined: Wed Nov 03, 2004 3:23 am
Location: three miles from space

#347 Post by devlinnn » Fri Mar 14, 2008 11:02 pm

Godard's Weekend, Distinction (Aust / R0)

Image
Image
Image
Image
Image
Image

User avatar
otis
Joined: Mon Aug 08, 2005 11:43 am

#348 Post by otis » Sat Mar 15, 2008 6:56 am

La Pacifista (Miklós Jancsó, 1970)
R2 Italy (Alan Young Home Video) Italian audio, Italian subtitles

Image
Image
Image
Image
Image
Image

User avatar
otis
Joined: Mon Aug 08, 2005 11:43 am

#349 Post by otis » Tue Mar 18, 2008 4:48 pm

Vizi privati, pubbliche virtù (Miklós Jancsó, 1976)
R0 Italy (Number One Video) Italian audio, no subtitles

Image
Image
Image
Image
Image
Image

User avatar
devlinnn
Joined: Wed Nov 03, 2004 3:23 am
Location: three miles from space

#350 Post by devlinnn » Tue Mar 18, 2008 10:36 pm

The Umbrellas of Cherbourg - Koch Lorber (R1) USA on top / Aztec (R4) AUST down under

Image
Image
Image
Image
Image
Image
Image
Image

Post Reply