1197 Jackie Chan: Emergence of a Superstar

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swo17
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1197 Jackie Chan: Emergence of a Superstar

#1 Post by swo17 »

Jackie Chan: Emergence of a Superstar

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Originally tapped as a potential successor to Bruce Lee, Hong Kong martial-arts phenom Jackie Chan soon established his own unique screen persona, blending goofball slapstick and bone-crunching kung fu into intricate feats of supercharged athleticism. Tracing his rise from breakout star to full-fledged auteur, these six unabashedly silly, unstoppably entertaining early-career highlights find Chan refining the lovably mischievous image that would make him a global icon, while also assuming greater creative control over his projects—first as his own martial-arts choreographer, and later as a writer-director who set a thrilling new standard for daredevil action comedy.

Half a Loaf of Kung Fu

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Like a live-action comic book, this antic farce lets Jackie Chan, choreographing his own fight sequences, cut loose with a wild parody of the martial-arts genre. He plays a bumbling wannabe kung-fu master who, when he assumes the identity of a dead hero, finds himself embroiled in a series of absurd misadventures and the search for a pair of mystical artifacts. Cartoon sound effects and send-ups of everything from Popeye to Jesus Christ Superstar are part of the lighthearted fun—not to mention Chan fighting a bald adversary with his own wig!

Spiritual Kung Fu

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Jackie Chan's kung-fu clowning gets a supernatural twist in this off-the-wall action fantasy. He stars as a cheeky student at a Shaolin temple who must fight to protect his order, with help from some unexpected mentors: five pink-haired, silver-leotard-sporting extraterrestrial spirits who train him in arcane, animal-style martial arts with an otherworldly flair. The ghostly high jinks (realized with eye-poppingly outlandish special effects) give way to a last half hour that's near-nonstop action, with Chan single-handedly taking on eighteen stick-wielding monks in a blistering battle royal.

The Fearless Hyena

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An auteur emerges as Jackie Chan—working for the first time as director, in addition to serving as cowriter, lead actor, and martial-arts choreographer—takes full charge of his on-screen image. Perfecting the archetypal Chan character, he stars here as a rapscallion student of his martial-arts-master grandfather (Hong Kong cinema legend James Tien) who uses his kung-fu prowess to fight challengers for money—until a personal tragedy forces him to get serious. Experimenting with various lenses and camera setups, Chan maximizes the action's visual impact, while unleashing some of his most innovative fight choreography in a stunning, whirlwind display of "emotional kung fu."

Fearless Hyena II

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By the early 1980s, Jackie Chan's popularity made him box-office gold. Thus when, midway through filming the sequel to his hit The Fearless Hyena, Chan walked off the production to defect to rival studio Golden Harvest, producer Lo Wei opted to complete the film with the help of stunt doubles and recycled footage. The result—the tale of two lazy cousins (Chan and Austin Wai Tin-chi) who join forces to avenge the deaths of their fathers—may not be pure Chan, but there are plenty of loony pleasures (including our hero fighting an adversary with his feet!) to be had.

The Young Master

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Jackie Chan's second directorial effort was also a film of important firsts: his first for upstart studio Golden Harvest and his first with cowriter Edward Tang, who would become a key collaborator. The star-filmmaker shows his increasing confidence with this endlessly inventive tale of a martial-arts student (Chan) who goes in search of his exiled brother, only to become entangled in a case of mistaken identity—with much amusement provided by Chan's interplay with his real-life former schoolmate Yuen Biao. The epic finale, in which Chan goes from human punching bag to raging bull, is a bruising highlight of his career.

My Lucky Stars

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Longtime friends Jackie Chan, Sammo Hung, and Yuen Biao—who had worked together since childhood as part of a Beijing opera troupe—join forces for this rollicking blend of action thrills and lunatic humor, which sees Chan’s undercover agent recruiting his band of outlaw buddies to travel to Japan in order to help him catch a rogue cop who has stolen millions in jewels. Though not the main star, Chan lights up the screen in the film's most exhilarating set pieces: a kinetic amusement-park-set opening and a surreal haunted-house finale, both stylishly and creatively staged by director-star Hung.

