Juno (Jason Reitman, 2007)

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domino harvey
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#1 Post by domino harvey »

the trailer finally surfaces

[quote="Roger Ebert"]I don't know when I've heard a standing ovation so long, loud and warm as the one after Jason Reitman's “Juno,â€
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Cronenfly
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#2 Post by Cronenfly »

I don't know about this...Thank You for Smoking was a big letdown, and the trailer looks too cutesy/knowingly and annoyingly eccentric in that oh- so-popular indie style of today (re: Little Miss Sunshine, Garden State, etc): the sheer mention of Junebug in Ebert's blurb makes me want to run away. That said, I'd love to be proven wrong, especially with regards to the talent involved (Page, Simmons, Cera, Bateman, Rainn Wilson: the list goes on).
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Antoine Doinel
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#3 Post by Antoine Doinel »

I liked but didn't love Thank You For Smoking (I wished it had been even more cutting satirically), but I did really like Little Miss Sunshine. The cast here looks incredible but the line at the end of the trailer ("Find someone who loves you for who you are") made me cringe a little.

Anyway, anything with Michael Cera, Jason Bateman and Rainn Wilson will have my ass in the seat.
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domino harvey
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#4 Post by domino harvey »

What exactly is wrong with being reminded of Junebug?

I think the trailer is deceiving but also revealing. Surely they're trying to sell this to the mumblecore crowd, but look how awkwardly what they show fits into that mold. Advance word is all around stellar and I think with a cast this great, very little can sway my already preexisting excitement over this project.
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Antoine Doinel
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#5 Post by Antoine Doinel »

domino harvey wrote:What exactly is wrong with being reminded of Junebug?
Agreed.
portnoy
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#6 Post by portnoy »

This movie is okay.

Finely wrought characters, well-earned emotion, a surprisingly uninflected directorial effort on Reitman's part - but it's just not funny for me at all. I didn't laugh once. I smiled a few times, but the way the audience I saw it was busting a gut, I would've hoped it could've been funnier. The comedy is mostly overwritten one-liners by the title character - she's like Enid from Ghost World's less embittered little sister, but also not as funny.

I dunno - I need to see this again to really say for sure how I feel. Part of my experience was wrecked by having to watch the obnoxious Reitman and writer Diablo Cody introduce it.
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Cronenfly
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#7 Post by Cronenfly »

Antoine Doinel wrote:
domino harvey wrote:What exactly is wrong with being reminded of Junebug?
Agreed.
Personal taste: it was a film that did nothing for me, and it looks like this is about halfway between Junebug and Little Miss Sunshine, which, conceptually, makes me think that, especially in Reitman's hands, it won't be that great. However, I'll still do my best to go in with an open mind, and I'd love to be wrong.
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Antoine Doinel
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#8 Post by Antoine Doinel »

Juno has been awarded best film at the Rome Film Festival.
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margot
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#9 Post by margot »

I'll honestly just see anything Ellen Page is in at this point.
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Andre Jurieu
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#10 Post by Andre Jurieu »

Antoine Doinel wrote:Juno has been awarded best film at the Rome Film Festival.
I have to say, out of all the movies that were screened at the festival, Juno probably received the best "buzz" from all the critics/industry screening at TIFF (though I was unable to catch it). It seemed to be a real crowd-pleaser. Then again, people also seemed to love Lars and the Real Girls.
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Antoine Doinel
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#11 Post by Antoine Doinel »

New poster.
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domino harvey
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#12 Post by domino harvey »

Oh man, the Little Miss Sunshine-evoking silhouettes in the bottom corner are killing me.
rs98762001
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#13 Post by rs98762001 »

Despite the game performances, this is just wretched. One of the most contrivedly quirky and precious films I've ever seen, it makes the awful Little Miss Sunshine look natural and honest in comparison. Transparent and predictable, it's so mainstream it wouldn't surprise me at all if it became a sleeper hit- after all, that's clearly what the writer and director were gunning for right from the start. Oh yeah, it also has perhaps the worst soundtrack of all time (except for two selections from the Kinks and Mott the Hoople, neither of which are exactly trail-blazing in themselves). Avoid like the plague.
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justeleblanc
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#14 Post by justeleblanc »

I must agree, the film is a cheap attempt to cash in on the favorite aesthetics of today's teenagers and college students. Beyond that it's bad.

