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Licensor Information
Coyotes Productions
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
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24770.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Documentary, Deleted Scenes, Music Video, Gallery, Theatrical Trailer, Radio Advertisement, Filmography, Booklet
- Audio commentary with codirectors Allison Anders and Kurt Voss
- Audio commentary with actors Luanna Anders, Dave Alvin, Chris D., John Doe, and Chris Shearer
- The Making of “Border Radio,” a 2002 documentary featuring interviews with Allison Anders, Dean Lent, Kurt Voss, John Doe, and Chris D.
- Nine deleted scenes
- Music video of the Flesh Eaters’ “The Wedding Dice”
- Stills gallery featuring rare behind-the-scenes photos
- Theatrical trailer
- Radio spot
- Bios of cast and crew
- Booklet featuring a new essay by music journalist and critic Chris Morris
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Susan Arosteguy
Artwork: Marc English
Release Notes on Restoration
Border Radio
Border Radio is presented in its original aspect ratio of 1.33:1. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. Supervised by director of photography Dean Lent, with additional supervision from Kurt Voss, this new high-definition digital transfer was created on a Spirit Datacine from the 16mm duplicate negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.