Passages

Discuss film culture and criticism
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antnield
Joined: Tue Jun 28, 2005 5:59 pm
Location: Cheltenham, England

Re: Passages

#1751 Post by antnield »

Multimedia artist Mark Nugent
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Mr Sausage
Has Risen from the Grave
Joined: Thu Nov 04, 2004 1:02 am
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Re: Passages

#1752 Post by Mr Sausage »

Rohmer thread here, guys.
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Rufus T. Firefly
Joined: Wed Nov 10, 2004 8:24 am
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Re: Passages

#1753 Post by Rufus T. Firefly »

Juliet "Aunt Peg" Anderson

(link may be NSFW)
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Rufus T. Firefly
Joined: Wed Nov 10, 2004 8:24 am
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Re: Passages

#1754 Post by Rufus T. Firefly »

And continuing the culling of veteran porn actresses, Erica Boyer.
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tavernier
Joined: Sat Apr 02, 2005 11:18 pm

Re: Passages

#1755 Post by tavernier »

I'm glad someone scans AVN for this forum!
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domino harvey
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Re: Passages

#1756 Post by domino harvey »

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flyonthewall2983
Joined: Mon Jun 27, 2005 7:31 pm
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Re: Passages

#1757 Post by flyonthewall2983 »

Teddy Pendergrass.
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Rufus T. Firefly
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Re: Passages

#1758 Post by Rufus T. Firefly »

tavernier wrote:I'm glad someone scans AVN for this forum!
At the risk of disappointing you, that someone scans AVN for alt.obituaries and I steal their work. Honestly.
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fiddlesticks
Joined: Fri Sep 21, 2007 12:19 am
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Re: Passages

#1759 Post by fiddlesticks »

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Antares
Joined: Wed Oct 31, 2007 6:35 pm
Location: Richmond, Rhode Island

Re: Passages

#1761 Post by Antares »

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fiddlesticks
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Re: Passages

#1762 Post by fiddlesticks »

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domino harvey
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Re: Passages

#1763 Post by domino harvey »

I know it isn't a popular opinion around here, but I loved her in Guys and Dolls and it's still a mystery why she wasn't nommed for Elmer Gantry. But her best performance is surely in Preminger's Angel Face. The last remaining greats are leaving us...
Props55
Joined: Wed Jan 09, 2008 3:55 pm

Re: Passages

#1764 Post by Props55 »

Very sorry to hear of her passing but not surprised at the cause. I had the great pleasure of working with Simmons when she guest starred on IN THE HEAT OF THE NIGHT back in '94 and she was a charmer still but smoked like the proverbial chimney. Director Vince McEveety (no slouch in the charm dept. either) chided and coaxed her about the necessity of quitting or at least cutting back, but to no avail. And the adage about golden age screen beauties being petite is no myth. I know we all shrink a bit with age but this woman was tiny, though still energetic and attractive despite the tobacco haze. Outgoing and chatty too. Upon hearing that my boss (Russ Goble) had worked the set dressing swing gang on SPARTACUS back in his Universal youth, she insisted on trading war stories to the delight of the crew.

As per Domino I'm perplexed as to why she was shut out of the ELMER GANTRY nominations. It's a major career highlight. Possibly she cancelled herself out with SPARTACUS the same year. And, after finally seeing GUYS AND DOLLS projected large and wide, feel she was the major factor in finally winning me over on this Broadway to Hollywood adaptation. ANGEL FACE (and Simmons) are an axiom of Noir! I've yet to see her in THE BLUE LAGOON or that Le Fanu adaptation (UNCLE SILAS?) but maybe they'll show up on DVD eventually.

