Paul Thomas Anderson

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Antoine Doinel
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#101 Post by Antoine Doinel » Wed Aug 27, 2008 6:44 am

domino harvey wrote:I think it's neat that he's well-known enough to be headlining movies now, he seems like a genuine guy
Not really. Walk Hard, his one true headlining film, tanked at the box office, while The Promotion had a virtually non-existent run. And I'm pretty sure most people going to see Step Brothers are going to see because of "Will Ferell and that other guy".

I don't think we're going to see Reilly headlining anything without another a larger name attached to ensure the money.

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Polybius
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#102 Post by Polybius » Wed Aug 27, 2008 7:04 am

Michael wrote:Maybe it's because I've just turned 40 and that I'm sooo over movies that beat on your head on how miserable life is. Magnolia is about nothing but people fucking up, being left in abysmal despair. Its tone is very ugly and dreary, there is no humor of any kind for balance, the exact thing that makes its grandpa Nashville such a superior and lasting achievement. The humor, as bitter as it gets, gets you a lot closer to the heart of the people in Nashville, IMO

You've arrived at exactly the same spot I started with this film (which will likely cause you to rethink your presence there.)

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Antoine Doinel
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#103 Post by Antoine Doinel » Mon Oct 13, 2008 9:08 pm


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flyonthewall2983
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#104 Post by flyonthewall2983 » Mon Oct 13, 2008 10:48 pm

Cool piece, especially the Alan Parker part. Didn't know he had a hand in the snowball effect of Paul's career.

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Antoine Doinel
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Re: Paul Thomas Anderson

#105 Post by Antoine Doinel » Fri Nov 28, 2008 4:38 pm

Ebert says Magnolia is a Great Movie.

Narshty
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Re: Paul Thomas Anderson

#106 Post by Narshty » Fri Nov 28, 2008 5:23 pm

For all Boogie Nights fans and more besides: Exhausted: John Holmes The Real Story (part 1)

Frankly, I'm amazed he wasn't sued.

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exte
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Re: Paul Thomas Anderson

#107 Post by exte » Sat Nov 29, 2008 3:51 pm

Narshty wrote:For all Boogie Nights fans and more besides: Exhausted: John Holmes The Real Story (part 1)

Frankly, I'm amazed he wasn't sued.
This was once available on the criterion laserdisc of Boogie Nights. "Excerpts from Exhausted; John C. Holmes, the Real Story with commentary."

inneyp
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Re: Paul Thomas Anderson

#108 Post by inneyp » Wed Apr 07, 2010 10:17 pm

Anderson's greatest defining talent is one rooted in personal despair, and it is one which can't be achieved through imitation. All of his characters eccentric idiosyncrasies, all their seemingly fucked up compulsions, serve as compensation for one uniting ill- they're lonely.

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Tom Hagen
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Re: Paul Thomas Anderson

#109 Post by Tom Hagen » Wed Jul 13, 2011 5:40 pm

The porn industry is apparently borrowing its latest business and litigation strategies from the Mattress Man's playbook.

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mfunk9786
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Re: Paul Thomas Anderson

#110 Post by mfunk9786 » Wed Jul 13, 2011 9:19 pm

Shit, I think I've downloaded that movie

LavaLamp
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Re: Paul Thomas Anderson

#111 Post by LavaLamp » Tue Nov 12, 2013 12:40 pm

My favorite P.T. Anderson film is Hard Eight (1997). The minimalist approach & storyline was quite compelling. The anonymous urban landscape of casinos, diners on the side of the highway, & motel rooms is used to great effect here. I also liked how the theme of redemption/making up for past sins was explored in the film.
SpoilerShow
The last scene with Sydney in the diner where he notices the tell-tale stain on his shirt & then slowly covers it up is perfect.
I'm guessing a lot of people haven't even seen this film due to it's OOP status on DVD, and also since it was PTA's first feature. Here's hoping for a decent Criterion BD release somewhere down the road...

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HitchcockLang
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Re: Paul Thomas Anderson

#112 Post by HitchcockLang » Tue Nov 12, 2013 1:47 pm

LavaLamp wrote:My favorite P.T. Anderson film is Hard Eight (1997). The minimalist approach & storyline was quite compelling. The anonymous urban landscape of casinos, diners on the side of the highway, & motel rooms is used to great effect here. I also liked how the theme of redemption/making up for past sins was explored in the film.
SpoilerShow
The last scene with Sydney in the diner where he notices the tell-tale stain on his shirt & then slowly covers it up is perfect.
I'm guessing a lot of people haven't even seen this film due to it's OOP status on DVD, and also since it was PTA's first feature. Here's hoping for a decent Criterion BD release somewhere down the road...
I love Hard Eight as well. I have the DVD which is decent (2 directors commentaries -- weird and a little redundant, and some deleted scenes if I remember correctly). Is there any legitimate possibility that Criterion may release this? Do they have rights? I ask because you're the second person I've seen mention it.

