Licensor Information
Toho Co.
Directed by: Akira Kurosawa
Featuring: Toshiro Mifune, Kyoko Kagawa, Tatsuya Mihashi, Yutaka Sada, Tatsuya Nakadai, Takashi Shimura, Susumu Fujita, Kenjiro Ishiyama, Ko Kimura, Isao Kimura, Takeshi Kato, Yoshio Tsuchiya, Hiroshi Unayama, Koji Mitsui, Tsutomu Yamazaki
Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low (Tengoku to jigoku), the highly influential domestic drama and police procedural from director Akira Kurosawa. Adapting Ed McBain’s detective novel King’s Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.
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Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
2.35:1
Audio Options:
Japanese DTS-HD MA Surround 4.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Documentary, Interview, Theatrical Trailer, Booklet
- Audio commentary by Akira Kurosawa scholar Stephen Prince
- Thirty-seven minute documentary on the making of High and Low, created as part of the Toho Masterworks series Akira Kurosawa: It is Wonderful to Create
- Rare video interview with actor Toshiro Mifune, from 1984
- New video interview with actor Tsutomu Yamazaki
- Theatrical trailers and teaser
- A booklet featuring a new essay by critic Geoffrey O'Brien and an on-set account by Japanese film-scholar Donald Richie
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Lucien S. Y. Yang
Producer: Abbey Lustgarten
Release Notes on Restoration
High and Low
High and Low is presented in its original aspect ratio of 2.35:1. Black bars at the top and bottom of the screen are normal for this format. This new high-defintion digital transfer was created on a Spirit 4K Datacine from a 35mm fine-grain master positive and, for the color sequence, a 35mm interpositive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS system and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain, and noise reduction.
The 4.0 surround soundtrack was remastered at 24-bit from the original 4-track stems. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.
The 4.0 surround soundtrack was remastered at 24-bit from the original 4-track stems. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.