And yes, the greats are indeed falling as fast as the autumn leaves. Glad I got to work with as many as I did. Jean Simmons is among those I'll especially miss.
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Sloper
Joined: Wed May 30, 2007 2:06 am

Re: Passages

#1765 Post by Sloper »

I fell for her in a big way when I was thirteen and saw Elmer Gantry - then all over again when I saw The Big Country. Very classy actress. (Have always thought of her as Audrey Hepburn for grown-ups but that may only make sense in my own head.)
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Peacock
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Re: Passages

#1766 Post by Peacock »

Sloper, I totally agree, The Big Country is Simmons at her most beautiful
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Dylan
Joined: Wed Nov 03, 2004 1:28 am

Re: Passages

#1767 Post by Dylan »

God, I loved Jean Simmons. One of my favorite actresses. In my opinion, she gave (by and far) her greatest performance in husband Richard Brooks' 1969 film The Happy Ending (which I also think is the greatest film of 1969... there's no DVD release but it has been recently shown on an HD TV channel, and it's a must in 2.35:1).
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Polybius
Joined: Thu Nov 04, 2004 2:57 am
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Re: Passages

#1768 Post by Polybius »

Glad I'm not the only fan of The Big Country around here.
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fdm
Joined: Fri Apr 21, 2006 5:25 pm

Re: Passages

#1769 Post by fdm »

Not sure if I'd ever seen it before, but I'll throw in The Robe for good measure. Watched it about a month ago and thought she was quite good/mesmerizing in it, made me finally realize just who she was. And Hamlet was a recent first time watch also, maybe a few days earlier. I've only seen a couple of other films with her in them, but that will be changing shortly. Thanks for your pointers on where to look next.
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colinr0380
Joined: Mon Nov 08, 2004 8:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#1770 Post by colinr0380 »

After Dylan's comment and David Ehrenstein linking to this clip from the film on David Cairn's Shadowplay blog, I think I'm going to have to track this film down!

I still think of her Estella in Great Expectations as being one of her great roles but certainly would also agree on Angel Face (with Footsteps In The Fog as an interesting noir double bill) and Elmer Gantry. I even quite like her in The Grass Is Greener, just to compare her with Audrey Hepburn in the later Cary Grant starring/Stanley Donen directed Charade (I think both possessed the same sort of qualities of refinement rarely seen in actors in Hollywood films, and which many films don't know what to properly do with or even like their actors to possess. I was never really able to truly 'believe' in either of their performances when they played 'lower class' characters such as Eliza Doolittle or the slave girl Varinia for example because I don't really feel that the films were able to overcome those qualities of their lead actresses, despite them bringing a lot of other things to their roles. Though I think perhaps Hepburn managed to mix that refinement with a slightly lost and needy quality that made her seem a bit more accessible and likeable to general audiences).

(EDIT: Sorry I just noted that Sloper put this point much better, and more concisely, above!)
Last edited by colinr0380 on Mon Jan 25, 2010 1:54 pm, edited 1 time in total.
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Dylan
Joined: Wed Nov 03, 2004 1:28 am

Re: Passages

#1771 Post by Dylan »

After Dylan's comment and David Ehrenstein linking to this clip from the film on David Cairn's Shadowplay blog, I think I'm going to have to track this film down!
Modcinema's copy is blessedly sourced from an MGM HD broadcast, so it looks like a studio DVD, preserving some of Conrad Hall's very best color cinematography (it's 2.35:1, which I feel he worked best in). Jean Simmons is breathtaking, and while I've always loved the Michel Legrand score on its own, seeing it scored to the picture brings it to another level altogether (the main title music is a collage of about fifteen different melodies in varying styles). I'll go further and say that I think this is a masterpiece and Richard Brooks' greatest film. Anybody interested in seeing Jean Simmons at her apex should check it out - this is a dream role for actresses. Hopefully MGM will come through with this eventually.
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Antares
Joined: Wed Oct 31, 2007 6:35 pm
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Re: Passages

#1772 Post by Antares »

Anybody here own any of these Modcinema discs?

I see a lot of titles there that I would be interested in. What's the quality like?
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Polybius
Joined: Thu Nov 04, 2004 2:57 am
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Re: Passages

#1773 Post by Polybius »

I don't think Spartacus (or Crassus, for that matter), thought of Varinia as anything but regal.
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ellipsis7
Joined: Tue Nov 02, 2004 5:56 pm
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Re: Passages

#1774 Post by ellipsis7 »

Pretty regal, pretty anyway... "Put me down, Spartcacus, I'm having a baby!"

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David Thomson Jean Simmons obit in The Guardian...
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colinr0380
Joined: Mon Nov 08, 2004 8:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#1775 Post by colinr0380 »

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