FOUR-BLU-RAY SPECIAL EDITION FEATURES

• 2K digital restorations of Spiritual Kung Fu, The Fearless Hyena, Fearless Hyena II, The Young Master, and My Lucky Stars and high-definition digital restoration of Half a Loaf of Kung Fu, with uncompressed monaural soundtracks
• Alternate stereo and 5.1 surround Cantonese soundtracks
• Classic English-dubbed tracks for Half a Loaf of Kung Fu, Spiritual Kung Fu, The Fearless Hyena, and Fearless Hyena II, plus an English-dubbed alternate track for Fearless Hyena II, and contemporary English-dubbed tracks for The Young Master and My Lucky Stars
• New audio commentaries for The Fearless Hyena and The Young Master featuring Hong Kong cinema expert and producer Frank Djeng (Enter the Clones of Bruce)
• Interview with author Grady Hendrix (These Fists Break Bricks) about actor-director Jackie Chan
• Archival interviews with Chan, actor-director Sammo Hung, actors Michiko Nishiwaki and Hwang In-shik, and more
The Young Master promo reel from the 1980 Cannes Film Festival and deleted scenes from the film
• Interview from 2005 with Hong Kong cinema critic Paul Fonoroff about producer-director Lo Wei
• NG shots from The Young Master and My Lucky Stars
• Trailers
• New English subtitle translations
• PLUS: An essay by critic Alex Pappademas
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DandyDancing
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Re: 1197 Jackie Chan: Emergence of a Superstar

#2 Post by DandyDancing »

contemporary English-dubbed tracks for The Young Master and My Lucky Stars
What does that mean?
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Computer Raheem
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Re: 1197 Jackie Chan: Emergence of a Superstar

#3 Post by Computer Raheem »

DandyDancing wrote: Tue Aug 15, 2023 4:57 pm
contemporary English-dubbed tracks for The Young Master and My Lucky Stars
What does that mean?
From what I can tell, during the 2000s, Fortune Star re-recorded a lot of English dubs for a lot of their catalog that either didn't already have them (due to age or lack of overseas distribution) or had lost them due to a lack of preservation of those already done (which is why many of these re-discovered classic English and international dubs are sourced from theatrical prints, Laserdiscs, VCDs, etc.), in order to make it easier to sell their films to distributors in the West. For example, the Police Story set contains an English dub for the first film that was sourced for an overseas VHS, while the second film used one that was done by Fortune Star in the 2000s. From what I can see, The Young Master and My Lucky Star do not have contemporaneous dubs, and so Fortune Star recorded new ones. To break it down, here's what I can tell each film has English dub-wise:
  • Half a Loaf of Kung Fu: English mono (Classic dub)
  • Spiritual Kung Fu: English mono (Classic dub)
  • The Fearless Hyena: English mono (Classic dub)
  • Fearless Hyena II: English mono (Classic dub), English mono (alternative?)
  • The Young Master: English 5.1 (Modern dub)
  • My Lucky Stars: English 5.1 (Modern dub)
This doesn't even begin to count the mess that is the alternative Cantonese tracks...
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Mr Sausage
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Re: 1197 Jackie Chan: Emergence of a Superstar

#4 Post by Mr Sausage »

Surely My Lucky Stars would've worked better in a boxed set of all the Lucky Star films?
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yoloswegmaster
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Re: 1197 Jackie Chan: Emergence of a Superstar

#5 Post by yoloswegmaster »

Shout already released the other 2 titles in their own JC boxset. The other 2 Lucky Star titles were with Miramax at the time Criterion licensed My Lucky Stars and the other films in this set, and I can only presume that Shout jumped on the other 2 films (as well as the other big Jackie titles) once the rights were available.
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swo17
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Re: 1197 Jackie Chan: Emergence of a Superstar

#6 Post by swo17 »

Eureka released all three together, for those that are region-free
Orlac
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Re: 1197 Jackie Chan: Emergence of a Superstar

#7 Post by Orlac »

Criterion...PLEASE fix the missing night filters for SPIRITUAL KUNG FU!!!
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yoloswegmaster
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Re: 1197 Jackie Chan: Emergence of a Superstar

#8 Post by yoloswegmaster »

I just realized that Miracles isn't a part of this set. Hopefully we see a standalone 4K release of that soon.
ComradeMisato
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Re: 1197 Jackie Chan: Emergence of a Superstar

#9 Post by ComradeMisato »

Computer Raheem wrote: Tue Aug 15, 2023 6:47 pmFrom what I can tell, during the 2000s, Fortune Star re-recorded a lot of English dubs for a lot of their catalog that either didn't already have them (due to age or lack of overseas distribution) or had lost them due to a lack of preservation of those already done (which is why many of these re-discovered classic English and international dubs are sourced from theatrical prints, Laserdiscs, VCDs, etc.), in order to make it easier to sell their films to distributors in the West. For example, the Police Story set contains an English dub for the first film that was sourced for an overseas VHS, while the second film used one that was done by Fortune Star in the 2000s. From what I can see, The Young Master and My Lucky Star do not have contemporaneous dubs, and so Fortune Star recorded new ones.
In this case, the original English dubs for The Young Master and My Lucky Stars are tied to specially-prepared export cuts of the films, which Criterion isn't bothering with.