Hopefully if Criterion did get a hold of it, they could keep all the old extras (including both commentaries), and add perhaps a new series of interviews with Anderson, Hall, Reily, Paltrow, Jackson, etc. and they would absolutely HAVE to include a high def scan of Cigarettes and Coffee (PTA's student film which is in some ways almost a rough draft of the themes and characters of Hard Eight).

Question: Would Criterion release it as Hard Eight (the only title it has ever been released under) or the director preferred title Sydney?

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mfunk9786
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Re: Paul Thomas Anderson

#113 Post by mfunk9786 » Tue Nov 12, 2013 2:05 pm

Interview with PTA from January of this year wrote:You recently said that you’re working on the “Punch-Drunk Love” Blu-ray this year. Any plans for “Hard Eight” to follow (or precede) it and is there any chance of a Criterion release for either title?

We are trying to track down lots of elements regarding Hard Eight/Sydney. It would be ideal to get a tune up/re-transfer, etc on that sooner than later. Be great if Criterion would put it out but they haven't said anything to me about it.

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Roger Ryan
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Re: Paul Thomas Anderson

#114 Post by Roger Ryan » Tue Nov 12, 2013 2:58 pm

HitchcockLang wrote: Question: Would Criterion release it as Hard Eight (the only title it has ever been released under) or the director preferred title Sydney?
Despite Anderson's preference for SYDNEY, I think it mistakenly puts the emphasis on Phillip Baker Hall's character from the get-go. One of the charms of the film is the gradual realization that he is central to the story.

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knives
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Re: Paul Thomas Anderson

#115 Post by knives » Tue Nov 12, 2013 3:11 pm

Also in recent years Anderson has shied away from his initial zealousness over the title.

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John Cope
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Re: Paul Thomas Anderson

#116 Post by John Cope » Tue Nov 12, 2013 4:30 pm

As much as I love all of Anderson's work I do kind of wish sometimes that he would return to this mode once in awhile and make something very small scale and intimate again. We know he's capable.

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mfunk9786
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Re: Paul Thomas Anderson

#117 Post by mfunk9786 » Tue Nov 12, 2013 4:38 pm

The Master felt that way to me, and so did Punch-Drunk Love. Perhaps we have different definitions of small scale and intimate, though!

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flyonthewall2983
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Re: Paul Thomas Anderson

#118 Post by flyonthewall2983 » Tue Nov 12, 2013 7:43 pm

John Cope wrote:As much as I love all of Anderson's work I do kind of wish sometimes that he would return to this mode once in awhile and make something very small scale and intimate again. We know he's capable.
I'd actually like to see him do genre films. He could do a Great horror film.

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Matt
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Re: Paul Thomas Anderson

#119 Post by Matt » Tue Nov 12, 2013 9:00 pm

Depending on how elastic your definition of "horror" is, I think There Will Be Blood fits the bill nicely.

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med
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Re: Paul Thomas Anderson

#120 Post by med » Wed Nov 13, 2013 8:44 am

If it stays true to the source material, Inherent Vice will be a genre film.

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Sonmi451
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Re: Paul Thomas Anderson

#121 Post by Sonmi451 » Wed Nov 13, 2013 2:06 pm

flyonthewall2983 wrote: I'd actually like to see him do genre films. He could do a Great horror film.
Absolutely. Why more contemporary auteurs, especially American, don't attempt horror I do not know. What's the last great American horror film, The Shining? Amazing really. P.T. would fit the bill perfectly.

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knives
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Re: Paul Thomas Anderson

#122 Post by knives » Wed Nov 13, 2013 2:07 pm

The House of the Devil probably qualifies.

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Sonmi451
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Re: Paul Thomas Anderson

#123 Post by Sonmi451 » Wed Nov 13, 2013 2:14 pm

While I liked The House of the Devil very much, I wouldn't quite call it a great film. Besides, Ti West is a genre filmmaker, I'm thinking more of contemporary masters trying their hand at horror (a la Kubrick).

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mfunk9786
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Re: Paul Thomas Anderson

#124 Post by mfunk9786 » Wed Aug 06, 2014 12:59 pm


Movie-Brat
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Re: Paul Thomas Anderson

#125 Post by Movie-Brat » Wed Aug 06, 2014 2:33 pm

Sonmi451 wrote:
flyonthewall2983 wrote: I'd actually like to see him do genre films. He could do a Great horror film.
Absolutely. Why more contemporary auteurs, especially American, don't attempt horror I do not know. What's the last great American horror film, The Shining? Amazing really. P.T. would fit the bill perfectly.
Well I do know Nicholas Winding Refn is doing one called I Walk With The Dead. Though I'd love to see Paul Thomas Anderson try a Horror film himself.

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