I don't know what kind of reputation British Transport Films have outside of the UK, but as they often slip below the critical radar in the UK itself, I thought it worthwhile to draw attention to the fifth volume in the BFI's excellent series of 2-disc collections of the films.
Briefly, when much of Britain's transport system was nationalised in 1948, following Labour's victory at the elections, the British Transport Commission saw that the creation of a film unit - to promote public awareness, appreciation, understanding and even admiration of their means of transport - was an important part of their mission. John Grierson's protege, Edgar Anstey took the helm at the Unit. Through to its closure in 1986, a number of notable people passed through the Unit's ranks - editor Stewart McAllister, cameramen David Watkin and Billy Williams, John Schlesinger to name just four.
The BFI's collections are thoroughly enjoyable and show just how inventive the Unit could be when approaching their subject. There are now over 70 films available on these collections, most in superb condition (see John Schlesinger's
Terminus on Volume 3:
Running a Railway for proof). Other highlights are too many to mention and will be according to your own interests, but
Holiday (1957) on Volume 2 is fun, as the sights and sounds of Blackpool are set to a Chris Barber soundtrack,
I am a Litter Basket (1959) and
The Third Sam (1962) (narrated by Stanley Holloway) show their quirkiness well, and films such as
Farmer Moving South (1952) are simply very beautiful, highly accomplished short films. Then there are
Snow,
Rail and
Locomotion, Geoffrey Jones' exhilarating films made for British Railways and collected together on
Geoffrey Jones: The Rhythm of Film.
The most recent volume gives the lie to the popular assumption that they must be all about trains as it actually includes three Oscar-nominated nature documentaries -
Journey into Spring,
Between the Tides and
Wild Wings, the last of which actually won the Oscar.
Anyway that's the intro. I'm recommending them as they are too good to remain the preserve of people approaching them solely from the angle of interest in transport (though of course they are brilliant if you are).
Screenonline is good for the history of the Unit and there is also a complete list of films over at
British Transport Films.
I have done a couple of podcasts about them over at MovieMail if you're interested - have a look around beneath
the one I've just put up talking with Michael about Svankmajer.