The Lukas Moodysson Collection
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Details by Film
Fucking Åmål
Streaming Options
Together
Streaming Options
Lilya 4-Ever
Streaming Options
A Hole in My Heart
Container
Mammoth
We Are the Best!
Fucking Åmål
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Together
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Lilya 4-ever
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
A Hole in My Heart / Container
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Mammoth
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
We Are the Best!
Ever since his debut was heralded as “a young master’s first masterpiece” by none other than Ingmar Bergman, director Lukas Moodysson has been hailed internationally as one of Sweden’s greatest filmmaking talents, delighting and confounding audiences in equal measure.
Moodysson’s first film, Fucking Åmål (released overseas as Show Me Love), tells the story of awkward smalltown teenager Agnes and her crush on popular classmate Elin, which unexpectedly blossoms into reallife romance; it was quickly heralded as a new queer cinema touchstone and one of the most authentic portrayals of youthful relationships on film. He swiftly followed this with the bittersweet, satirical 1970sset Together, in which the inhabitants of a commune try to reconcile their ideals with their hearts’ desires.
Having made a name for himself as the new master of tragicomic, feelgood humanism, Moodysson suddenly frustrated expectations with a trio of startlingly confrontational works: the hauntingly bleak Lilya 4ever, based on a reallife case of a Russian girl sold into sex trafficking in Sweden; the abrasive and semiimprovised A Hole in My Heart, detailing the messy (un)making of an amateur porn video; and the avantgarde Container, narrated in its English version by Jena Malone (Donnie Darko).
After making his mainstream Englishlanguage debut with the expansive Mammoth, starring Gael Garcia Bernal and Michelle Williams, Moodysson returned to his roots with We Are The Best! (based on a graphic novel by his wife and ‘consigliere’ Coco), the charming and funny tale of three schoolgirls starting a punk band in early1980s Stockholm.
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Release Information:
Technical Specifications
Supplements
- New interview with Lukas Moodysson
- New interview with Lukas Moodysson
- New interview with Lukas Moodysson
- New interviews with Lukas Moodysson on both films
- New interview with Lukas Moodysson
- New interview with Lukas Moodysson
- 200-page hardback book featuring new writing by Peter Walsh, excerpts from the original press kits for each film, including interviews with and directors’ statements from Lukas Moodysson, and essays on his films from a 2014 special issue of the Nordic culture journal Scandinavica by C. Claire Thomson, Helga H. Lúthersdóttir, Elina Nilsson, Scott MacKenzie & Anna Westerståhl Stenport and Kjerstin Moody
- New interview with star Alexandra Dahlström
- New interview with script supervisor Malin Fornander
- New interview with costume designer Denise Östholm
- Lukas Moodysson Masterclass, an interview with the director filmed at London’s National Film & Television School in 2004
- New interview with line producer Malte Forssell
- New interview with cinematographer Ulf Brantås
- Did You Know She’s A Lesbian?, an appreciation by Dr. Clara Bradbury-Rance, author of Lesbian Cinema After Queer Theory
- New interview with editor Michal Leszczylowski
- Guardian Interview with Lukas Moodysson, a Q&A with the director filmed at the London Film Festival in 2002
- A Hole in My Second Heart, a behind-the-scenes featurette from 2004
- Promotional interviews with Lukas Moodysson and Gael García Bernal from 2009
- A New Expression, a look at the background to the film by Swedish punk historian David Andersson
- Talk (Bara prata lite), a short film directed by Moodysson in 1997
- Deleted scenes
- Theatrical trailer
- Swedish and English narration options for Container
- Theatrical trailer
- Q&A from the 2013 London Film Festival screening, featuring Lukas Moodysson and stars Liv LeMoyne and Mira Barkhammar
- Theatrical trailer
- Theatrical trailer
- Image gallery
- Inside the Container Crypt, a 2007 featurette on the themes of Container
- Image gallery
- Theatrical trailer
- Image gallery
- Image gallery
- Theatrical trailer for A Hole in My Heart
- Image gallery
- Theatrical trailer for Container
- Image galleries