Late Spring

Edition no. 331

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Licensor Information
Shochiku
Directed by: Yasujiro Ozu
One of the most powerful of Yasujiro Ozu’s family portraits, Late Spring (Banshun) tells the story of a widowed father who feels compelled to marry off his beloved only daughter. Eminent Ozu players Chishu Ryu and Setsuko Hara command this poignant tale of love and loss in postwar Japan, which remains as potent today as ever—and a strong justification for its maker’s inclusion in the pantheon of cinema’s greatest directors.
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Release Information:


Technical Specifications

Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.33:1
Audio Options:
Japanese PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English

Supplements

Types of Supplements Included: Audio Commentary, Documentary, Booklet
  • Audio commentary by Richard Peña, program director of New York’s Film Society of Lincoln Center
  • Tokyo-Ga (1985), filmmaker Wim Wenders’s ninety-two-minute documentary about director Yasujiro Ozu
  • A booklet featuring essays by critic Michael Atkinson and Japanese-film historian Donald Richie, as well as Yasujiro Ozu’s thoughts on screenwriter Kogo Noda

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Release Credits

Producer: Kim Hendrickson
Artwork: Peter Grant

Release Notes on Restoration

Late Spring
Late Spring is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This high-definition transfer was created on a Spirit Datacine from a 35mm fine-grain master positive and a 35mm theatrical print. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DRS while Image System's Phoenix was used for small dirt, grain, jitter, and flicker.

The original soundtrack was remastered at 24-bit from the film's optical track. Viewers may notice significant distortion inherent in the original surviving soundtrack materials. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.