Safety Last!

Edition no. 662

Buy Physical Copy At: Amazon.com Amazon.ca
Licensor Information
Harold Lloyd Entertainment, Inc.
The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him. Lloyd plays a small-town bumpkin trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success. Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend.
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Release Information:


Technical Specifications

Format:
DVD
Discs:
DVD-9 (2 Discs)
Total: 2 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.37:1
Audio Options:
Musical Score Dolby Digital Mono 1.0
Musical Score Dolby Digital Stereo 2.0

Supplements

Types of Supplements Included: Alternate Score, Audio Commentary, Introduction, Documentary, Short Film, Interview, Booklet
  • Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision and presented in uncompressed stereo on the Blu-ray edition
  • Alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural on the Blu-ray edition
  • Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
  • Introduction by Suzanne Lloyd, Lloyd’s granddaughter and the president of Harold Lloyd Entertainment
  • Harold Lloyd: The Third Genius, a 108-minute documentary from 1989
  • Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Richard Correll and film writer John Bengtson
  • New interview with Carl Davis
  • A booklet featuring a new essay by critic Ed Park

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