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Licensor Information
Intramovies
Directed by: Michelangelo Antonioni
Michelangelo Antonioni’s 1960s panoramas of contemporary alienation were decade-defining artistic events, and Red Desert, his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age—about a disaffected woman, brilliantly portrayed by Antonioni muse Monica Vitti, wandering through a bleak industrial landscape beset by power plants and environmental toxins, and tentatively flirting with her husband’s coworker, played by Richard Harris—continues to keep viewers spellbound. With one startling, painterly composition after another—of abandoned fishing cottages, electrical towers, looming docked ships—Red Desert creates a nearly apocalyptic image of its time, and confirms Antonioni as cinema’s preeminent poet of the modern age.
Streaming Options
18404.
+11317
Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.85:1
Audio Options:
Italian PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Short Film, Dailies, Theatrical Trailer, Booklet
- Audio commentary by Italian film scholar David Forgacs
- Archival interviews with director Michelangelo Antonioni and actress Monica Vitti
- Two short documentaries by Antonioni: Gente del Po, about a barge trip down the Po River, and N.U. about urban street cleaners
- Dailies from the original production
- Theatrical trailer
- A booklet featuring a new essay by film writer Mark Le Fanu, a reprinted interview with Michelangelo Antonioni conducted by Jean-Luc Godard, and writings by Antonioni on Gente del Po and N.U.
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Supplements
Artwork
Release Credits
Producer: Kim Hendrickson
Artwork: Lucien S. Y. Yang
Release Notes on Restoration
Red Desert
Red Desert is presented in its original aspect ratio of 1.85:1. Black bars at the top and bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Spirit HD 2K Datacine from the original 35mm camera negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI’s DRS system and Pixel Farm’s PFClean system, while Digital Vision’s DVNR system was used for small dirt, grain, and noise reduction.
The soundtrack was remastered at 24-bit from a 35mm optical track print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated audio workstation.
The soundtrack was remastered at 24-bit from a 35mm optical track print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated audio workstation.