Passages

A subforum to discuss film culture and criticism both old and new, as well as memorializing public figures we've lost.
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zedz
Joined: Sun Nov 07, 2004 7:24 pm

Re: Passages

#10851 Post by zedz » Thu May 25, 2023 4:43 pm

mteller wrote:
Thu May 25, 2023 10:33 am
Lemmy Caution wrote:
Thu May 25, 2023 5:59 am
Musicians who just put in the work on the chitin circuit
Surely how The Beatles got so big

(sorry, couldn't resist)
Came here for the film talk, stayed for the coleopterology jokes.

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FrauBlucher
Joined: Mon Jul 15, 2013 8:28 pm
Location: Greenwich Village

Re: Passages

#10852 Post by FrauBlucher » Thu May 25, 2023 5:05 pm

Tina Turner's comeback in the mid 80's was amazing, but she was amazing before that as witnessed by this Don Kirshner's Rock Concert from 1976. For those not familiar with Don Kirshner, he was a rock promotor that had a late night TV show in the States. They finish with Sly Stone's Higher. She kicks ass

Maybe this thread should be separated to her own

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hearthesilence
Joined: Fri Mar 04, 2005 4:22 am
Location: NYC

Re: Passages

#10853 Post by hearthesilence » Thu May 25, 2023 5:13 pm

zedz wrote:
Thu May 25, 2023 4:41 pm
The Tina Turner Comeback Legend (TM) has become calcified into a major-label-does-good myth, but it glosses over the crucial role played by Heaven 17 / B.E.F. They brought her in as one of the vocalists on their Music of Quality and Distinction covers album, and her blasting rendition of 'Ball of Confusion' was issued as a single in 1982. They followed this up with a cover of 'Let's Stay Together' the following year, which was her actual comeback single (not 'What's Love Got to Do With It'). It went Top 10 around the world, paving the way for the success that followed. So it wasn't really the One True Record Exec pulling all the corporate strings that revived her career, but a couple of electro-nerds from Sheffield trying to prolong the Northern Soul revival.
That's going too far in the other direction. Heaven 17 definitely proved she could have a hit contemporary record, but the fact remains she still struggled to get a record deal as well as the full support of the label she ultimately signed with, not myth. And there's nothing A&R rep John Carter went through that isn't that unusual either - sometimes, you need an executive who will fight for you, and you even see the opposite effect happen when said executive gets fired and the artist or production company in question loses their deal or support. (This is ESPECIALLY egregious in the film business - remember what happened at Columbia with Housekeeping, The Adventures of Baron Munchausen, etc. after David Puttnam was forced out? And how he was the reason those films got financed in the first place?)

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Ovader
Joined: Wed Nov 03, 2004 1:56 am
Location: Canada

Re: Passages

#10854 Post by Ovader » Thu May 25, 2023 7:56 pm


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Ovader
Joined: Wed Nov 03, 2004 1:56 am
Location: Canada

Re: Passages

#10855 Post by Ovader » Fri May 26, 2023 2:54 pm


beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#10856 Post by beamish14 » Fri May 26, 2023 8:19 pm

Marlene Clark, star of Bill Gunn’s Stop and Ganja & Hess

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Fred Holywell
Joined: Thu Jun 10, 2010 11:45 pm

Re: Passages

#10857 Post by Fred Holywell » Sat May 27, 2023 11:25 am



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colinr0380
Joined: Mon Nov 08, 2004 4:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Passages

#10859 Post by colinr0380 » Sun May 28, 2023 4:45 pm

Just noted this and wanted to note that he is in a small role in Targets as the guy who gets shot and falls from the gas tower. As a stuntman turned actor, he has a lot of stunt work under his belt, the earliest on Monte Hellman's two films The Shooting and Ride In The Whirlwind. He is also an actor in one of Ray Dennis Steckler's early films, The Thrill Killers. I also wanted to particularly note that he starred in a number of roles for Don Jones, particularly the 1973 film in which he is one of the leads Schoolgirls in Chains (very NSFW), which came perilously close to landing on the UK's video nasty list (I think it ended up as a Section 3 title, where it was not banned, or banned and then eventually allowed to be released, but more was being kept an eye on - probably because of its particularly salacious title - and withdrawn before anything happened to it), but he is also in the slasher film The Forest and 1988's Lethal Pursuit from the same director. That sounds like an Arrow boxset waiting to happen.
Last edited by colinr0380 on Tue May 30, 2023 1:16 am, edited 1 time in total.

clownmeat
Joined: Thu Mar 20, 2008 11:40 am

Re: Passages

#10860 Post by clownmeat » Mon May 29, 2023 1:11 pm


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Pavel
Joined: Fri Aug 07, 2020 2:41 pm

Re: Passages

#10861 Post by Pavel » Tue May 30, 2023 3:19 pm

Peter Simonischek, who gave a truly great performance as the titular character in Toni Erdmann

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GaryC
Joined: Fri Mar 28, 2008 3:56 pm
Location: Aldershot, Hampshire, UK

Re: Passages

#10862 Post by GaryC » Thu Jun 01, 2023 5:22 pm

Australian screenwriter Mac Gudgeon, on 29 May, aged 74.

beamish14
Joined: Fri May 18, 2018 3:07 pm

Re: Passages

#10863 Post by beamish14 » Thu Jun 01, 2023 9:49 pm

Glenn Farr, one of five editors who won an Oscar for their work on Philip Kaufman’s The Right Stuff. Among his other credits is the fascinatingly bizarre John Ritter/Jim Belushi comedy Real Men(1987)

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senseabove
Joined: Wed Dec 02, 2015 3:07 am

Re: Passages

#10864 Post by senseabove » Fri Jun 02, 2023 1:53 pm

Doesn’t appear to have hit the English press yet, but: Margit Carstensen has died at 83.

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agnamaracs
Joined: Thu Dec 21, 2006 3:13 am

Re: Passages

#10865 Post by agnamaracs » Fri Jun 02, 2023 3:50 pm


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dadaistnun
Joined: Thu Nov 04, 2004 8:31 am

Re: Passages

#10866 Post by dadaistnun » Fri Jun 02, 2023 4:13 pm


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Matt
Joined: Tue Nov 02, 2004 12:58 pm

Re: Passages

#10867 Post by Matt » Fri Jun 02, 2023 8:10 pm

Finnish composer Kaija Saariaho

If you’re even the slightest bit interested in opera, the 2021 Arte TV telecast of her opera Innocence is a great piece of staging in general and staging for a screen in particular. Doesn’t hurt that the music is great and the story is very moving.

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