BD 115 Life of Riley

Discuss releases by Eureka and Masters of Cinema and the films on them
Post Reply
Message
Author
User avatar
swo17
Bloodthirsty Butcher
Joined: Tue Apr 15, 2008 2:25 pm
Location: SLC, UT

BD 115 Life of Riley

#1 Post by swo17 »

Life of Riley

Image

Alain Resnais' (Last Year at Marienbad, Hiroshima mon amour) final film before his death in March 2014 is a moving, graceful, and surprisingly affirmative farewell to life from a truly great artist.

In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live. Life begins to come apart at the seams – not just for Kathryn, who was once George's partner, but also for her friends Tamara and Monica. The full force of the emotional turmoil they experienced in their youth and their long-buried dreams are rekindled. Much to the chagrin of their respectable, middle-class husbands, the women begin to argue about which of them should be allowed to accompany George on a final journey …

After Smoking/No Smoking [1993] and Private Fears in Public Places [2006], this is the late Alain Resnais's third adaptation of a work by British playwright Alan Ayckbourn and the great master's last film. By confining the action to an artificial, almost entirely studio-bound world, he succeeds in creating a tragicomic theatre of vanities. Employing the ironic distance of a sage observer of human nature, Resnais ponders the power of love and desire and in doing so enables his characters, driven by their longings, hopes and obsessions, to leave the beaten track for once.

SPECIAL DUAL FORMAT (BLU-RAY + DVD) EDITION:

• 1080p presentation of the film on the Blu-ray
• New and exclusive video interview about the film with critic and scholar Geoffrey O'Brien
• Original theatrical trailer
• Interviews with the cast
• 36-PAGE BOOKLET featuring a new essay by critic Cristina Álvarez López; a new note on his collaborations with Alain Resnais by playwright Alan Ayckbourn; and production imagery
User avatar
swo17
Bloodthirsty Butcher
Joined: Tue Apr 15, 2008 2:25 pm
Location: SLC, UT

Re: Forthcoming: Life of Riley

#2 Post by swo17 »

MoC Twitter wrote:the theatrical release date for Alain Resnais' LIFE OF RILEY will be 6 March
User avatar
rapta
Joined: Sun Jun 29, 2014 9:04 pm
Location: SW UK

Re: Forthcoming: Life of Riley

#3 Post by rapta »

User avatar
manicsounds
Joined: Wed Nov 03, 2004 2:58 am
Location: Tokyo, Japan

Re: BD 115 Life of Riley

#4 Post by manicsounds »

User avatar
domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 6:42 pm

Re: BD 115 Life of Riley

#5 Post by domino harvey »

Revisited this as part of my Resnais rewatch project and it’s as bad (or worse) as I remembered. It’s incredible how awful it is, actually, in every way. The score, from Resnais’ beloved X Files composer, is surely one of the worst of all time. The performances by actors who all know better are objectively and intentionally bad. O’Brien claims this is an attempt at early French on-screen acting but I disagree, I think this is a failed meta distancing device wherein the portrayal of amateur actors is in turn executed with intentional amateurish acting. The sets are self-consciously barren and ugly (the color palette is Fiestaware) and the random interstitial use of a crosshatched cartoon green screen backdrop for actors to be placed in front of means nothing, just like everything else here. Because above all this film fails because the material is among the worst ever featured on-screen, a complete zero of a source text that offers no possible excuse or reason for anyone to be the least bit interested in it. All I can assess from Resnais going back to this playwright three times is that he had an arrogance not far removed from how Rivette shoots and edits, in that him choosing the material makes it important regardless of the material. No, sorry. Even if there was something, anything interesting here (there’s even a desperate insert of a random mole puppet and a meaninglessly cryptic final shot as remnants of insecure attempts to bring some additional sparkle to a project with none) the story and its characters are so wholly without merit or interest that it wouldn’t matter at all

I had hoped O’Brien might shine a light on what he got out of it but he only talks about this film for a couple minutes in his piece, the rest being an off the cuff career summary. I don’t think there’s any real defense of this that doesn’t just result in me thinking less of the claimant, so perhaps it’s for the best anyways
Post Reply