Guy Maddin
- willoneill
- Joined: Wed Mar 18, 2009 2:10 pm
- Location: Ottawa, Ontario, Canada
Re: Guy Maddin
Guy Maddin was in Ottawa tonight to introduce a screening of the Archangel restoration, and during the post-screening Q&A he said that Careful is being restored next and should be out later this year.
- therewillbeblus
- Joined: Tue Dec 22, 2015 7:40 pm
Re: Guy Maddin
Didn't he say that about Brand Upon the Brain! just a few years ago?
- Peacock
- Joined: Mon Dec 22, 2008 11:47 pm
- Location: Scotland
Re: Guy Maddin
Yeah but you forget who has the rights to that one…therewillbeblus wrote: Sat Mar 23, 2024 4:21 am Didn't he say that about Brand Upon the Brain! just a few years ago?
- willoneill
- Joined: Wed Mar 18, 2009 2:10 pm
- Location: Ottawa, Ontario, Canada
Re: Guy Maddin
In the case of Careful, the work is underway. They're using the original negative (which I think TIFF had in storage) and he's working with Zeitgeist to redo the colour timing; I note that because Maddin himself admitted he doesn't trust himself not to over-saturate the colours if left to his own devices. I thought that was an interesting admission considering the many debates over the years between physical media labels honouring a director's wishes vs. releasing an image as close as possible to how the films were originally seen.
- MichaelB
- Joined: Fri Aug 11, 2006 10:20 pm
- Location: Worthing
- Contact:
Re: Guy Maddin
The late Barney Platts-Mills said something similar about Bronco Bullfrog - he personally vastly preferred the BFI edition to the one that he authored himself because, to quote him directly, “James White knew what he was doing, and I didn’t.”
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Der Ungrund
- Joined: Fri Sep 22, 2023 1:55 am
Re: Guy Maddin
He said on the commentary for the Kino DVD that he experimented with oversaturating the colors and adding an effect where they shimmer like older 2-strip technicolor, but decided against it. I suspect he'll decide against it again.willoneill wrote: Sat Mar 23, 2024 1:58 pm In the case of Careful, the work is underway. They're using the original negative (which I think TIFF had in storage) and he's working with Zeitgeist to redo the colour timing; I note that because Maddin himself admitted he doesn't trust himself not to over-saturate the colours if left to his own devices. I thought that was an interesting admission considering the many debates over the years between physical media labels honouring a director's wishes vs. releasing an image as close as possible to how the films were originally seen.
- brundlefly
- Joined: Fri Jun 13, 2014 4:55 pm
Re: Guy Maddin
Trailer.The Fanciful Norwegian wrote: Fri Jan 12, 2024 3:51 pm Along with the news that U.S. distribution for Rumours has been picked up by Bleecker Street comes some details about the film: it's about a G7 summit where leaders of the member nations attempt to draft a statement while lost in the woods. Besides the previously-announced Cate Blanchett, it stars Alicia Vikander, Roy Dupuis, Charles Dance, Denis Ménochet, Nikki Amuka-Bird, Rolando Ravello, Hira Takehiro, and Zlatko Burić, and it's expected to release this year.
- hearthesilence
- Joined: Fri Mar 04, 2005 8:22 am
- Location: NYC
Re: Guy Maddin
FYI he’s at Film Forum this weekend promoting the new 4K restoration of Careful and a selection of his part work.
- The Curious Sofa
- Joined: Fri Sep 13, 2019 10:18 am
Re: Guy Maddin
Careful was the first Maddin film I saw and may still be my favourite. I hope this means I can upgrade my DVD one of these days.
- willoneill
- Joined: Wed Mar 18, 2009 2:10 pm
- Location: Ottawa, Ontario, Canada
Re: Guy Maddin
I saw the restoration in Ottawa back in March (supposedly the world premiere), and it looks great. Maddin actually sat in the back of the theatre the whole time because he said he wanted to make sure it looked right in an actual cinema. He also said there plans are in the works for a blu-ray, most likely from Zeitgeist.The Curious Sofa wrote: Sat Jun 27, 2026 7:41 am Careful was the first Maddin film I saw and may still be my favourite. I hope this means I can upgrade my DVD one of these days.
- MichaelB
- Joined: Fri Aug 11, 2006 10:20 pm
- Location: Worthing
- Contact:
Re: Guy Maddin
Although sadly a DCP's going to stay looking the same, unlike the only 35mm print in UK distribution. I saw that four times over a three-year period, and it looked better every time, as the fake damage was increasingly supplanted by the far more authentic kind.
I was lucky enough to be able to directly inform both Guy Maddin and his producer Greg Klymkiw of this (on separate occasions), and both were predictably delighted.
I was lucky enough to be able to directly inform both Guy Maddin and his producer Greg Klymkiw of this (on separate occasions), and both were predictably delighted.
- hearthesilence
- Joined: Fri Mar 04, 2005 8:22 am
- Location: NYC
Re: Guy Maddin
Careful is one of his greatest films IMHO so I'll definitely pick up any Blu-ray release but I did see a 35mm print of it several years ago at Lincoln Center and it was wonderful - I just can't see that experience being topped.
FWIW there's one film showing in 35mm at Film Forum: Dracula: Pages from a Virgin's Diary (with the print courtesy of the Wisconsin Center for Film and Theater Research).
FWIW there's one film showing in 35mm at Film Forum: Dracula: Pages from a Virgin's Diary (with the print courtesy of the Wisconsin Center for Film and Theater Research).
- dadaistnun
- Joined: Thu Nov 04, 2004 12:31 pm
- MichaelB
- Joined: Fri Aug 11, 2006 10:20 pm
- Location: Worthing
- Contact:
Re: Guy Maddin
That thing he says at the start about the crackle is the bane of my life - on more than one occasion I've had to ask rightsholders for audio that hasn't been messed around with, because I can usually tell within seconds if it's been overzealously cleaned up by someone who has no idea how vintage film audio is supposed to sound.
Basically, they use digital tools to clean up all the hiss (which is a mistake anyway), and inevitably scrape away actual audio in the process, and the result sounds hideous—and so much so that I'm genuinely amazed that they don't seem to notice what's wrong.
Basically, they use digital tools to clean up all the hiss (which is a mistake anyway), and inevitably scrape away actual audio in the process, and the result sounds hideous—and so much so that I'm genuinely amazed that they don't seem to notice what's wrong.
- dadaistnun
- Joined: Thu Nov 04, 2004 12:31 pm
Re: Guy Maddin
I have the Kino disc of the Archangel restoration but haven't watched it yet. As I started reading the interview, I was disappointed to hear about what happened with the sound but my oh no! turned into an oh! phew! when he said they thankfully corrected the problem.