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Licensor Information
Kadokawa Herald Pictures
Directed by: Kon Ichikawa
An agonizing portrait of desperate Japanese soldiers stranded in a strange land during World War II, Kon Ichikawa’s Fires on the Plain is a compelling descent into psychological and physical oblivion. Denied hospital treatment for tuberculosis and cast off into the unknown, Private Tamura treks across an unfamiliar Philippine landscape, encountering an increasingly debased cross section of Imperial Army soldiers, who eventually give in to the most terrifying craving of all. Grisly yet poetic, Fires on the Plain is one of the most powerful works from one of Japanese cinema’s most versatile filmmakers.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
2.35:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Introduction, Interview, Insert
- New video introduction by Japanese-film scholar Donald Richie
- New video interviews with director Kon Ichikawa and actor Mickey Curtis
- A new essay by film critic Chuck Stephens
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Jason Altman
Artwork: Michael Boland
Producer: Heather Shaw
Release Notes on Restoration
Fires on the Plain
Fires on the Plain is presented in its original aspect ratio of 2.35:1. Black bars at the top and the bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm composite fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest-possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from a 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1 -channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1 -channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.