Not that surprising, given that the Police Story set didn't really either, aside from the theatrical PS2 (included due to the strange wrinkle of Fortune Star treating the two-hour Japanese cut as their official preferred version). That movie was another case of the original dub being tied to the export cut and thus absent from the disc.
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knives
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Re: 1197 Jackie Chan: Emergence of a Superstar

#10 Post by knives »

It’s kind of interesting to see this called emergence of a superstar as really only three films see a developing Chan. Gives a good excuse to look at them though. Half Loaf of Kung Fu doesn’t really inspire confidence. As far as I can tell this is notable for mentioning Wu Tang Clan and being the first of his own films Chan choreographed. Neither of these things save the film. It’s kind of surprising this came out the same year as Drunken Master, my favorite Chan film, and well after he made a few films that already established him as a slightly different Bruce Lee imposter.

The plot is overly complicated and the first half almost devoid of fights. The comedy is surprisingly basic and allows the film to play its generic tale fairly straight. Things pick up a lot in the second half which takes this from being a real bad experience to an okay one. I wouldn’t be surprised if the film was largely improvised with them figuring out what they wanted as they moved along.

Even considering how embryonic this film is it’s surprising how different it is from any expectation of Jackie Chan or even ‘70s Hong Kong action that I have. It’s honestly more a comedic take on a King Hu movie then anything else.
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swo17
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Re: 1197 Jackie Chan: Emergence of a Superstar

#11 Post by swo17 »

Half a Loaf is silly but I had fun with it.

Comparing to the UK boutique label releases, it seems like this Criterion set has far less viewing options. Note that no UK label has yet released Fearless Hyena II, a film which Wikipedia says Chan thought was so bad that he went to court to try to stop its release.

Half a Loaf of Kung Fu
88 Films: 2 Cantonese mono tracks (one with different music), English mono, Mandarin mono, audio commentary
Criterion: mono track (Mandarin?), 2 alternate Cantonese tracks (stereo, 5.1), classic English dub

Spiritual Kung Fu
88 Films: 2 Cantonese mono tracks (one with different music), English mono, Mandarin mono, audio commentary
Scenes from Korean version, alternate shot
Criterion: mono track (Mandarin?), 2 alternate Cantonese tracks (stereo, 5.1), classic English dub

The Fearless Hyena
88 Films: 2 Cantonese mono tracks (one with different music), English mono, English 5.1, audio commentary
Criterion: mono track (presumably Cantonese), 2 alternate Cantonese tracks (stereo, 5.1), classic English dub, audio commentary (different from 88's)

The Young Master
88 Films: Hong Kong theatrical cut w/ 3 Cantonese mono tracks (theatrical vs. home video mixes and a custom option with different music), English mono, audio commentary
International Export cut w/ 2 English tracks, audio commentary
Extended Export cut w/ 2 English tracks
Criterion: only one cut, mono track (presumably Cantonese), 2 alternate Cantonese tracks (stereo, 5.1), contemporary English dub, audio commentary (different from either of 88's)

My Lucky Stars
Eureka: Hong Kong cut w/ 2 Cantonese tracks (original mono, one with different music), English dub, audio commentary
Export cut w/ English dub
Alternate end credits, live performance, music video
Criterion: only one cut, mono track (presumably Cantonese), 2 alternate Cantonese tracks (stereo, 5.1), contemporary English dub


I don't know how the UK English dubs might compare to what Criterion is using

(Edited to reflect suggestions below)
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yoloswegmaster
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Re: 1197 Jackie Chan: Emergence of a Superstar

#12 Post by yoloswegmaster »

It says that the mono tracks are included in the first bullet point
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swo17
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Re: 1197 Jackie Chan: Emergence of a Superstar

#13 Post by swo17 »

Whoops, thanks for pointing that out. I've updated my post accordingly
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Re: 1197 Jackie Chan: Emergence of a Superstar

#14 Post by The Fanciful Norwegian »

My guess is the main mono tracks on Half a Loaf of Kung Fu and Spiritual Kung Fu will be Mandarin, since that's how they were originally produced. In the case of Half a Loaf of Kung Fu, it was produced in Mandarin in 1978, shelved, then finally released with a new Cantonese dub (and title) in 1980. Spiritual Kung Fu was also produced in Mandarin, but came out in Cantonese after the success of Snake in Eagle's Shadow and Drunken Master, both of which were Cantonese releases.
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swo17
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Re: 1197 Jackie Chan: Emergence of a Superstar

#15 Post by swo17 »

And those are the only two for which 88 Films includes Mandarin tracks
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Re: 1197 Jackie Chan: Emergence of a Superstar

#16 Post by yoloswegmaster »

Someone emailed Criterion in regards to the missing cuts for My Lucky Stars and The Young Master, and this is what they said:
I can confirm that we were not able to include alternate cuts of MY LUCKY STARS and THE YOUNG MASTER in our upcoming JACKIE CHAN: EMERGENCE OF A SUPERSTAR set due to licensing.
That's a bummer to hear that there are issues with the rights of the alternate cuts. I wonder why is it that there seems to be complications with the rights in North America but not in Europe.
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dwk
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Re: 1197 Jackie Chan: Emergence of a Superstar

#17 Post by dwk »

There were rights issues with the alternate cuts of Police Story too.

