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Licensor Information
Argos Films
Directed by: Nagisa Oshima
Featuring: Eiko Matsuda, Tatsuya Fuji, Aoi Nakajima, Yasuko Matsui, Meika Seri, Kanae Kobayashi, Taiji Tonoyama, Kyôji Kokonoe
Still censored in its own country, In the Realm of the Senses (Ai no corrida), by Japanese director Nagisa Oshima, remains one of the most controversial films of all time. A graphic portrayal of insatiable sexual desire, Oshima’s film, set in 1936 and based on a true incident, depicts a man and a woman (Tatsuya Fuji and Eiko Matsuda) consumed by a transcendent, destructive love while living in an era of ever escalating imperialism and governmental control. Less a work of pornography than of politics, In the Realm of the Senses is a brave, taboo-breaking milestone, still censored in its own country.
Streaming Options
2390.
+960
Stream
2
Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.66:1
Audio Options:
Japanese PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Deleted Scenes, Theatrical Trailer, Booklet
- New audio commentary with film scholar Tony Rayns
- New interview with actor Tatsuya Fuji
- A 1976 interview with director Nagisa Oshima and actors Fuji Matsuda and Eiko Matsuda
- A 2003 program featuring interviews with consulting producer Hayao Shibata, line producer, Koji Wakamatsu, assistant director Yoichi Sai, and film distributor Yoko Asakura
- Deleted footage
- U.S. Trailer
- A booklet featuring an essay by Japanese film scholar Donald Richie and a reprinted interview with Nagisa Oshima
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Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Neil Kellerhouse
Producer: Abbey Lustgarten
Release Notes on Restoration
In the Realm of the Senses
In the Realm of the Senses is presented in the aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm interpositive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from an optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from an optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.