Arrow Announcements, Speculation & Wild, Irresponsible Conjecture

[tenia]

describing the Criterion release as 'decent' is ridiculous though and thats the point

Calling it "decent" might be a bit too strongly mixed, and sure enough, some Criterion's UHD are definitely way worse than this (Walkabout), but while the restoration is very good, its home-video-port through Criterion still suffer from non-optimal compression DESPITE a high-freq roll-off. First, there should be no roll-off; second, if you apply one to ease the compression, then don't still get blockiness here and there. So as it stands, I understand thinking other labels could be better.

[nitin]

I understand what you are saying objectively but this is still like saying this release is a 9/10, I will wait for a 10/10 release and in the meantime refer to the 9/10 release as something only just above average (appreciate that you aren't exactly saying this, but that is how a lot of other posters in the 4k threads on the other forum come across as).

[tenia]

I understand what you are saying objectively but this is still like saying this release is a 9/10, I will wait for a 10/10 release and in the meantime refer to the 9/10 release as something only just above average (appreciate that you aren't exactly saying this, but that is how a lot of other posters in the 4k threads on the other forum come across as).

That's exactly it.
I understand people thinking 9/10 isn't only just above average : it's actually closer to perfect 10/10. But it... isn't 10, and solely for home video reasons (and avoidable ones, at that), ie the culprit is entirely on the home video side/label.
I'm also unsure if "The Criterion 4K is certainly a decent disc" should be read as particularly pejorative, or just a variant of "is certainly a capable disc" or something like this, meaning "yeah, it's pretty good, but it should have been and could be better".
Anyway.

[Zot!]

To be fair, don't we have the tiered upgrade thread that is meant exactly for this kind of a finite assessment? I accept that we do not need to pollute every thread with every technical quibble, but I definitely appreciate people with time on their hands giving me some shopping hints for the titles I am interest in. Also, like it or not UHD is the videophile format, so some cork sniffing is only to be expected.

[Finch]

I have to say it's exactly that attitude and the recent posts in the Elephant Man thread that just make me want to tear what's left of my hair out. The diminishing of a near perfect product (after all warranting a 9 out of 10) in favor of a disc that's ultimately only a little bit superior. I bet you anything that outside of Geoff D and maybe two or three others, everyone else could not tell the difference between a 9 and 10 disc in motion if they hadn't pixel peeped at 200% zoomed in screenshots instead.

[nitin]

I appreciate nicwood's posts because although he js a self-professed 'pixel peeper', and can see things many wont notice, ultimately his posts are fairly balanced and informative rather than just doing the usual blu ray dot com nonsense.

[MichaelB]

I appreciate nicwood's posts because although he js a self-professed 'pixel peeper', and can see things many wont notice, ultimately his posts are fairly balanced and informative rather than just doing the usual blu ray dot com nonsense.

Although he does have a tendency to gush hyperbolically on a first encounter, only to significantly row back on his enthusiasm later once he’s actually watched it properly.

[tenia]

(I suppose this might be moved to a more appropriate topic, though I'm unsure which one exactly)

I think there are 2 slightly different subjects in this discussion.

I have to say it's exactly that attitude and the recent posts in the Elephant Man thread that just make me want to tear what's left of my hair out. The diminishing of a near perfect product (after all warranting a 9 out of 10) in favor of a disc that's ultimately only a little bit superior.

The Elephant Man's Criterion release led to actual hyperboles on the blu-ray.com thread (and the HTF one). However, saying "this could have been better, since this other release managed to do so" isn't willingly "diminishing" a near perfect product : it can also be simply informative about a tech aspect that IS inferior. All the matter then is about classifying properly the width of the gap, which is where, sometimes, additionnal precisions and nuances and rephrasing can be useful (and where hyperboles can happen).

Not everything is My Own Private Idaho BD or Walkabout UHD, but inferior encode is inferior encode, and Criterion's positioning both in prestige and pricing doesn't help attracting leniency.

I bet you anything that outside of Geoff D and maybe two or three others, everyone else could not tell the difference between a 9 and 10 disc in motion if they hadn't pixel peeped at 200% zoomed in screenshots instead.

To some extent, if I can see stuff like this on my 15 years old 50" HD plasma, people likely to have better equipment and still not seeing it, well, just have no excuse.

Yet, that's the world we're in, not solely because this is negligible to the point it requires zooming at 200% on screencaps to be seen (which actually rarely is required, but the problem often gets mixed up with the tool used for illustrating it), but also because 90% of the viewers never knew and/or never cared and never will, just like they could never have spotted DNR even if it sprung out of the TV and punched them in the face. Only a fraction of viewers were right to call out what we got on a recurring basis on DVD and then on early BDs (and more rarely on later BD).

But as I wrote earlier, we're fortunate enough that these basic issues are now mostly behind us, and with (say) 95% of the tech grounds covered, the more discerning eyes WILL focus on the remaining 5%, and those 5% WILL be what separate labels with skilled collaborators from labels surrounding themselves with lesser skilled ones and accepting to release their inferior work (and it's not as if there's a discount due to this), often despite the fact they could have asked to get it redone or hired someone better.

This is tech's last frontier for home video labels, one that is entirely in their area of influence and (normally) expertise.

It might seem trivial, and in most cases I'd argue it visually is. But, in a more general way, labels have 0 excuse in 2026 to release discs with what remains purely digitally introduced flaws, even negligible ones.
AVC is 20+ years old, HEVC 10+ years old. There are companies that have proven again and again these encoders are mastered, and since quite some time. There shouldn't be ANYTHING to point out anymore.