I wonder if the issue is with Fortune Star or the companies that initially released the alternate cuts?
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Re: 1197 Jackie Chan: Emergence of a Superstar

#18 Post by ComradeMisato »

It's interesting that these rights issues don't seem to prevent Shout or Arrow from including the same alternate cuts on their US discs as were on the same films' UK releases, only Criterion.

My guess is "due to licensing" means they only licensed the cuts they're using when they put together that streaming collection, and have not licensed any additional cuts for the Blu-ray they're doing now. I could be wrong, but nothing in that statement contradicts that interpretation.
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swo17
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Re: 1197 Jackie Chan: Emergence of a Superstar

#19 Post by swo17 »

It could simply mean "we didn't pay to release multiple cuts" as opposed to "they weren't available"
ComradeMisato
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Re: 1197 Jackie Chan: Emergence of a Superstar

#20 Post by ComradeMisato »

That's what I was getting at. And considering that plenty of people will buy anything with Criterion's branding on it, or just be grateful that such a prestigious institution took notice of these films at all, there's not that much incentive.
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knives
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Re: 1197 Jackie Chan: Emergence of a Superstar

#21 Post by knives »

Spiritual Kung Fu is incredibly stupid and childish, but such a massive step up from Half Loaf. It follows the generic Chan story from the era, but effectively goes as silly as possible ensuring never a dull moment. Lo Wei clearly set himself up with a great budget and effects which helps give the film weight as well. Outside of Chan the film is gorgeous and feels confident playing itself straight while he’s offscreen. It doesn’t feel thrown off as so much as this era could. I also love that they allow Chan to be this unrelenting dip. This is definitely one of his unpleasant characters, but one I could dig in an Always Sunny kind of way. Chain’s turns as a real hero don’t feel totally believable I’m this context, but aren’t treated so seriously that you can’t just view in the moment.
ComradeMisato
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Re: 1197 Jackie Chan: Emergence of a Superstar

#22 Post by ComradeMisato »

I still need to rewatch Half a Loaf with the 88 Films subtitles; apparently they tried to present the rather colorful language in the original dialogue faithfully, resulting in an unusually profane translation. Even having seen the movie twice, though, the thing I remember best is Jackie's Zatoichi gag during the opening credits.

I think my favorite Lo Wei Jackie movie is Shaolin Wooden Men, which is on the less comic side but has Jackie in the kind of underdog role he'd go on to play pretty frequently, which got me thinking about how many other interesting films (in terms of mapping his early career) Criterion missed out on. They do have his directorial debut, the one he walked out on to go to Golden Harvest, and his first Golden Harvest film, but not his first widely-released starring vehicle (New Fist of Fury), the serious (To Kill with Intrigue, Killer Meteors) and less serious (Snake and Crane Arts) wuxia experiments, or the Seasonal comedies. No Winners and Sinners either, which I personally rate a lot higher than either of the sequels Jackie appeared in. The selection they do have does complicate the common narrative of Lo Wei trying to force Jackie as a deadly-serious Bruce Lee successor until he could get away to go make comedies with Seasonal, though.
Orlac
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Re: 1197 Jackie Chan: Emergence of a Superstar

#23 Post by Orlac »

Lo Wei didn't really do that much to make Jackie a Bruce Lee type - even in New Fist of Fury, Jackie is playing a prototype of his lazy trickster role he'd perfect in Drunken Master.
ComradeMisato
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Re: 1197 Jackie Chan: Emergence of a Superstar

#24 Post by ComradeMisato »

He really didn't; there was a lot more experimentation during that period than is sometimes acknowledged. IIRC part of the problem is that Lo Wei's company went broke around the time Jackie started doing comedies, meaning most or all of those were shelved until after he'd gone and done two comedies with Seasonal that became big hits. I think the Seasonal films getting released first plus the triad intrigue when Jackie tried to jump ship contributed a lot to the idea that Lo Wei didn't understand Jackie's strengths and just wanted to make him play certain kinds of roles.
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Re: 1197 Jackie Chan: Emergence of a Superstar

#25 Post by The Fanciful Norwegian »

Chan advancing that claim in his autobiography is probably more responsible for it than anything else. (I do think Lo Wei had a genuine dislike for Half a Loaf of Kung Fu, as it sat on the shelf much longer than any of the other Chan/Lo collabs made before the Seasonal films—though IMO his dislike was very much justified.)
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