Film Criticism

Discuss film culture and criticism
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mfunk9786
Under Chris' Protection
Joined: Fri May 16, 2008 8:43 pm
Location: Miami, FL

Re: Film Criticism

#551 Post by mfunk9786 »

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Grand Wazoo
Joined: Thu Jun 21, 2007 6:23 pm

Re: Film Criticism

#552 Post by Grand Wazoo »

Sigh.

This took longer than I expected actually. Still a damn shame.
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domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 6:42 pm

Re: Film Criticism

#553 Post by domino harvey »

Jesus
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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Film Criticism

#554 Post by knives »

Damn, that's a real shame. Hopefully he can get a new paper or at least live off of books.
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matrixschmatrix
Joined: Wed May 26, 2010 3:26 am

Re: Film Criticism

#555 Post by matrixschmatrix »

knives wrote:Damn, that's a real shame. Hopefully he can get a new paper or at least live off of books.
Yeah, I'm going to make it a point to buy a few of his books over the next couple weeks. We're running out of newspaper critics pretty fast.
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Jean-Luc Garbo
Joined: Thu Dec 09, 2004 5:55 am
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Re: Film Criticism

#556 Post by Jean-Luc Garbo »

knives wrote:Damn, that's a real shame. Hopefully he can get a new paper or at least live off of books.
Hoberman was the only reason that I still read Voice. His new book about Cold War cinema, Army of Phantoms, is really good if no-one has bought a copy yet.
Robert de la Cheyniest
Joined: Wed Nov 22, 2006 1:06 am

Re: Film Criticism

#557 Post by Robert de la Cheyniest »

Indeed, when the Voice fired Robert Christgau and a bunch of other critics I thought to myself "Hoberman's the only reason left to read this paper," well there it goes!
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domino harvey
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Re: Film Criticism

#558 Post by domino harvey »

Unless they let Michael Musto write every article now, why bother
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tavernier
Joined: Sat Apr 02, 2005 11:18 pm

Re: Film Criticism

#559 Post by tavernier »

I'm surprised Michael Feingold--one of the few decent theater critics left--has survived these periodic purgings
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domino harvey
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Re: Film Criticism

#560 Post by domino harvey »

Someone on YouTube dug up this rare gem: SCTV gives its take on film criticism with a roundtable discussion between Andrew Sarris (John Candy), Judith Crist (Catherine O'Hara), Pauline Kael (Andrea Martin), Rex Reed (Eugene Levy), and John Simon (Dave Thomas). One thing I'll always love about SCTV is their love of esoteric bits like this
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Jeff
Joined: Wed Nov 03, 2004 1:49 am
Location: Denver, CO

Re: Film Criticism

#561 Post by Jeff »

Hoberman's voice will be sorely missed, but hopefully not for long. Like most of the other critics who've been unceremoniously unloaded in the past five years, he has started a blog.
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Alan Smithee
Joined: Mon Dec 06, 2010 3:49 pm
Location: brooklyn

Re: Film Criticism

#562 Post by Alan Smithee »

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Oedipax
Joined: Wed Nov 03, 2004 12:48 pm
Location: Atlanta

Re: Film Criticism

#563 Post by Oedipax »

Just received my Kino Film Socialisme blu and the front cover's sole blurb is:
"Visually ravishing... filled with sensuous pleasures."
-J. Hoberman, Village Voice
Hard to think of a better way to go out, at least.
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warren oates
Joined: Fri Mar 02, 2012 4:16 pm

Re: Film Criticism

#565 Post by warren oates »

A list of the 20 greatest films never made from Film Comment. The on-line version actually has footnotes and links that they could not accommodate in the print edition.
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Jeff
Joined: Wed Nov 03, 2004 1:49 am
Location: Denver, CO

Re: Film Criticism

#566 Post by Jeff »

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Tom Hagen
Joined: Mon Apr 14, 2008 4:35 pm
Location: Salt Lake City, Utah

Re: Film Criticism

#567 Post by Tom Hagen »

The decennial Sight and Sound poll is out:

The Critics’ Top 10 Greatest Films of All Time

1. Vertigo (Hitchcock, 1958)
2. Citizen Kane (Welles, 1941)
3. Tokyo Story (Ozu, 1953)
4. La Règle du jeu (Renoir, 1939)
5. Sunrise: a Song for Two Humans (Murnau, 1927)
6. 2001: A Space Odyssey (Kubrick, 1968)
7. The Searchers (Ford, 1956)
8. Man with a Movie Camera (Dziga Vertov, 1929)
9. The Passion of Joan of Arc (Dreyer, 1927)
10. 8 ½ (Fellini, 1963)

The Directors’ Top 10 Greatest Films of All Time

1. Tokyo Story (Ozu, 1953)
=2. 2001: A Space Odyssey (Kubrick, 1968)
=2. Citizen Kane (Welles, 1941)
4. 8 ½ (Fellini, 1963)
5. Taxi Driver (Scorsese, 1976)
6. Apocalypse Now (Coppola, 1979)
=7. The Godfather (Coppola, 1972)
=7. Vertigo (Hitchcock, 1958)
9. Mirror (Tarkovsky, 1974)
10. Bicycle Thieves (De Sica, 1948)
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Matt
Joined: Tue Nov 02, 2004 4:58 pm

Re: Film Criticism

#568 Post by Matt »

See the dedicated thread here for discussion.
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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Film Criticism

#569 Post by knives »

Is any of Hoberman's writing on Ripstein available on the net? I'm particularly looking for something on Hell Without Limits and/or No One Writes to the Colonel.
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barryconvex
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Joined: Sat Aug 25, 2012 2:08 am
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Re: Film Criticism

#570 Post by barryconvex »

Ebert writes for a popular audience. He knows which side his bread is buttered . He produces lucidly written reviews that evaluate and occasionally offer some insight into the films he touches upon. I think he's an exemplar of how to maintain a high-profile career in film criticism without either falling into niche publication or selling out to lifestyle journalism. He's a safe pair of hands.
I know this was written a few years ago but i just read it for the first time.Bravo...As i've always been an admirer of Ebert's-his great movie series got me started down the road of classic film all those years ago- i think you hit the nail perfectly....
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Professor Wagstaff
Joined: Wed Aug 25, 2010 3:27 am

Re: Film Criticism

#571 Post by Professor Wagstaff »

For fans of Red Letter Media's dark, bizarro Mr. Plinkett reviews, here are his opinions on Titanic. Post a comment in the web zone if you want a pizza roll.
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dx23
Joined: Wed Nov 03, 2004 12:52 am
Location: Puerto Rico

Re: Film Criticism

#572 Post by dx23 »

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Gregory
Joined: Tue Nov 02, 2004 8:07 pm

Re: Film Criticism

#573 Post by Gregory »

Coincidentally, yesterday I stumbled on this Marie Claire article criticizing McCarthy, which can be summed up as: Ewww, fat people? They're just so... fat. And expressing affection for each other on TV? No one should have to see that. It promotes obesity!
The writer, Maura Kelly, has since written a book, titled Much Ado About Loving: What Our Favorite Novels Can Teach You About Date Expectations, Not-So-Great Gatsbys, Love in the Time of Internet Personals, and Subtitles That Are Way Too Long.
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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Film Criticism

#574 Post by knives »

Which is bizarre since she in interviews pulls off her size very well. They should at least target an ugly fat person.
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Matt
Joined: Tue Nov 02, 2004 4:58 pm

Re: Film Criticism

#575 Post by Matt »

Yes, that would be much better.
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