And something that just irks me, for a film that is all about people who are supposedly branded as "uncool" by the norm and how they are in fact the "cool" ones, it spent a lot of time judging other characters for their quirks, neuroses, and insecurities. Maybe it's just a matter of who I was identifying with.
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Magic Hate Ball
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#15 Post by Magic Hate Ball »

The trailer I saw was pretty cute, but after reading the "IT'S REALLY GOOD TRUST ME IT'S GOOD" description I'm really wary of it.
Andre Jurieu wrote:Then again, people also seemed to love Lars and the Real Girls.
There's a sequel out already?
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jbeall
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#16 Post by jbeall »

justeleblanc wrote:And something that just irks me, for a film that is all about people who are supposedly branded as "uncool" by the norm and how they are in fact the "cool" ones, it spent a lot of time judging other characters for their quirks, neuroses, and insecurities. Maybe it's just a matter of who I was identifying with.
In other words, you're saying it's like a Kevin Smith movie?
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The Elegant Dandy Fop
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#17 Post by The Elegant Dandy Fop »

I'm surprised no one has mentioned the Wes Anderson/Kubrick font on the poster, it's even used in the same way Wes Anderson does. First name appears normal, last name is all capitalized.

Futura is the font, I belive. Extra bold.
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justeleblanc
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#18 Post by justeleblanc »

I haven't thought of it in terms of Kevin Smith. I never get the impression that he's trying too hard, whereas Diablo Cody very much is.
rs98762001
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#19 Post by rs98762001 »

justeleblanc wrote:I haven't thought of it in terms of Kevin Smith. I never get the impression that he's trying too hard, whereas Diablo Cody very much is.
That pretty much sums up Juno. Trying way too fucking hard.
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jbeall
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#20 Post by jbeall »

justeleblanc wrote:I haven't thought of it in terms of Kevin Smith. I never get the impression that he's trying too hard, whereas Diablo Cody very much is.
Yeah, and it's funny how KS makes fun of people who actually try hard. I was just being tongue-in-cheek, but I've always been irritated by the fact that Smith can only be warm toward slackers and stoners at the expense of everybody who isn't one.

Maaaaybe I'll get it from Netflix, but based on the last couple of assessments, I definitely won't be seeing it anytime soon.
Noir of the Night
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#21 Post by Noir of the Night »

This movie looks like a calamity.
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Antoine Doinel
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#22 Post by Antoine Doinel »

Interview with Ellen Page and soundtrack track listing here.
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#23 Post by LeeB.Sims »

I saw the theatrical trailer this weekend and was tickled pink at how good this looks. The script sounds hilarious and yes, there are a lot of one-liners, but that's pretty much all you get in a trailer.

I have to say that the overwhelming amount of griping and moaning about how “annoyingly quirky and trying to be too indie like This Film or That Filmâ€
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Jeff
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#24 Post by Jeff »

[quote="LeeB.Sims"]I have to say that the overwhelming amount of griping and moaning about how “annoyingly quirky and trying to be too indie like This Film or That Filmâ€
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justeleblanc
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#25 Post by justeleblanc »

I don't think there's anything wrong in criticizing a film that tries to hard to appeal to a certain demographic, when in the process it chooses catchy over genuine. Now whether or not Juno actually does that is another story, but that was my criticism of it, and I think that criticism is entirely fair.

It may also depend where you set the bar. Out of respect of all those filmmakers who have told terrific coming of age stories set in high school, I really feel the need to bash those that seem to only cash in on trends. It's that subversive cute thing again. When will it just die?
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