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Licensor Information
Granada International Media
Directed by: Sidney Gilliat
Featuring: Alastair Sim, Leo Genn, Trevor Howard, Sally Gray, Rosamund John, Judy Campbell, Megs Jenkins
In the midst of Nazi air raids, a postman dies on the operating table at a rural English hospital. But was the death accidental? A delightful and wholly unexpected murder mystery, British writer/director Sidney Gilliat’s Green for Danger features Trevor Howard and Sally Gray as suspected doctors and Alastair Sim in a marvelous turn as Scotland Yard’s insouciant Inspector Cockrill. A screenwriter who had worked with Hitchcock on such films as The Lady Vanishes and Jamaica Inn, Gilliat slyly upends whodunit conventions with wit and style.
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Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Booklet
- Audio commentary by film and music historian Bruce Eder
- New interview with British film historian Geoff Brown
- A new essay by critic Geoffrey O'Brien and a director’s statement
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Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Heather Shaw
Artwork: Geoff Grandfield
Release Notes on Restoration
Green for Danger
Green for Danger is presented in its original aspect ratio of 1.33:1. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm nitrate fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.