Do you mean Sunchild films?Adam wrote:For the screening in Los Angeles that I organized with LAFCA and the UCLA Film & TV Archives, we obtained the print from Sunshine Films in France, 16mm only, no subtitles. The DVD with electronic subtitles came from England, I believe BFI, but I'm now blanking on that source.PimpPanda wrote:Does anyone know who owns the rights to Out 1/Out 1: Spectre?
Jacques Rivette
- justeleblanc
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ptmd
- Joined: Wed Nov 03, 2004 5:12 pm
The one extant print of the film traveled from France for a series of retrospectives in the UK and North America but since those have all ended, I would assume it is now back in Europe. It's extremely unlikely to play again in the next few years, so if you really want to see it, you might want to seek out the French PAL VHS set that was released 8 years ago. It may be possible to obtain a copy via interlibrary loan.PimpPanda wrote:It's weird though, it seems to be like Noli Me Tangere isn't playing anywhere anymore, like there are no more screenings anytime soon. Is that true?
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Adam
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This is correct. It's Sunshine Films. Also, "Noli Me Tangere" is a misnomer, or a convenience for programmers, but it's not actually the title. There are just OUT 1 (the long 1) and OUT 1: Spectre (the abridged one).ptmd wrote:The one extant print of the film traveled from France for a series of retrospectives in the UK and North America but since those have all ended, I would assume it is now back in Europe. It's extremely unlikely to play again in the next few years, so if you really want to see it, you might want to seek out the French PAL VHS set that was released 8 years ago. It may be possible to obtain a copy via interlibrary loan.PimpPanda wrote:It's weird though, it seems to be like Noli Me Tangere isn't playing anywhere anymore, like there are no more screenings anytime soon. Is that true?
- MichaelB
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Well, the subtitle translation is the copyright of whoever translated it - unless he or she signed over the rights to whoever commissioned it (quite likely in these situations).PimpPanda wrote:Thanks for the help! Someone on another site gave an idea like this and I wonder if it would be possible to get a copy of the subtitles from BFI and then put them on the file that is online? Or is that illegal for some reason?
Either way, though, you'll need someone's permission if you're to stay completely above board.
- justeleblanc
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- MichaelB
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Indeed not, but the question specifically asked whether it was illegal. And the answer is clearly "yes", since even subtitles count as intellectual property.justeleblanc wrote:Copyrights haven't stopped most internet bootleggers.
Actually, I shouldn't have written that dismissive "even", as they can involve a huge amount of effort - the late Tom Milne said that while he could knock off a routine French thriller in a few hours, his Bresson subtitles could take days as it was so crucial that he got the right tone.
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Adam
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That's true. And they did charge us 250 pounds (I think that was the figure) to use them. Maybe it was 250 dollars.MichaelB wrote:Well, the subtitle translation is the copyright of whoever translated it - unless he or she signed over the rights to whoever commissioned it (quite likely in these situations).PimpPanda wrote: Someone on another site gave an idea like this and I wonder if it would be possible to get a copy of the subtitles from BFI and then put them on the file that is online? Or is that illegal for some reason?
Either way, though, you'll need someone's permission if you're to stay completely above board.
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Larry Lipton
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- Tommaso
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Yes, as far as I know, these are all lost.Larry Lipton wrote:Hi, new to the forum and Rivette. Would it be safe to assume that his earliest films (Aux quatre coins, Le Quadrille and Le Divertissement) are lost?
As to the other two titles you mention, they indeed seem to be listed nowhere else. If I remember correctly, one of the theatre groups in OUT1 are doing a staging of Aesschylos' "Prometheus", so perhaps these are just individual parts of the long film/TV series? Anyone knows more?
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David Ehrenstein
- Joined: Wed Oct 12, 2005 12:30 am
Michel Londsdale's group is indeed attempting to stage "Prometheus Bound" in Out 1. Their efforts turn into a series of improvisations on the themes of that play. Rivette could well have contemplated releasing that section of Out 1 as a separate film. Do no forget, Out 1 was rejected by French telvision (why remains a mystery) and Out 1: Spectre was an attempt to get some of it before the public in some form. For years this was all anyone knew of Out 1. But now having seen the complete absolute masterpiece, I can only regard Out 1: Spectre as a work of secondary import, of interest primarily to Rivette scholars.
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Larry Lipton
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- Michael Kerpan
- Spelling Bee Champeen
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Paris s'en va is sort of a companion piece to Pont du Nord. A DVD set with both of these would be a treat. (I have the French video of PdN (which is probably my favorite Rivette film).Larry Lipton wrote:I see. That makes sense. That only leaves L'Amour fou and Paris s'en va to track down, which at least have the decisive advantage of existing.
- Barmy
- Joined: Mon May 16, 2005 7:59 pm
The DVD cover of "Love/Ground" is perhaps the worst ever. A blurry photo and the arresting NYTimes quote "Controversial" (mmmmkay) reproduced both front and back. Pathetic.
Regarding Out 1, I don't understand why Rivette himself doesn't just cause it to happen. It's part of his legacy. I feel the same way about living legends (in my mind) like Jancso and (until recently) Robbe-Grillet. Hey you're old, but are you really too busy to get your oeuvre out on DVD?
Regarding Out 1, I don't understand why Rivette himself doesn't just cause it to happen. It's part of his legacy. I feel the same way about living legends (in my mind) like Jancso and (until recently) Robbe-Grillet. Hey you're old, but are you really too busy to get your oeuvre out on DVD?
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David Ehrenstein
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- MichaelB
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- justeleblanc
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Barbet may not have the rights either, but he might be someone in the position to fund a restoration for home video.MichaelB wrote:And it also requires controlling the rights, which rules most filmmakers out of contention (I don't know about Rivette in this specific instance).David Ehrenstein wrote:Well that requires money, and I don't imagine Rivette is flush.
Sunshine Films owns it, by the way.
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David Ehrenstein
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- justeleblanc
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Stefan
- Joined: Wed Apr 09, 2008 5:33 am
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Regarding the recent Bluebell release of "La bande des quatre" - according to amazon (co.uk, com, de) that DVD's running time differs slightly from the original version (is some minutes shorter, of all things). Does anyone know if that's error on the part of amazon, or has the film actually been newly edited?
By the way, I don't know if it has already been mentioned around here, but one month ago a quite splendid Rivette DVD box was released in Germany, containing "Céline et Julie vont en bateau", "Duelle", "Va savoir" and, for the first time ever on DVD, "Merry-go-round". The extras feature three interviews with Rivette.
By the way, I don't know if it has already been mentioned around here, but one month ago a quite splendid Rivette DVD box was released in Germany, containing "Céline et Julie vont en bateau", "Duelle", "Va savoir" and, for the first time ever on DVD, "Merry-go-round". The extras feature three interviews with Rivette.
Last edited by Stefan on Wed Apr 09, 2008 6:13 am, edited 1 time in total.
- domino harvey
- Dot Com Dom
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