52 The Shape of Night

Discuss releases by Radiance and the films on them
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Finch
Joined: Mon Jul 07, 2008 5:09 pm
Location: Edinburgh, UK

52 The Shape of Night

#1 Post by Finch » Wed Jan 10, 2024 8:52 am

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A young woman from the countryside (Miyuki Kuwano of Oshima’s Cruel Story of Youth) falls in love with a handsome hoodlum (Mikijiro Hira, Sword of the Beast), who pushes her into a life of prostitution. When his sleazy superiors catch sight of her, she finds herself trapped inside the gaudy maze of city nightlife. Directed by Noburo Nakamura, a veteran of the Shochiku studio’s signature Golden Age family dramas, The Shape of Night was made as a reaction to the radical film styles of the Japanese New Wave. With its lush cinematography full of saturated colours, a lyrical tone and its story of love leading to inescapable tragedy, it has been compared to the films of Douglas Sirk, while also acting as a precursor to the work of Wong Kar-wai.

LIMITED EDITION BLU-RAY SPECIAL FEATURES:

High-Definition digital transfer
Uncompressed mono PCM audio
Visual essay on the artistic upheavals at Shochiku studios during the 1960s by Tom Mes
Trailer
New and improved English subtitle translation
Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow
Limited edition booklet featuring new writing by Chuck Stephens
Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
More to be confirmed!

Also available in USA/Canada from our partners MVD, Diabolik, Orbit, Grindhouse and others

Cert: TBC
Format: Blu-ray
Region: AB
RAD052BDLE
EAN: 5060974680986
Release date: 29/04/24

Press:

★★★★★ ”a lyrical, nearly Wong Kar-wai-like counterpart to ardent work by Oshima or Imamura” – Film Comment

“kept me continually gripped and often surprised” – David Bordwell

The camera angles and movements, the colour scheme and editing all work brilliantly to illustrate her constant sacrifice and lead us to emotionally internalise the gaudy city as a dazzling parade that always leads her back to her situation. Stylistically the film anticipates the Wong Kar-wai of In the Mood for Love and echoes Douglas Sirk at his most stirring. – Nick James, Sight and Sound

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Finch
Joined: Mon Jul 07, 2008 5:09 pm
Location: Edinburgh, UK

Re: 52 The Shape of Night

#2 Post by Finch » Fri Mar 01, 2024 12:50 am


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reaky
Joined: Wed Nov 03, 2004 8:53 am
Location: Cambridge, England

Re: 52 The Shape of Night

#3 Post by reaky » Mon May 06, 2024 6:51 am

THE SHAPE OF NIGHT is a gorgeous film that Wong Kar-wai must have seen, and all credit to Radiance for bringing it to blu. But Chuck Stephens’ essay in the booklet is curiously dismissive, dappled with phrases like “hooker melodrama”, “hooker-meller”, “prostitution potboiler”, “streetwalker saga” and “formulaic genre-flick”. He seems aggrieved that it isn’t a film by Suzuki or Oshima. An odd essay to pop in your limited edition.

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Murdoch
Joined: Sun Apr 20, 2008 11:59 pm
Location: Upstate NY

Re: 52 The Shape of Night

#4 Post by Murdoch » Sun Mar 23, 2025 1:34 pm

I just finished this after picking it up at a B&N sale. It is a gorgeous film, as reaky states, and I can see the WKW connections (heavy use of bright, neon colors and inner monologue, focus on a criminal underworld). But gorgeous photography aside, it's a very familiar story with the young Yoshie being roped into prostitution by her abusive boyfriend. I think the story's biggest strength is how unrelenting it is in depicting the absolute nightmare that Yoshie suffers - there are multiple instances of rape and physical abuse, with her only solace the occasional conversations she has with other sex workers and one customer intent on freeing her from her Yakuza boyfriend. Miyuko Kuwano gives an excellent performance - playing the bubbly bright-eyed teen at the beginning, but by the end of the film she appears to be completely drained of emotion and numb to everything around her.
SpoilerShow
I wasn't fully on board with the way it presented itself toward the end, as Yoshie's options fall within the binary of escape the life with her loving customer (who just seems to spend his time pandering to her about how bad her life is) or stay with the guy that got her caught up in the life and steals her money. However, I was caught off-guard when the film found a third option to end on, although one that doesn't do Yoshie any favors - she stabs her abusive boyfriend and wanders the streets, with the strong implication at the end that she's arrested for the murder.
As familiar as the plot was, I'm glad Radiance rescued this from oblivion as it's always nice to have another Japanese film from this time period available.
Last edited by Murdoch on Sun Mar 23, 2025 7:47 pm, edited 2 times in total.

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: 52 The Shape of Night

#5 Post by hearthesilence » Sun Mar 23, 2025 6:19 pm

This release slipped past me. FWIW David Bordwell blogged about it briefly over a decade ago:
David Bordwell wrote:I didn’t plan it that way, but it turns out that a great many films I saw at this year’s Hong Kong International Film Festival would have to be categorized as genre pictures...Yet they mixed their familiar features with local flavors and fresh treatment, reminding me that conventions can always be quickened by imaginative film artists.

Take, for instance, The Shape of Night, a 1966 street-crime movie from Shochiku, directed by Nakamura Noburo. Nakamura was the subject of a small retrospective at Tokyo’s FilmEx last year, and this item certainly makes one want to see more of his work. A more or less innocent girl falls in love with a yakuza, who forces her to become a prostitute. In abrupt, sometimes very brief flashbacks, she tells her life to a client who wants to rescue her. The film makes characteristically Japanese use of bold widescreen compositions, disjointed close-ups, and mixed voice-overs from her and the men in her life. In retrospect, everything we’ve seen has been seen in other movies, but Nakamura’s handling kept me continually gripped and often surprised.

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